Secrets shake up a New England family in this domestic drama from the author of Brand New Human Being. Vance Lake is broke, jobless, and recently dumped. Taking refuge with his twin brother, Craig, on Cape Cod, he unwittingly finds himself in the middle of a crisis that would test even the most cohesive family, let alone the Lakes. Seventeen-year-old Amanda is pregnant. Craig is heartbroken and full of rage; his exasperated wife, Gina, is on the brink of an affair; and Amanda is indignant, ashamed, and very, very scared. Told in alternating points of view by each member of this colorful New England clan, and infused with the quiet charm of the Cape in the off-season, The News from the End of the World follows one family into a crucible of pent-up resentments, old and new secrets, and memories long buried. Only by coming to terms with their pasts, as individuals and together, do they stand a chance of emerging intact. “This one’s a winner.”—People “A beautifully crafted portrait of a Cape Cod family…I loved it.”—Helen Simonson, author of Major Pettigrew’s Last Stand “My favorite kind of book, bighearted and full of complicated flawed characters stumbling through love and life, making hard choices, making mistakes, and making the reader fall in love with every one of them.”—Ann Hood, author of The Book That Matters Most “With wonderfully crafted characters and expert pacing, Miller has written the kind of narrative that readers crave: a beautifully written, hard-to-put-down story that will stay long after the book has been closed.”—Booklist

A futuristic account of the world's end is composed of three narrative strands presented as if viewed simultaneously, featuring historical and fictional figures, and shifting from New York, to Vienna, to outer space

From Michael Cunningham, the Pulitzer Prize-winning author of The Hours, comes the acclaimed novel of two boyhood friends A Home at the End of the World, now a feature film starring Colin Farrell and Dallas Roberts Jonathan. There's Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.

From the imagination of legendary animator and two-time Oscar nominee Don Hertzfeldt comes a hilarious fever-dream vision of the apocalypse, now available in wide release for the first time since the rare original edition sold out. Created during sleepless nights while he worked on his animated films, The End of the World was illustrated entirely on Post-It notes over the course of several years, slowly taking shape from all the deleted scenes, bad dreams, and abandoned ideas that were too strange to make it to the big screen, including essential early material that was later developed into the animated classic World of Tomorrow. Hertzfeldt's visually striking work transcends its unusual nature and taps into the deeply human, universal themes of mortality, identity, memory, loss, and parenthood . . . with the occasional monstrous biting eel descending from the sky.

The Handmaid's Tale meets Wilder Girls in this genre-defying novel about a girl who escapes a terrifying cult only to discover that the world Outside has succumbed to a viral apocalypse. Agnes loves her home of Red Creek—its quiet, sunny mornings, its dusty roads, and its God. There, she cares tirelessly for her younger siblings and follows the town's strict laws. What she doesn't know is that Red Creek is a cult, controlled by a madman who calls himself a prophet. Then Agnes meets Danny, an Outsider boy, and begins to question what is and isn't a sin. Her younger brother, Ezekiel, will die without the insulin she barters for once a month, even though medicine is considered outlawed. Is she a sinner for saving him? Is her sister, Beth, a sinner for dreaming of the world beyond Red Creek? As the Prophet grows more dangerous, Agnes realizes she must escape with Ezekiel and leave everyone else, including Beth, behind. But it isn't safe Outside, either: A viral pandemic is burning through the population at a terrifying rate. As Agnes ventures forth, a mysterious connection grows between her and the Virus. But in a world where faith, miracles, and cruelty have long been indistinguishable, will Agnes be able to choose between saving her family and saving the world?

What do the humanities have to offer in the twenty-first century? Are there compelling reasons to go on teaching the literate arts when the schools themselves have become battlefields? Does it make sense to go on writing when the world itself is overrun with books that no one reads? In these simultaneously personal and erudite reflections on the future of higher education, Richard E. Miller moves from the headlines to the classroom, focusing in on how teachers and students alike confront the existential challenge of making life meaningful. In meditating on the violent events that now dominate our daily lives—school shootings, suicide bombings, terrorist attacks, contemporary warfare—Miller prompts a reconsideration of the role that institutions of higher education play in shaping our daily experiences, and asks us to reimagine the humanities as centrally important to the maintenance of a compassionate, secular society. By concentrating on those moments when individuals and institutions meet and violence results, Writing at the End of the World provides the framework that students and teachers require to engage in the work of building a better future.

