'A gold mine of gossip with a cast of thousands' GUARDIAN The unexpurgated diaries of one of the greatest, most talented, and wittily flamboyant characters of the 20th century - with a new introduction by Stephen Fry 'Compulsive reading' SUNDAY TIMES '19th February 1956. A A Milne has died. Lord Beaverbrook has not ... Larry is going to make a movie of The Sleeping Prince with Marilyn Monroe, which might conceivably drive him round the bend' '28th February 1960 Princess Margaret has announced her engagement to Tony Armstrong-Jones ... He looks quite pretty, but whether or not the marriage is entirely suitable remains to be seen.' Noel Coward was a renowned actor, dramatist, director - and star. His incredible zest, versatility and unrivalled wit are revealed in these diaries, with a cast of characters ranging from The Beatles to the Queen, Churchill to Marilyn Monroe. Touching, funny and revealing, THE NOEL COWARD DIARIES is a superb account of one of the greatest entertainers of all time.

'A uniquely charming and enticing journey through a remarkable life. Coward's own record is made all the more delightful by the wise and helpful interpolations of Barry Day, the soundest authority on the Master that there is.' Stephen Fry 'Precise, witty, remarkably observed and gloriously English' Dame Judi Dench 'Barry Day's analysis is both perceptive and irresistible' Lord Richard Attenborough With virtually all the letters in this volume previously unpublished - this is a revealing new insight into the private life of a legendary figure. Coward's multi-faceted talent as an actor, writer, composer, producer and even as a war-time spy(!), brought him into close contact with the great, the good and the merely ambitious in film, literature and politics.With letters to and from the likes of: George Bernard Shaw, Virginia Woolf, Winston Churchill, Greta Garbo (she wrote asking him to marry her), Marlene Dietriech, Ian Fleming, Graham Greene, Evelyn Waugh, Fred Astaire, Charlie Chaplin, FD Roosevelt, the Queen Mother and many more, the picture that emerges is a series of vivid sketches of Noel Coward's private relationships, and a re-examination of the man himself. Deliciously insightful, witty, perfectly bitchy, wise, loving and often surprisingly moving, this extraordinary collection gives us Coward at his crackling best. A sublime portrait of a unique artist who made an indelible mark on the 20th century, from the Blitz to the Ritz and beyond.

'A gold mine of gossip with a cast of thousands' GUARDIAN The unexpurgated diaries of one of the greatest, most talented, and wittily flamboyant characters of the 20th century - with a new introduction by Stephen Fry 'Compulsive reading' SUNDAY TIMES '19th February 1956. A A Milne has died. Lord Beaverbrook has not ... Larry is going to make a movie of The Sleeping Prince with Marilyn Monroe, which might conceivably drive him round the bend' '28th February 1960 Princess Margaret has announced her engagement to Tony Armstrong-Jones ... He looks quite pretty, but whether or not the marriage is entirely suitable remains to be seen.' Noel Coward was a renowned actor, dramatist, director - and star. His incredible zest, versatility and unrivalled wit are revealed in these diaries, with a cast of characters ranging from The Beatles to the Queen, Churchill to Marilyn Monroe. Touching, funny and revealing, THE NOEL COWARD DIARIES is a superb account of one of the greatest entertainers of all time.

These diaries chronicle the last thirty years of the author's life.

Following the bestselling publication of THE KENNETH WILLIAMS DIARIES, the devastating self-portrait of one of our most loved and complex performers is completed with this marvellous selection of his letters. This is a wonderful treasure trove of correspondence with all manner of people, including Alec Guinness, Maggie Smith, Joe Orton, Richard Burton and Elizabeth Taylor, and the Stokers' Mess of HMS Leverton. Kenneth Williams took letters very seriously, and he was always disgusted by a morning that failed to provide him with some material to pore over. Letters called forth the performer in Williams in a way that his diaries never did: many of them are virtual comic monologues, and in general they suggest more strongly than the diaries the likeable and constructive side of a man who remains, nevertheless, as outrageous and 'difficult' as ever.

A reissue in hardback of critic John Lahr's famous 1982 study of Noël Coward's plays"Noël Coward," said Terence Rattigan, "is simply a phenomenon, and one that is unlikely to occur ever again in theatre history." A phenomenon he certainly was, and it is part of John Lahr's purpose in this book to show how that phenomenon called "Noël Coward" was largely Coward's own careful creation. Lahr's penetrating critical study of Coward's drama investigates all the major and minor plays of "The Master". Private Lives, Design for Living and Hay Fever make a fascinating group of "Comedies of Bad Manners". Blithe Spirit and Relative Values raise the "Ghost in the Fun Machine". Lahr then goes on to explore the "politics of charm" oozing through The Vortex, Easy Virtue and Present Laughter. In all Coward's plays Lahr uncovers a coherent philosophy in which charm is both the subject of Coward's comedies and the trap which made his very public life a perpetual performance.

