Aspects of the political, social, cultural, economic and ecclesiastical history of medieval England re-examined. This collection presents new and original research into the long thirteenth century, from c.1180-c.1330, with a particular focus on the reign of Edward II and its aftermath. Other topics examined include crown finances, markets and fairs, royal stewards, the aftermath of the Barons' War, Wace's Roman de Brut, and authority in Yorkshire nunneries; and the volume also follows the tradition of the series by looking beyond England, with contributions onthe role of Joan, wife of Llywelyn the Great in Anglo-Welsh relations, Dublin, and English landholding in Ireland, while the continental connection is represented by a comparison of aspects of English and French kingship. Contributors: David Carpenter, Nick Barratt, Emilia Jamroziak, Michael Ray, Susan Stewart, Louise J. Wilkinson, Sean Duffy, Beth Hartland, Francoise Le Saux, Henry Summerson, Janet Burton, H.S.A. Fox, David Crook, Margo Todd, Seymour Phillips

The Modest Ambition of Andrew Marvell deals with the specific historical presences and pressures that led Marvell to devise his defenses of Richard Lovelace, Oliver Cromwell, Thomas Fairfax, and John Milton. It also focuses on the poetic or formal response that Marvell makes to historical fact, not only in the strategies of his language, but also in the perceptible adjustments such strategies signal for his self-appointed role as poet-apologist.

An exploration of the way English literature has interacted with architectural edifices and the development of landscape as a national style from the Middle Ages to the 19th Century. Analyzing texts in relation to cultural artefacts, each chapter demonstrates the self-conscious production of English consciousness as its most enduring history.

Andrew Marvell brings together ten recent and critically informed essays by leading scholars on one of the most challenging and important seventeenth-century poets. The essays examine Marvell's poems, from lyrics, such as 'To His Coy Mistress' and 'The Nymph Complaining for the Death of her Fawn', to celebrations of Cromwell and Republican Civil War culture and his biting Restoration satires. Representing the most significant critical trends in Marvell criticism over the last twenty years, the essays and the authoritative editorial work provide an excellent introduction to Marvell's work. Students of Renaissance and seventeenth-century literature, English Civil War writing, and seventeenth-century social and cultural history will find this collection a useful guide to helping them appreciate and understand Marvell's poetry.

Ruin and Reformation in Spenser, Shakespeare, and Marvell explores writerly responses to the religious violence of the long reformation in England and Wales, spanning over a century of literature and history, from the establishment of the national church under Henry VIII (1534), to its disestablishment under Oliver Cromwell (1653). It focuses on representations of ruined churches, monasteries, and cathedrals in the works of a range of English Protestant writers, including Spenser, Shakespeare, Jonson, Herbert, Denham, and Marvell, reading literature alongside episodes in English reformation history: from the dissolution of the monasteries and the destruction of church icons and images, to the puritan reforms of the 1640s. The study departs from previous responses to literature's 'bare ruined choirs', which tend to read writerly ambivalence towards the dissolution of the monasteries as evidence of traditionalist, catholic, or Laudian nostalgia for the pre-reformation church. Instead, Ruin and Reformation shows how English protestants of all varieties—from Laudians to Presbyterians—could, and did, feel ambivalence towards, and anxiety about, the violence that accompanied the dissolution of the monasteries and other acts of protestant reform. The study therefore demonstrates that writerly misgivings about ruin and reformation need not necessarily signal an author's opposition to England's reformation project. In so doing, Ruin and Reformation makes an important contribution to cross-disciplinary debates about the character of English Protestantism in its formative century, revealing that doubts about religious destruction were as much a part of the experience of English protestantism as expressions of popular support for iconoclasm in the sixteenth and seventeenth centuries.

Medieval women faced many of the problems of their modern counterparts in bringing up their families, balancing family and work, and responding to the demands of their communities. Of many women in the period of a thousand years before 1500 we know little or nothing, though their typical ways of life, on farms or in the towns, can be reconstructed with accuracy from a variety of sources. We know more about a far smaller number of elite women, including queens such as Eleanor of Aquitaine and Margaret of Anjou; noblewomen, whose characters and attitudes can be sensed directly or indirectly; and a variety of religious women. Literary sources help flesh out real attitudes, such as those of Chaucer's Wife of Bath. Jennifer Ward shows the life-cycle of medieval women, from birth, via marriage and child-rearing, to widowhood and death. She also brings out the slow changes in the position of women over a millennium.

Studies of texts from the late middle ages to the contemporary moment, together they indicate, broadly, directions both in postmodern studies and studies in medievalism.