A young man dresses up as a woman and enters a convent in this classic, sexy, and funny novel about some very sinful and naughty nuns. Before internet porn, before porn videos, before porn movies, people lusting for raunchy, X-rated entertainment read pornographic books and magazines. Victorian and Edwardian England had its own adult entertainment industry - countless erotic novels were put out by shady publishers, some books were printed by the authors themselves, and most of the writers were anonymous. Many of these 19th century books are surprisingly kinky, and some of them may be quite offensive to modern day readers - in more ways than one. First published in 1866, "The Nunnery Tales" is one of the very first nunsploitation novels. Its anonymous author is unknown, but this may be a translation of a novel first published in French.

DARK CORRUPTION AND THE PENITENCE OF DEATH... Under the harsh hand of its newly elected prioress, St. Frideswide's has become a place of deadly sin. The corruption has grown subtly and slowly, but it has found fertile soil in the rage and greed of Domina Alys, who has turned the priory into a boarding house for her relatives, the Godfreys. Dame Frevisse is horrified to discover that the modest stores of the priory - desperately needed if the nuns are to survive the coming winter - are being completely consumed by the rapacious Godfrey clan. But the Godfreys bring with them more immediate terrors: Torture. Madness. Kidnapping. Murder. The sanctuary of the cloister has been violated and even the holy rites of the nuns have been ripped apart. Despite the growing crisis, Frevisse's best efforts to save the nunnery from itself are met with scorn and torment as bitter hatreds and old rivalries turn nun against nun. Suspicion, paranoia, and despair clutch the cloister's heart. If Frevisse cannot unlock the riddles of penitence for her prioress and for herself, then St. Frideswide's may be no more... NOMINATED FOR THE 1998 EDGAR AWARD PRAISE FOR THE PRIORESS' TALE "When this series debuted, its publisher hailed Frazer as the logical successor to Ellis Peters... With a number of strong books already under her belt, Frazer may actually make her publisher's dream come true." - Star Tribune "Often chastised for her disobedience and made to do penance, Sister Frevisse's curious nature still wins out as she uses logic and her intelligence to sleuth with the best of them." - Rendezvous "Frazer is writing one of the most consistently excellent historical series in print today." - Murder Ink "Clearly, the setting is the star here, and Frazer is generous with her details of abbey life." - Publishers Weekly "Margaret Frazer continues her splendid series of medieval mysteries... She has a sure grasp of the realities of medieval life: Its careless cruelty, effortless hypocrisy - particularly in matters of religion - and its disregard for women who could wield influence only in the most indirect ways." - MLB News PRAISE FOR THE SISTER FREVISSE MEDIEVAL MYSTERY SERIES "A smooth and absorbing saga of conspiracy and treachery in 15th-century England..." - Publishers Weekly "Margaret Frazer has quietly claimed her place as one of the preeminent writers of historical crime fiction, delivering the whole package - a good mystery, wonderful characters, and a fascinating period of history... Her novels are a dream to read." - Aunt Agatha's Newsletter "Exciting writing, colorful characters, and historical accuracy." - St. Paul Pioneer Press "The setting brims with historical details... A brilliant study of human nature... Ms. Frazer reveals her genius... Highly recommended." - Historical Novels Review "Mystery... Suspense... Frazer executes with audacity and ingenuity." - Kirkus Reviews A Romantic Times Top Pick. Twice nominated for the Minnesota Book Award. Twice nominated for the Edgar Award.

The Queen of Regency Romance, bestselling author Georgette Heyer, charms readers with this delightful romp of mistaken identity. A missing twin Something is very wrong, and the Honourable Christopher "Kit" Fancot can sense it. Kit returns to London on leave from the diplomatic service to find that his twin brother Evelyn has disappeared and his extravagant mother's debts have mounted alarmingly. A quick-minded heiress The Fancot family's fortunes are riding on Evelyn's marriage to the self-possessed Cressy Stavely, and her formidable grandmother's approval of the match. If Evelyn fails to meet the Dowager Lady Stavely in a few days as planned, the betrothal could be off. A fortune in the balance When the incorrigible Lady Fancot persuades her son to impersonate his twin (just for one night, she promises) the masquerade sets off a tangled sequence of events that engage Kit's heart far more deeply than he'd ever anticipated with his brother's fiancée—who might know much more about what's going on than she cares to reveal... Praise for Georgette Heyer: "A writer of great wit and style... I've read her books to ragged shreds."—Kate Fenton, Daily Telegraph "Reading Georgette Heyer is the next best thing to reading Jane Austen."—Publishers Weekly