The definitive biography of one of the twentieth century’s most celebrated and controversial dramatists. To several generations, actor, playwright, songwriter, and filmmaker Noël Coward (1899-1973) was the very personification of wit, glamour, and elegance. Given unprecedented access to the private papers and correspondence of Coward family members, compatriots, and numerous lovers, Samuel Johnson Prize-winning biographer Philip Hoare has produced an illuminating and sophisticated biography of Coward, whose relentless drive for success and approval fueled the stunning bursts of creativity that launched the once-painfully middle class boy from the suburbs of London into a pantheon of theatrical deities that includes Gilbert and Sullivan, Oscar Wilde, and George Bernard Shaw. As much the embodiment of a lifestyle as an actual inhabitant of it, Coward’s carefully cultivated image defined the aspirations of untold numbers of actors, artists, and writers who succeeded him, and Hoare’s meticulously researched biography peels away the layers of this complex persona to reveal the man underneath it all, whom The Times of London decreed upon his death to be the most versatile of all the great figures of the English theater.

The irresistible, candid diaries of Richard Burton, published in their entirety “Just great fun, and written out of an engaging, often comical bewilderment: How did a poor Welshman become not only a star, but a player on the world stage that was Elizabeth Taylor’s fame?”—Hilton Als, NewYorker.com “Of real interest is that Burton was almost as good a writer as an actor, read as many as three books a day, haunted bookstores in every city he set foot in, bought countless books on every conceivable subject and evaluated them rather shrewdly. . . . Apt writing abounds.”—John Simon, New York Times Book Review Irresistibly magnetic on stage, mesmerizing in movies, seven times an Academy Award nominee, Richard Burton rose from humble beginnings in Wales to become Hollywood's most highly paid actor and one of England's most admired Shakespearean performers. His epic romance with Elizabeth Taylor, his legendary drinking and story-telling, his dazzling purchases (enormous diamonds, a jet, homes on several continents), and his enormous talent kept him constantly in the public eye. Yet the man behind the celebrity façade carried a surprising burden of insecurity and struggled with the peculiar challenges of a life lived largely in the spotlight. This volume publishes Burton's extensive personal diaries in their entirety for the first time. His writings encompass many years—from 1939, when he was still a teenager, to 1983, the year before his death—and they reveal him in his most private moments, pondering his triumphs and demons, his loves and his heartbreaks. The diary entries appear in their original sequence, with annotations to clarify people, places, books, and events Burton mentions. From these hand-written pages emerges a multi-dimensional man, no mere flashy celebrity. While Burton touched shoulders with shining lights—among them Olivia de Havilland, John Gielgud, Claire Bloom, Laurence Olivier, John Huston, Dylan Thomas, and Edward Albee—he also played the real-life roles of supportive family man, father, husband, and highly intelligent observer. His diaries offer a rare and fresh perspective on his own life and career, and on the glamorous decades of the mid-twentieth century.

The manuscript of Alma Mahler's Diaries, a pile of old exercise books, lay unread and seemingly illegible in the library of an American university. In search of the truth about Alma and Alexander Zemlinsky, Antony Beaumont read them and found what he was looking for. But he found far more: the authentic saga of one of the century's most charismatic personalities. The Diaries depict in intimate detail the four years during which Alma grew from adolescence into womanhood. Opening with her first, heady affair with Gustav Klimt, they break off shortly before her marriage to Gustav Mahler. "To me," writes Beaumont, "reading The Diaries is like raising a curtain, behind which stands the Vienna of 1900 in all its majesty, and so close that one can almost reach out and touch it. The vitality of everyday life, eye-witness accounts of significant artistic events, unique insights into the behavioral patterns and linguistic conventions of homo austriacus all these serve to make the book unique."Having come to grips with Alma's handwriting, Beaumont and his coeditor for the German edition, Susanne Rode-Breymann, added meticulously researched commentaries and annotations. The German edition was published in the autumn of 1997."

A remarkable life and a remarkable voice emerge from the journals, letters, and memoirs of Leo Lerman: writer, critic, editor at Condé Nast, and man about town at the center of New York’s artistic and social circles from the 1940s until his death in 1994. Lerman’s contributions to the world of the arts were large and varied: he wrote on theater, dance, music, art, books, and movies for publications as diverse as Mademoiselle and The New York Times. He was features editor at Vogue and editor in chief of Vanity Fair. He launched careers and trends, exposing the American public to new talents, fashions, and ideas. He was a legendary party host as well, counting Marlene Dietrich, Maria Callas, and Truman Capote among his intimates, and celebrities like Cary Grant, Jackie Onassis, Isak Dinesen, and Margot Fonteyn as part of his larger circle. But his personal accounts and correspondence reveal him also as having an unusually rich and complex private life, mourning the cultivated émigré world of 1930s and 1940s New York City, reflecting on being Jewish and an openly homosexual man, and intimately evoking his two most important lifelong relationships. From a man whose literary icon was Marcel Proust comes an unparalleled social and emotional history. With eloquence, insight, and wit, he filled his journals and letters with acute assessments, gossip, and priceless anecdotes while inimitably recording both our larger cultural history and his own moving private story.