Ten years separate these two poignant novels featuring the same young woman, by the New York Times–bestselling “novelist in the grand tradition” (Anita Brookner). British novelist Rosamond Lehmann “has always written brilliantly of women in love” (Margaret Drabble). In her pair of novels featuring Olivia Curtis—a shy, romantic, and hopeful seventeen-year-old looking forward to her first dance, and later, a sadder young woman in her twenties who still longs to capture lost passion—Lehmann creates “a completely compelling intimacy” that lingers long after the stories are over (Hermione Lee, The Guardian). Invitation to the Waltz: Seventeen-year-old Olivia Curtis has been invited to her first dance. She is thrilled and terrified. In her diary, she confides her hopes, doubts, and fears—about her pretty, confident older sister, Kate; her precocious baby brother, James; her eccentric country neighbors; and of course, the upcoming party, which she is sure will be the crowning event of her life. Divided into three parts—Olivia’s birthday, the day leading up to the dance, and the event itself—Invitation to the Waltz beautifully captures the conflicting emotions of a teenager on the threshold of womanhood. “Utterly charming and so desperately true that it almost hurts.” —The New York Times The Weather in the Streets: Ten years older with a failed marriage behind her, Olivia runs into Rollo Spencer, her girlhood crush from the ball, on a train, and is swept up in a heated but clandestine affair, since Rollo is married. Lehmann’s “honest” and “powerful” novel charts the tempestuous course of Olivia and Rollo’s forbidden relationship, from the first throes of passion through the toll of their deception on Olivia as she confronts the harsh reality of being the other woman (Kirkus Reviews). “A vividly realized, painfully convincing story of a love affair, written in Lehmann’s characteristic spare, poetic prose.” —Joyce Carol Oates

This debut ghostly romance, set at a sinister boarding school, is “spooky, sexy, strange, and shocking,” says Printz and National Book Award finalist E. Lockhart. When Liv Bloom lands an art scholarship at Wickham Hall, she’s thrilled. The school’s traditions and rituals may be a little strange, but for the first time ever she has her own studio, supplies—everything she could want. Including Malcolm Astor, a legacy student with his own art obsession. Liv’s defenses melt, despite warnings from fellow scholarship kid Gabe Nichols not to get involved with Malcom. But her bliss is doomed; weeks after arriving, Liv is viciously murdered. Gabe, the only one who can see her, is now her sole link to the world of the living. Together, Liv, Gabe, and Malcolm fight to expose the terrible truth that haunts the halls of Wickham.

Originally published in hardcover in 2013 by Simon & Schuster.

From the author of stunning debut The Mourning Hours comes a powerful new novel that explores every parent's worst nightmare… The Kaufmans have always considered themselves a normal, happy family. Curtis is a physics teacher at a local high school. His wife, Kathleen, restores furniture for upscale boutiques. Daniel is away at college on a prestigious music scholarship, and twelve-year-old Olivia is a happy-go-lucky kid whose biggest concern is passing her next math test. And then comes the middle-of-the-night phone call that changes everything. Daniel has been killed in what the police are calling a "freak" road accident, and the remaining Kaufmans are left to flounder in their grief. The anguish of Daniel's death is isolating, and it's not long before this once-perfect family finds itself falling apart. As time passes and the wound refuses to heal, Curtis becomes obsessed with the idea of revenge, a growing mania that leads him to pack up his life and his anxious teenage daughter and set out on a collision course to right a wrong. An emotionally charged novel, The Fragile World is a journey through America's heartland and a family's brightest and darkest moments, exploring the devastating pain of losing a child and the beauty of finding the way back to hope. "Heart-stopping. A gripping read that delivers a beautiful reminder of the resilience of love." —Karen Brown, author of The Longings of Wayward Girls

