Dad is away in a dangerous place, but life must go on for the Norris girls. Beth dreams of being in the school musical, especially when the super cool Josh gets the lead part. Georgy trains every day, trying to win a place in the Inter-Counties Athletics Championships but first she has to beat her arch-rival, Layla. And Katie wants an animal to look after - a dog or a cat or a rabbit would do, but if she could choose on thing in the whole world it would be a pony.

Although Kathleen Norris's best-selling Dakota: A Spiritual Geography has brought her to the attention of many thousands of readers, she is first and last a poet. Like Robert Frost, another poet identified with a particular landscape, she can reveal the miraculous in the ordinary, and she writes with clarity, humor, and deep sympathy for her subjects.

Queenie Wahine learns to face her fears, be brave, and try something new...learning to surf!

This is the story of the young women of Oak Ridge, Tennessee, who unwittingly played a crucial role in one of the most significant moments in U.S. history. The Tennessee town of Oak Ridge was created from scratch in 1942. One of the Manhattan Project's secret cities. All knew something big was happening at Oak Ridge, but few could piece together the true nature of their work until the bomb "Little Boy" was dropped over Hiroshima, Japan, and the secret was out. The reverberations from their work there, work they did not fully understand at the time, are still being felt today.

True friends are hard to come by, and even when you find them, it can be an all-or-nothing situation. Jada battles with being the glue that holds her group together, and she finds herself continuously stuck in the middle of her four girlfriends' family and relationship drama. Together, the girls witness life and death, sticky situations, and the pros and cons of relationships. Their true dedication to their friendship is tried again and again, but there's only so much a chick can take. Once each girl has reached her boiling point, there's no telling who will get burned.

Every two minutes, evil strips innocence from a child and sells her into slavery for sex. Not in a third-world country, but in the United States of America. Before you take another breath, the next victim will be tricked or taken from her family by a profit-hungry criminal. She could be a neighbor. A friend.Your sister. Your daughter. You. At fourteen, Hope Ellis is the all-American girl with a good lifeuntil the day she tries to help her mom with their cross-town move by supervising the movers. When they finish, one of the men returns to the house and rapes her. Held silent by his threats, darkness begins to engulf her. But the rape proves to be the least of Hopes troubles. In a gasping attempt at normalcy, she succumbs to the attention of a smooth-talking man on the subway. He promises acceptance. He declares his love. He lures her out from under the shelter of her suburban life. Hopes disappearance sets a community in motion. Shes one of their own. They determine to find Hope, whatever the cost, before shes lost forever. Will you?

Marital status was a fundamental legal and cultural feature of women's identity in the eighteenth century. Free women who were not married could own property and make wills, contracts, and court appearances, rights that the law of coverture prevented their married sisters from enjoying. Karin Wulf explores the significance of marital status in this account of unmarried women in Philadelphia, the largest city in the British colonies. In a major act of historical reconstruction, Wulf draws upon sources ranging from tax lists, censuses, poor relief records, and wills to almanacs, newspapers, correspondence, and poetry to recreate the daily experiences of women who were never-married, widowed, divorced, or separated. With its substantial population of unmarried women, eighteenth-century Philadelphia was much like other early modern cities, but it became a distinctive proving ground for cultural debate and social experimentation involving those women. Arguing that unmarried women shaped the city as much as it shaped them, Wulf examines popular literary representations of marriage, the economic hardships faced by women, and the decisive impact of a newly masculine public culture in the late colonial period.