The Odyssey of a Southerner, an interpretive biography of Gustavus Woodson Smith, takes a look at a life that spanned almost seventy-five years of the 19th century. The focus of this book lies in Smith's activity in the Civil War. Jefferson Davis's commission of Smith as a major general called attention to the problems of the Confederate system of appointments which made a sick man of unproven competence the second in command of the Confederate Army of the Potomac. Hudson uses a wide variety of sources including manuscript collections, government documents, official records, and newspapers to recreate the life of Smith.

Frederick Law Olmsted, the northerner who wrote comprehensively about his travels in the South, had no southern counterpart. But there were thousands of southerners -- planters, merchants, bankers, students, housewives, writers, and politicians -- who traveled extensively in the North and who recorded their impressions in letters to their families, in articles for the local press, and in the few books they wrote. In A Southern Odyssey the distinguished historian John Hope Franklin canvasses the entire field of southern travel and analyzes the travelers and their accounts of what they saw in the North. Many went out of sheer curiosity. Others went on business, to get an education, to make purchases for the store and home, to attend religious or political conventions, or to instruct northerners about the superior qualities of the southern way of life and warn them of the dangers of unbridled abolitionist attacks. The more they went, the more they doubted the wisdom of spending money among their enemies. But they continued to go, even against their own advice to fellow southerners, and some tarried until the attack on Fort Sumter. Concentrating as it does on the human side of North-South relations during the antebellum years, A Southern Odyssey represents a fresh and imaginative approach to a long overlooked chapter in southern history. It is also a handsome book, with twenty illustrations that comprise "An Album of Southern Travel."

The New York Times-bestselling final book by the beloved, Pulitzer-Prize winning historian Tony Horwitz. With Spying on the South, the best-selling author of Confederates in the Attic returns to the South and the Civil War era for an epic adventure on the trail of America's greatest landscape architect. In the 1850s, the young Frederick Law Olmsted was adrift, a restless farmer and dreamer in search of a mission. He found it during an extraordinary journey, as an undercover correspondent in the South for the up-and-coming New York Times. For the Connecticut Yankee, pen name "Yeoman," the South was alien, often hostile territory. Yet Olmsted traveled for 14 months, by horseback, steamboat, and stagecoach, seeking dialogue and common ground. His vivid dispatches about the lives and beliefs of Southerners were revelatory for readers of his day, and Yeoman's remarkable trek also reshaped the American landscape, as Olmsted sought to reform his own society by creating democratic spaces for the uplift of all. The result: Central Park and Olmsted's career as America's first and foremost landscape architect. Tony Horwitz rediscovers Yeoman Olmsted amidst the discord and polarization of our own time. Is America still one country? In search of answers, and his own adventures, Horwitz follows Olmsted's tracks and often his mode of transport (including muleback): through Appalachia, down the Mississippi River, into bayou Louisiana, and across Texas to the contested Mexican borderland. Venturing far off beaten paths, Horwitz uncovers bracing vestiges and strange new mutations of the Cotton Kingdom. Horwitz's intrepid and often hilarious journey through an outsized American landscape is a masterpiece in the tradition of Great Plains, Bad Land, and the author's own classic, Confederates in the Attic.

Throughout his life, Atlanta resident George W. Wray Jr. (1936–2004) built a collection of more than six hundred of the rarest Confederate artifacts including not just firearms and edged weapons but also flags, uniforms, and accoutrements. Today, Wray’s collection forms an integral part of the Atlanta History Center’s holdings of some eleven thousand Civil War artifacts. Confederate Odyssey tells the story of the Civil War through the Wray Collection. Analyzing the collection as material evidence, Gordon L. Jones demonstrates how a slave-based economy on the cusp of industrialization attempted to fight an industrial war. The broad range of the collection includes many rare or one-of-a-kind objects, such as a patent model and early inventions by gun maker George W. Morse, the bloodstained coat of a seventeen-year-old South Carolina soldier, battle flags made of cloth imported from England, and arms made in Georgia, the heart of the Confederacy’s burgeoning military-industrial complex. As Civil War history, Confederate Odyssey benefits from the study of material remains as it bridges the domains of professional scholars and amateur collectors such as Wray. The book tells of the stories, significance, and context of these artifacts to general readers and Civil War buffs alike. The Wray Collection is more than a gathering of relics; it is a tale of historical truths revealed in small details.

Charts the history of South Asian diaspora, weaving together stories of various peoples colonized by the British Empire.

Presents stories, recipes, and photographs of barbecue cooking in the South, recording the pitmasters and legendary joints that make this food culture famous.

"Walks to the Paradise Garden is the last unpublished manuscript of the late American poet, photographer, publisher and bon viveur Jonathan Williams (1929-2008). This book chronicles Williams' road trips across the Southern United States with photographers Guy Mendes and Roger Manley in search of the most authentic and outlandish artists the South had to offer. Williams describes the project thus: 'The people and places in Walks to the Paradise Garden exist along the blue highways of America.... We have traveled many thousands of miles, together and separately, to document what tickled us, what moved us, and what (sometimes) appalled us.' The majority of these road trips took place in the 1980s, a pivotal decade in the development of Southern 'yard shows' and many of the artists are now featured in major institutions. This book, however, chronicles them at the outset of their careers and provides essential context for their inclusion in the art historical canon"--Back cover.

Nine historians analyze the complexity of Southern history.

Like John Muir, David Pitt-Brooke stepped out for a walk one morning—a long walk of a thousand kilometres or more through the arid valleys of southern interior British Columbia. He went in search of beauty and lost grace in a landscape that has seen decades of development and upheaval. In Crossing Home Ground he reports back, providing a day-by-day account of his journey’s experiences, from the practical challenges—dealing with blisters, rain and dehydration—to sublime moments of discovery and reconnection with the natural world. Through the course of this journey, Pitt-Brooke’s encounters with the natural world generate starting points for reflections on larger issues: the delicate interconnections of a healthy landscape and, most especially, the increasingly fragile bond between human beings and their home-places. There is no escaping the impact of human beings on the natural world, not even in the most remote countryside, but he finds hope and consolation in surviving pockets of loveliness, the kindness of strangers and the transformative process of the walking itself, a personal pilgrimage across home ground. Crossing Home Ground is a book that, though rooted in one specific place and time, will evoke a universal sense of recognition in a wide variety of readers. It will appeal to hikers, natural-history enthusiasts and anyone who loves the wild countryside and is concerned about the disappearance of Canada’s natural spaces. Pitt-Brooke’s grassland odyssey is sure to become a classic of British Columbia nature writing.