A satirical comedy featuring Christopher Columbus, a tech billionaire, and a global delusion. Mel Winterbourne is the founder of a small, single-issue charity in the obscure field of mapmaking. Its success in achieving modest aims attracts the attention of handsome tech billionaire Joey Talavera, who evicts Mel and hijacks her charity for his own ends: to convince the world that the earth is flat. Although his chances of doing so seem slim, Flat Earthery is an idea whose time has come. With the historical reputation of Christopher Columbus in free-fall, old-style 'globularism' becomes heretical for a new generation of angry, anti-Establishment free-thinkers. Teachers, politicians, and celebrities face ruin if they refuse to sign up to the new orthodoxy. For Mel, something must be done. Teaming up with a pariah tabloid journalist and a faded writer of gross-out movie comedies, she sets out to challenge Talavera and his deranged beliefs. Will history and the billionaire's own family origins be their unexpected ally? Using his trademark mix of history and satire to poke fun at modern foibles, Simon Edge is at his razor-sharp best in a caper that may be much more relevant than you think.

Set against the backdrop of a brutal Toronto summer heatwave, seventeen-year-old Jamilah Monsour makes plans for what she’s certain is the beginning of the climate change catastrophe that will end the world. Luckily, Jamilah knows what has to be done to save her family: transform the back alley garage into a bunker. Reluctantly her parents allow the bunker, but they draw the line when she announces she’s going to skip university and instead use the money they had saved for her education to buy solar panels and a generator. When an electricity blackout strikes, Jamilah’s climate change anxiety kicks into high gear and she ends up staying out all night, infuriating her father who is done with all this doomsday nonsense. Tension at home erupts and Jamilah runs away and joins a climate change protest where she learns about solidarity and agency, giving her hope for the future. When she returns home, her parents see just how deep Jamilah’s climate change convictions run and the family discusses her attending university to study environmental science, a plan they can all agree on. But Jamilah still plans on buying a generator, just in case.

A dazzling novel—set in early 1970's New York and rural India—the story of a turbulent, unlikely romance, a harrowing account of the lasting horrors of World War II, and a searing examination of one man's search for forgiveness and acceptance. “Looks deeply at the echoes and overlaps among art, resistance, love, and history ... an impressive debut.” —Meg Wolitzer, best-selling author of The Female Persuasion New York City, 1972. Jaryk Smith, a survivor of the Warsaw Ghetto, and Lucy Gardner, a southerner, newly arrived in the city, are in the first bloom of love when they receive word that Jaryk's oldest friend has died under mysterious circumstances in a rural village in eastern India. Travelling there alone to collect his friend's ashes, Jaryk soon finds himself enmeshed in the chaos of local politics and efforts to stage a play in protest against the government—the same play that he performed as a child in Warsaw as an act of resistance against the Nazis. Torn between the survivor's guilt he has carried for decades and his feelings for Lucy (who, unbeknownst to him, is pregnant with his child), Jaryk must decide how to honor both the past and the present, and how to accept a happiness he is not sure he deserves. An unforgettable love story, a provocative exploration of the role of art in times of political upheaval, and a deeply moving reminder of the power of the past to shape the present, A Play for the End of the World is a remarkable debut from an exciting new voice in fiction.

The richest man in the world invites a trio of mediocre golfers to play at a secret course in Scotland. The result of their efforts will somehow affect the fate of the world. Can golf save the world? Fore? No, nine. That's how many literary grand masters each contribute a chapter and together bring you a blistering drive of a story that beats par with every page. To the inauguration of the state-of-the-art course in Scotland come three notoriously hard-luck golfers--not to mention peace-seeking world leaders, havoc-wreaking eco-terrorists, a naked golfer in quest of a hole in one, and, in the putt to end all putts, enough plastique to turn the world into a giant sand trap. Will things get rough in the rough? Will the green run red? Where, exactly, is the mysterious nineteenth hole? With this suspenseful and hilarious ensemble tour de force of sex, money, and mayhem on the links, the "good walk" have never been more fun.