Regarded as one of Dreiser's best novels, Jennie Gerhardt is here recaptured as it was originally written, restoring it to its complete, unexpurgated form.

Set in 19th century Philadelphia and based on the life of flamboyant financier C.T. Yerkes, Dreiser's portrayal of the unscrupulous magnate Frank Cowperwood embodies the idea that behind every great fortune there is a crime. In Philly the protagonist is eventually imprisoned for embezzlement of public funds. He later leaves prison, departs for Chicago, makes another fortune, and becomes involved in still further shaddy practices. You don't read Dreiser for literary finesse, but his great intensity and keen journalistic eye give this portrait a powerful reality. The author wrote two subsequent novels based on the life of Yerkes: "The Titan" and "The Stoic." --Amazon.com.

Theodore Dreiser staked his reputation on fearless expression in his fiction, but he never was more outspoken than when writing about American politics, which he did prolifically. Although he is remembered primarily as a novelist, the majority of his twenty-seven books were nonfiction treatises. To Dreiser, everything was political. His sense for the hype and hypocrisies of politics took shape in reasoned but emphatic ruminations in his fiction and nonfiction on the hopes and disappointments of democracy, the temptations of nationalism and communism, the threat and trumpets of war, and the role of writers in resisting and advancing political ideas. Spanning a period of American history from the Progressive Era to the advent of the Cold War, this generous volume collects Dreiser's most important political writings from his journalism, broadsides, speeches, private papers, and long out-of-print nonfiction books. Touching on the Great Depression, the New Deal, and both World Wars as well as Soviet Russia and the persecution of Jews in Nazi Germany, these writings exemplify Dreiser's candor and his penchant for championing the defenseless and railing against corruption. Positing Dreiser as an essential public intellectual who addressed the most important issues of the first half of the twentieth century, these writings also navigate historical terrain with prescient observations on topics such as religion, civil rights, national responsibility, individual ethics, global relations, and censorship that remain particularly relevant to a contemporary audience. Editor Jude Davies provides historical commentaries that frame these selections in the context of his other writings, particularly his novels.

The specially commissioned essays collected in this volume establish new parameters for both scholarly and classroom discussion of Dreiser. This Companion provides fresh perspectives on the frequently read classics, Sister Carrie and An American Tragedy, as well as on topics of perennial interest, such as Dreiser's representation of the city and his prose style. The volume investigates topics such as his representation of masculinity and femininity, and his treatment of ethnicity. It is the most comprehensive introduction to Dreiser's work available.

An extraordinary collection which reminds us how great a talent Dreiser was."He has no peer in the American short story....Among the moderns, there is almost no one capable of writing tales like these." -Howard Fast.

"In 1919, having recently accepted the publishing contract of a new publisher, Dreiser proposed to publish a "book of characters" that would collect twelve biographical sketches of individuals who were major influences on Dreiser, both as a man and as a writer. The resulting narratives combine the best attributes of the character sketch, the autobiography, and the short story into miniature masterpieces of prose. The men profiled in Twelve Men are a diverse and colorful group: from Dreiser's equally famous brother, the song-writer Paul Dreiser's ("My Brother Paul"), to the entirely obscure railroad foreman Michael Burke ("The Mighty Rourke"), on whose work crew Dreiser had labored in 1903. The twelve narratives are compelling portraits of the men portrayed, but they also reveal many insights into Dreiser's own life and work."--Goodreads website.

The Titan is a novel by Theodore Dreiser and the sequel to The Financier. Frank Cowperwood has moved to Chicago with new wife Aileen. His plan is to take over the street-railway system in the process bankrupting opponents with political allies. The Titan follows Cowperwood through the trials of realizing his dream, marital upheavals and social banishment. Theodore Dreiser was an American novelist and journalist who the naturalist school and is known for portraying characters whose value lies not in their moral code, but in their persistence against all obstacles, and literary situations that more closely resemble studies of nature than tales of choice and agency.

Jennie Gerhardt is a destitute young woman. While working in a hotel in Columbus, Ohio, Jennie meets George Brander, a United State Senator, who becomes infatuated with her. He helps her family and declares his wish to marry her. Jennie, grateful for his benevolence, agrees to sleep with him. He dies before they marry, and Jennie is pregnant. She gives birth to a daughter, Vesta, and moves to Cleveland with her mother. There she meets Lester Kane, a prosperous manufacturer's son, and their love must contend with continual dissaproval from his family.

The "Genius" concerns Eugene Witla, a talented painter of strong sexual desires who grapples with his commitment to his art and the force of his erotic needs. Young Eugene escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting and enjoys the excitement of the city. Eugene becomes engaged to a young woman named Angela, and the couple move to New York City, where he makes a name for himself in the art world, but finds his marriage with the increasingly conventional Angela painfully limiting. Eugene finds it difficult to remain faithful as life based on monogamy seems beyond him.

Dreiser's captivating portraits of turn-of-the-century America's famous figures Before coming to national attention for his novel "Sister ""Carrie," Theodore Dreiser worked for nearly a decade as a magazine editor and freelance writer. Now in paperback, "Art, Music, and Literature, 1897-1902" collects a rich selection of Dreiser's brief, colorful articles and interviews with American artists, musicians, and writers during this period. His profiles and interviews include such notables as Alfred Stieglitz, William Dean Howells, and legendary impresario Major James Burton Pond, as well as numerous women artists, novelists, and musicians. The volume is liberally seasoned with period illustrations reproduced from the original publications, and Yoshinobu Hakutani's notes provide biographical details about Dreiser's various subjects.