Modes of Censorship and Translation articulates a variety of scholarly and disciplinary perspectives and offers the reader access to the widening cultural debate on translation and censorship, including cross-national forms of cultural fertilization. It is a study of censorship and its patterns of operation across a range of disciplinary settings, from media to cultural and literary studies, engaging with often neglected genres and media such as radio, cinema and theatre. Adopting an interdisciplinary and transnational approach and bringing together contributions based on primary research which often draws on unpublished archival material, the volume analyzes the multi-faceted relationship between censorship and translation in different national contexts, including Italy, Spain, Great Britain, Greece, Nazi Germany and the GDR, focusing on the political, ideological and aesthetic implications of censorship, as well as the hermeneutic play fostered by any translational act. By offering innovative methodological interpretations and stimulating case studies, it proposes new readings of the operational modes of both censorship and translation. The essays gathered here challenge current notions of the accessibility of culture, whether in overtly ideological and politically repressive contexts, or in seemingly 'neutral' cultural scenarios.

A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.

This book situates the single woman within the evolving landscape of modernity, examining how she negotiated rural and urban worlds, explored domestic and bohemian roles, and traversed public and private spheres. In the modern era, the single woman was both celebrated and derided for refusing to conform to societal expectations regarding femininity and sexuality. The different versions of single women presented in cultural narratives of this period—including the old maid, odd woman, New Woman, spinster, and flapper—were all sexually suspicious. The single woman, however, was really an amorphous figure who defied straightforward categorization. Emma Sterry explores depictions of such single women in transatlantic women’s fiction of the 1920s to 1940s. Including a diverse selection of renowned and forgotten writers, such as Djuna Barnes, Rosamond Lehmann, Ngaio Marsh, and Eliot Bliss, this book argues that the single woman embodies the tensions between tradition and progress in both middlebrow and modernist literary culture.

Rosamond Lehmann’s enduring classic, told from the point of view of its seventeen-year-old heroine, who has been invited to her first dance Today is Olivia Curtis’s seventeenth birthday. In exactly one week, she will attend her first dance. She is thrilled . . . and terrified. Will Tony Heriot ask her to dance? Will he even remember that they once attended the same costume party? What will she wear? Something bright and beautiful—red silk? In the handsome diary she receives as a gift, Olivia shares her innermost doubts and fears—about her pretty, confident older sister, Kate, her precocious baby brother, James, her eccentric country neighbors, and of course, the upcoming party, which she is sure will be the crowning event of her young life. Divided into three parts—Olivia’s birthday, the day leading up to the party, and the breathtaking event itself—Invitation to the Waltz masterfully captures the conflicting emotions of a teenager on the threshold of womanhood. Will this be the night when all of Olivia’s dreams come true?

In 1930s England, an encounter on a train leads to an illicit affair, in this novel of “spare, poetic prose” by the author of Invitation to the Waltz (Joyce Carol Oates). Just ten years ago, Olivia Curtis attended her first dance. Now she is divorced and living with her cousin in London. When she gets a call notifying her that her father is gravely ill, she makes preparations to return to Tulverton, in the English countryside—and on the railway journey home, she runs into Rollo Spencer, her girlhood crush. He and Olivia once shared a fleeting, magical moment on a moonlit terrace that she has never forgotten. Now, fate has thrown them together again, and in spite of the fact that Rollo is married, they embark on a clandestine affair. The Weather in the Streets charts the tempestuous course of Olivia and Rollo’s forbidden relationship, from the first throes of passion through the toll of their deception on Olivia as she confronts the harsh reality of being the other woman. A novel ahead of its time that touched on a variety of taboo subjects, it is an enduring classic by an author who “has always written brilliantly of women in love” (Margaret Drabble).

An examination of a number of English women novelists who portrayed the crises and conflicts in the development of the female consciousness as a response to the anomalies of the rapidly changing world of the early twentieth century when opportunities for self-expression and fulfilment were beginning to open up for women but nineteenth-century values and prejudices still widely prevailed. May Sinclair, Radclyffe Hall, Rosamond Lehmann, Antonia White and Dorothy Richardson are seen as outspoken and innovative writers often marginalised or ignored by serious criticism.