Finalist for a Lambda Literary Award Finalist for the Publishing Triangle’s Judy Grahn Award for Lesbian Nonfiction Finalist for the Marfield Prize For fans of Book of Ages and American Eve, this “lively, illuminating new biography” (The Boston Globe) of 19th-century queer actress Charlotte Cushman portrays a “brisk, beautifully crafted life” (Stacy Schiff, bestselling author of The Witches and Cleopatra) that riveted New York City and made headlines across America. All her life, Charlotte Cushman refused to submit to others’ expectations. Raised in Boston at the time of the transcendentalists, a series of disasters cleared the way for her life on the stage—a path she eagerly took, rejecting marriage and creating a life of adventure, playing the role of the hero in and out of the theater as she traveled to New Orleans and New York City, and eventually to London and back to build a successful career. Her Hamlet, Romeo, Lady Macbeth, and Nancy Sykes from Oliver Twist became canon, impressing Louisa May Alcott, who later based a character on her in Jo’s Boys, and Walt Whitman, who raved about “the towering grandeur of her genius” in his columns for the Brooklyn Daily Eagle. She acted alongside Edwin and John Wilkes Booth—supposedly giving the latter a scar on his neck that was later used to identify him as President Lincoln’s assassin—and visited frequently with the Great Emancipator himself, who was a devoted Shakespeare fan and admirer of Cushman’s work. Her wife immortalized her in the angel at the top of Central Park’s Bethesda Fountain; worldwide, she was “a lady universally acknowledged as the greatest living tragic actress.” Behind the scenes, she was equally radical, making an independent income, supporting her family, creating one of the first bohemian artists’ colonies abroad, and living publicly as a queer woman. And yet, her name has since faded into the shadows. Now, her story comes to brilliant life with Tana Wojczuk’s Lady Romeo, an exhilarating and enlightening biography of the 19th-century trailblazer. With new research and rarely seen letters and documents, Wojczuk reconstructs the formative years of Cushman’s life, set against the excitement and drama of 1800s New York City and featuring a cast of luminaries and revolutionaries who changed the cultural landscape of America forever. The story of an astonishing and uniquely American life, Lady Romeo reveals one of the most remarkable forgotten figures in our history and restores her to center stage, where she belongs.

"Elizabeth Knapp's poetry explores the intersections between modern society, personal mortality, and cultural immortality. In this, her second collection, celebrities come and go, while the collection's patron saint, Emily Dickinson, presides over all. At its heart, this book is about loss and its endless reverberations, while at the same time, it embraces the notion of art as a kind of immortality. With these striking new poems, Knapp establishes herself as one of our most vital and compelling contemporary voices"--

William C. Morris YA Debut Award Winner! A hilarious YA contemporary realistic novel about a witty Black French Canadian teen who moves to Austin, Texas, and experiences the joys, clichés, and awkward humiliations of the American high school experience—including falling in love. Perfect for fans of Nicola Yoon, When Dimple Met Rishi, and John Green. Norris Kaplan is clever, cynical, and quite possibly too smart for his own good. A Black French Canadian, he knows from watching American sitcoms that those three things don’t bode well when you are moving to Austin, Texas. Plunked into a new high school and sweating a ridiculous amount from the oppressive Texas heat, Norris finds himself cataloging everyone he meets: the Cheerleaders, the Jocks, the Loners, and even the Manic Pixie Dream Girl. Making a ton of friends has never been a priority for him, and this way he can at least amuse himself until it’s time to go back to Canada, where he belongs. Yet against all odds, those labels soon become actual people to Norris…like loner Liam, who makes it his mission to befriend Norris, or Madison the beta cheerleader, who is so nice that it has to be a trap. Not to mention Aarti the Manic Pixie Dream Girl, who might, in fact, be a real love interest in the making. But the night of the prom, Norris screws everything up royally. As he tries to pick up the pieces, he realizes it might be time to stop hiding behind his snarky opinions and start living his life—along with the people who have found their way into his heart.

Vols. 277-230, no. 2 include Stuff and nonsense, v. 5-6, no. 8, Jan. 1929-Aug. 1930.

Leaving behind a nomadic and dangerous career as a journalist, Sarah DeVaughan returns to India, the country of her childhood and a place of unspeakable family tragedy, to help preserve the endangered Bengal tigers. Meanwhile, at home in Kentucky, her sister, Quinn-also deeply scarred by the past and herself a keeper of secrets-tries to support her sister, even as she fears that India will be Sarah's undoing. As Sarah faces challenges in her new job-made complicated by complex local politics and a forbidden love-Quinn copes with their mother's refusal to talk about the past, her son's life-threatening illness, and her own increasingly troubled marriage. When Sarah asks Quinn to join her in India, Quinn realizes that the only way to overcome the past is to return to it, and it is in this place of stunning natural beauty and hidden danger that the sisters can finally understand the ways in which their family has disappeared-from their shared history, from one another-and recognize that they may need to risk everything to find themselves again. With dramatic urgency, a powerful sense of place, and a beautifully rendered cast of characters revealing a deep understanding of human nature in all its flawed glory, Katy Yocom has created an unforgettable novel about saving all that is precious, from endangered species to the indelible bonds among family.

Vols. 227-230, no. 2 include: Stuff and nonsense, v. 5-6, no. 8, Jan. 1929-Aug. 1930.

The year is 2009, and José Antonio Rodríguez, a doctoral student at Binghamton University in upstate New York, is packing his suitcase, getting ready to spend the Thanksgiving holiday with his parents in South Texas. He soon learns from his father that a drug cartel has overtaken the Mexican border village where he was born. Now, because of the violence there, he won’t be able to visit his early-childhood home. Instead, his memories will have to take him back. Thus, Rodríguez begins a meditative journey into the past. Through a series of vignettes, he mines the details of a childhood and adolescence fraught with deprivation but offset by moments of tenderness and beauty. Suddenly he is four years old again, and his mother is feeding him raw sugarcane for the first time. With the sweetness still on his tongue, he runs to a field, where he falls asleep under a glowing pink sky. The conditions of rural poverty prove too much for his family to bear, and Rodríguez moves with his mother and three of his nine siblings across the border to McAllen, Texas. Now a resident of the “other side,” Rodríguez experiences the luxury of indoor toilets and gazes at television commercials promising more food than he has ever seen. But there is no easy passage into this brighter future. Poignant and lyrical, House Built on Ashes contemplates the promises, limitations, and contradictions of the American Dream. Even as it tells a deeply personal story, it evokes larger political, cultural, and social realities. It speaks to what America is and what it is not. It speaks to a world of hunger, prejudice, and far too many boundaries. But it speaks, as well, to the redemptive power of beauty and its life-sustaining gift of hope.

The body is a poem we are writing with every breath, says Townley, who in her dual life has taught yoga for decades. Albert Goldbarth calls Rewriting the Body "affectingly emotional even as it's formally risky in a very smart way." Helen Houghton of the Academy says, "I don't know of anything else like this--a profound meditation, exhilarating to read, extraordinarily beautiful." H. L. Hix says, "Her poems don't feel written on the reader's body, they feel written within it." Excerpt from the title poem Breath everything is riding on it under the door winter slides its white envelope past due past due as we move from bed to chair and room to room our lives sighing in the cedars strung on backroads to this place where we go in and out breath by breath gravel and ice underfoot Orion overhead

The Color Line was a commonly used phrase in the 19th Century referring to the stark division between black and white citizens of the United States. In one of his best works, Frederik Douglass laments its continued influence and analyzes why post-emancipation integration was failing. Unfortunately, this work remains highly relevant.