During his life, Gene Nunnery was recognized as a master turkey hunter and an artisan who crafted unique, almost irresistible turkey calls. In The Old Pro Turkey Hunter, the vaunted sportsman shares over fifty years of personal experience in Mississippi and surrounding states, along with the decades-old wisdom of the huntsmen who taught him. Throughout the book, his stories make clear that turkey hunting is more than just killing the bird—it is about matching wits with a wild and savvy adversary. As Nunnery explains, “To me that’s what it’s all about: finding a wise old gobbler who will test your skill as a turkey hunter.” Through his stories, Nunnery reveals that the true reward for successful turkey hunting lies in winning the contest, not necessarily exterminating the foe. Real sportsmen know that every now and then the turkey should and will elude the hunter. As Nunnery looks back on his extensive career, he analyzes vast differences in practice, old and new. The shift, he decides, came during his last twenty years on the hunt, and that difference has only increased in the decades since this book was originally published. Michael O. Giles, Bass Pro staff team member, master turkey hunter, and award-winning outdoors writer and author of Passion of the Wild, writes a new foreword that brings the practice of turkey hunting into the present day. Filled with a tested mixture of common sense and specific examples of how master turkey hunters honor their harvest and heritage, The Old Pro Turkey Hunter is the perfect companion for the novice or the adept.

Rebecca Reed and Maria Monk may not be well-known authors today, but these women were publishing sensations in nineteenth-century America. Their lurid tales of life in two North American convents, one in Charlestown, Massachusetts, and the other in Montreal, Canada, sold more than one-half million copies. Reed escaped from the Ursuline convent in Charlestown in 1832. Her dramatic renditions of Roman Catholic ritual practice helped spark a night of violence that resulted in the convent being burned to the ground by an angry mob. Reed's published narrative, Six Months in a Convent, appeared just as the trials of the rioters were ending in 1835, and became an instant literary success. Monk's supporters capitalized on the lucrative market in anti-Catholic literature, by bringing out the pseudo-pornographic Awful Disclosures of the Hotel Dieu Nunnery in 1836. Monk, who claimed her infant daughter had been fathered by a Catholic priest, was in fact a Montreal prostitute rather than a nun. She enjoyed the life of a literary star in New York before her hoax was uncovered. These two narratives are now available for the first time in a single paperback edition. Nancy Lusignan Schultz's introduction provides a fascinating glimpse into the history, development, and marketing of these phenomenal best-sellers. The convent tales by Reed and Monk are classics that must be read by those interested in American studies, popular culture, social and religious history, literature, and women's studies.

"Good news, Augustus," my mother exclaimed upon reading the message she'd just received from a friend in Dieppe. "Your father has escaped France in safety." We hugged each other, overjoyed to know that he'd avoided the inevitable fate, which, as an aristocrat, would have befallen him at the hands of the purging Republicans. Then a look of distress crossed her face. "But until we get news from England to enable us to join him there, I hardly know where we can look for refuge. I suppose we're guaranteed a temporary home, for my younger sister, Agatha, is Abbess of the convent of St. Claire, but now there is talk of suppressing convents and priests altogether. My other fear pertains to you, my dear boy," she said, wringing her hands. "Taking refuge and protecting you from danger is one thing; but how to smuggle you, a young boy of seventeen, into a convent full of young nuns is a perfect puzzle to me." "Nonsense, Mother!" I exclaimed. "Before the convents are suppressed, we'll be in safety in England, and as for getting me snugly into the convent, we're about the same height and resemble one another, so you must dress me up the best way you can and introduce me as your sister, or niece, or friend, or something or other." "You are impudent for imagining any such idea," replied my mother, laughing, "but you forget one thing. It will be impossible to deceive my sister, Agatha." "Try, anyway," I said, "and if the worst comes to the worst, we must let her into our secret and trust to her kindness." "Your plan is bold, if not rash, but as I can't think of anything else, we'll try it," she agreed with some misgivings. "Let me see," she continued in a musing tone, "I'll present you as the niece of your father's wife, but even then Agatha may have her suspicions, but we'll risk it." She wagged a finger at me. "Mind you don't look so bold, and stride so wide in your walk as you usually do, and I'll dress you suitably tomorrow morning." I shook my head. "We don't know what may happen this afternoon or tomorrow morning.

"[Brantlinger's] writing is admirably lucid, his knowledge impressive and his thesis a welcome reminder of the class bias that so often accompanies denunciations of popular fiction." —Publishers Weekly "Brantlinger is adept at discussing both the fiction itself and the social environment in which that fiction was produced and disseminated. He brings to his study a thorough knowledge of traditional and contemporary scholarship, which results in an important scholarly book on Victorian fiction and its production." —Choice "Timely, scrupulously researched, thoroughly enlightening, and steadily readable. . . . A work of agenda-setting historical scholarship." —Garrett Stewart Fear of mass literacy stalks the pages of Patrick Brantlinger's latest book. Its central plot involves the many ways in which novels and novel reading were viewed—especially by novelists themselves—as both causes and symptoms of rotting minds and moral decay among nineteenth-century readers.