Like street philosopher Eric Hoffer, whose years as a longshoreman informed his keen observations of life and society, Janice Allred interprets Mormon theology from her perspective as a housewife and mother of nine. But for writing about the traditional, though recently controversial, LDS belief in a Mother in Heaven, she was excommunicated just after Mother's Day 1995 and thereby catapulted into the public spotlight. "Jesus taught us to pray to the Father, " Allred writes, "not to set up barriers between us and God, but to remove them. (God is also) our Mother, a Mother who knows our needs before we can express them, a Mother who is here before we called out to her." LDS church leaders forbid speculation about or praying to the Goddess, but they have stopped short of repudiating her outright. Whether or not one agrees with the author's views, one has to acknowledge her skill in stimulating thought-provoking possibilities that empower women -- which is what she intended.

An analysis of the literary values of Hurston's novel, as well as its reception--from largely dismissive reviews in 1937, through a revival of interest in the 1960s and its recent establishment as a major American novel.

Our Fate collects John Martin Fischer's previously published articles on the relationship between God's foreknowledge and human freedom. The book includes a substantial new introductory essay that puts all of the chapters into a cohesive framework, and presents a bold new account of God's foreknowledge of free actions in a causally indeterministic world.

Over the past decade, there has been a growing interest among analytic philosophers in the topic of life's meaning. What is striking about this surge of work is that nearly all of it is by naturalists theorizing from non-theistic starting points. This book answers the need for a theistic philosophical perspective on the meaning of life. Bringing together some of the leading thinkers in analytic philosophy of religion and theology, God and Meaning touches on important issues in metaphysics, epistemology, ethics, philosophy of religion, and biblical theology that intersect with life's meaning. In particular: What does the question ?What is the meaning of life?? mean? How can we know if life has meaning and what that meaning is? Might God enhance life's meaningfulness in some ways but detract from it in others? Is the most meaningful life one of perfect happiness? What is the relationship between eternity and life's meaning? How does the Old Testament book of Ecclesiastes illumine the topic? Should we hope that a kind of transcendent meaning exists? Presenting a state-of-the-art assessment of current philosophical positions on these and many other questions, God and Meaning is an invaluable resource for all students and scholars of the philosophy of religion.

"God is a central focus and central force in my life, which is why so many of the essays in this book relate to the idea of God." Rabbi Stephen Lewis Fuchs Who Created God? It's something many of us wonder about at some point. Of course, there's no way to know for sure who created God, yet it is a question that Rabbi Stephen Fuchs ponders in, "Who Created God? and Other Essays." Through the writings that comprise this book, you will discover what happens when the rabbi invites Jesus into his Sukkah, his reaction to encountering his first swastika, and what Rabbi Fuchs feels is an intelligent response to terror. He also discusses Israel and describes its development since it became the homeland of the Jewish People in 1948. These are just a few of the engaging topics about which the rabbi shares his insights. You won't want to miss "The Jewish Marriage Ceremony" in which Rabbi Fuchs explains the rich symbolism and charming traditions involved when a Jewish couple gets married beneath a chuppah. At the end of the book, there is an exclusive and enlightening interview with Rabbi Fuchs.

After completing his biography of Rebecca West in 1995, Carl Rollyson felt bereft. As his wife said, "Rebecca was such good company." He had already embarked on another biography, but Rebecca kept beckoning him. He felt there was more to say about her politics-a misunderstood part of her repertoire as reporter and novelist. And had he done justice to her enormous sense of fun and humor? He regretted excising the portrait of her he wanted to put at the beginning of his biography. His editor kept cutting away at what he called Rollyson's doorstop of a book. And then after years of waiting, Rollyson received her FBI file. He kept running into Rebecca, so to speak, when he was working on his biographies of Martha Gellhorn and Jill Craigie. Interviews in London often turned up people who had known West as well. Thus piece by piece, Rollyson accumulated what is now another book about Rebecca West. This new collection tells the story of how his biography got written, of what it means to think like a biographer, and why West's vision remains relevant. She is one of the great personalities and writers of the modern age, and one that we are just beginning to comprehend.

"This is not a book to promote tranquility, and readers in quest of peace of mind should look elsewhere," writes Paul Fussell in the foreword to this original, sharp, tart, and thoroughly engaging work. The celebrated author focuses his lethal wit on habitual euphemizers, artistically pretentious third-rate novelists, sexual puritans, and the "Disneyfiers of life". He moves from the inflammatory title piece on the morality of dropping the bomb on Hiroshima to a hilarious disquisition on the "naturist movement", to essays on the meaning of the Indy 500 race, on George Orwell, and on the shift in men's chivalric impulses toward their mothers. Fussell's "frighteningly acute eye for the manners, mores, and cultural tastes of Americans" (The New York Times Book Review) is abundantly evident in this entertaining dissection of the enemies of truth, beauty, and justice

This book is a defense of Christian education.

Contributions by Alice Knox Eaton, Mar Gallego, Maxine Lavon Montgomery, Evelyn Jaffe Schreiber, Shirley A. Stave, Justine Tally, Susana Vega-González, and Anissa Wardi In her eleventh novel, God Help the Child, Toni Morrison returned to several of the signature themes explored in her previous work: pernicious beauty standards for women, particularly African American women; mother-child relationships; racism and colorism; and child sexual abuse. God Help the Child, published in 2015, is set in the contemporary period, unlike all of her previous novels. The contemporary setting is ultimately incidental to the project of the novel, however; as with Morrison’s other work, the story takes on mythic qualities, and the larger-than-life themes lend themselves to allegorical and symbolic readings that resonate in light of both contemporary and historical issues. New Critical Essays on Toni Morrison's “God Help the Child”: Race, Culture, and History, a collection of eight essays by both seasoned Morrison scholars as well as new and rising scholars, takes on the novel in a nuanced and insightful analysis, interpreting it in relation to Morrison’s earlier work as well as locating it within ongoing debates in literary and other academic disciplines engaged with African American literature. The volume is divided into three sections. The first focuses on trauma—both the pain and suffering caused by neglect and abuse, as well as healing and understanding. The second section considers narrative choices, concentrating on experimentation and reader engagement. The third section turns a comparative eye to Morrison's fictional canon, from her debut work of fiction, The Bluest Eye, until the present. These essays build on previous studies of Morrison’s novels and deepen readers’ understanding of both her last novel and her larger literary output.