In this collection of essays, consummate poet Wallace Stevens reflects upon his art. His aim is not to produce a work of criticism or philosophy, or a mere discussion of poetic technique. As he explains in his introduction, his ambition in these various pieces, published in different times and places, aimed higher than that, in the direction of disclosing "poetry itself, the naked poem, the imagination manifesting itself in its domination of words." Stevens proves himself as eloquent and scintillating in prose as in poetry, as he both analyzes and demonstrates the essential act of repossessing reality through the imagination.

In this collection of essays, consummate poet Wallace Stevens reflects upon his art. His aim is not to produce a work of criticism or philosophy, or a mere discussion of poetic technique. As he explains in his introduction, his ambition in these various pieces, published in different times and places, aimed higher than that, in the direction of disclosing "poetry itself, the naked poem, the imagination manifesting itself in its domination of words." Stevens proves himself as eloquent and scintillating in prose as in poetry, as he both analyzes and demonstrates the essential act of repossessing reality through the imagination.

Award-winning author C.K. Stead takes us to the heart of contemporary Paris and into a world of books and witty conversation. The Necessary Angel is a story of people grappling with love and fidelity; a story about the importance of books; a commentary on living in complex modern-day Europe; and a page-turning mystery. With a surprising twist at the end, this is a sophisticated novel that shows Stead writing at the height of his powers. 'Stead is a fine writer, intelligent and assured, and The Necessary Angel's stealthy crescendo will leave the reader gasping.' Philip Womack, The Spectator 'A fictional gem.' David Grylls, The Sunday Times, UK 'Masterfully structured' Zoe Apostolides, Financial Times 'Stead captures the essence of Paris, its certainties and its contradictions, while simultaneously invoking the power of literature to alter and direct lives.' Richard Hopton, Country & Town House '... his prose is good, beguilingly good ... It's an entertainment, but in the best sense of the word - clever, rich and playful.' Jane Westaway, The Spinoff 'For anyone who enjoys literature, it's a delight to find a book that does the same.' Paul Little, North & South 'Paris suits Stead. There is a joie de vivre to the writing: the zest and juice of the short stories are sustained at novel length, making this his best novel since All Visitors Ashore.' Stephen Stratford, New Zealand Listener

Cacciari, academic (aesthetics, U. of Venice) and mayor of Venice as of 1993, surveys the history of angels in Judaic, Islamic, and Christian traditions; and how Dante, Rilke, Kafka, and other writers have used the metaphor of angels to speak about the phenomenology of language. Translated from the

A piercing, unforgettable love story set in Greenwood, Oklahoma, also known as the “Black Wall Street,” and against the Tulsa Race Massacre of 1921. Isaiah Wilson is, on the surface, a town troublemaker, but is hiding that he is an avid reader and secret poet, never leaving home without his journal. Angel Hill is a loner, mostly disregarded by her peers as a goody-goody. Her father is dying, and her family’s financial situation is in turmoil. Though they’ve attended the same schools, Isaiah never noticed Angel as anything but a dorky, Bible toting church girl. Then their English teacher offers them a job on her mobile library, a three-wheel, two-seater bike. Angel can’t turn down the money and Isaiah is soon eager to be in such close quarters with Angel every afternoon. But life changes on May 31, 1921 when a vicious white mob storms the Black community of Greenwood, leaving the town destroyed and thousands of residents displaced. Only then, Isaiah, Angel, and their peers realize who their real enemies are.

Collected Poetry and Prose.

Finalist, 2019 PEN Open Book Award Winner, 2019 American Book Award, Before Columbus Foundation Drawing on folklore and fantasy, childhood memory and hallucination, and marked by a tone of piercing divulgence, Teeth Never Sleep nimbly negotiates the split consciousness a culture of dominance requires of men (especially men of color), highlighting the fissures in selfhood created by the pressure to seek submission over intimacy while still wanting desperately to be loved, and tracing the contorted route by which emotional pain finds expression in violence. “The night my girlfriend tells my mother I beat her, / I feel betrayed. This was a secret we kept between us. / That night, I was no longer my mother’s loving son,” the speaker in one poem confesses, and later “I never wanted to be this kind of animal.” And yet, through the lens of Ángel García’s sharp imagining, men frequently appear as beasts (sometimes literally)—as hybrid beings both tender and brutal—that he steadfastly refuses to let off the hook as he obsessively catalogs the origins of toxic masculinity (the first time I made my mother cry, the first time I pitied my father, the first time I saw a girl bleed) and its quiet, lasting effects: “Still a part of me believes a / man shouldn’t cry in front of a woman, even in the dark.” In a culture of weaponized masculinity, the poems in Teeth Never Sleep make a doorway of a wound, inviting readers to walk through and sit down inside the raw pain they harbor to meditate on two central, urgent questions: what it means to be a man and how, as a man, to love.

This selection of works by Wallace Stevens--the man Harold Bloom has called “the best and most representative American poet”--was first published in 1967. Edited by the poet's daughter Holly Stevens, it contains all the major long poems and sequences, and every shorter poem of lasting value in Stevens' career, including some not printed in his earlier Collected Works. Included also is a short play by Stevens, "Bowl, Cat and Broomstick."

This book is an invitation to read poetry. Simon Critchley argues that poetry enlarges life with a range of observation, power of expression and attention to language that eclipses any other medium. In a rich engagement with the poetry of Wallace Stevens, Critchley reveals that poetry also contains deep and important philosophical insight. Above all, he agues for a 'poetic epistemology' that enables us to think afresh the philosophical problem of the relation between mind and world, and ultimately to cast the problem away. Drawing astutely on Kant, the German and English Romantics and Heidegger, Critchley argues that through its descriptions of particular things and their stubborn plainness - whether water, guitars, trees, or cats - poetry evokes the 'mereness' of things. It is this experience, he shows, that provokes the mood of calm and releases the imaginative insight we need to press back against the pressure of reality. Critchley also argues that this calm defines the cinematic eye of Terrence Malick, whose work is discussed at the end of the book.

A Deadly Game of Deception Notorious and beautiful, Vidia Swanson works as an "angel," trying to coax incriminating secrets from powerful men who may or may not be traitors of the Crown. Her latest target is suspected of stealing gold from Wellington's troops, but matters take an alarming turn when Vidia realizes that her spymaster thinks she is the one who is tainted—a double agent working for Napoleon. Backed into a corner, she can only hope to stay one step ahead of the hangman in a race to stop the next war before it destroys her—and destroys England. Tainted Angel offers up a compelling game of cat and mouse in which no one can be trusted and anyone can be tainted. "Espionage and passion—Regency style—burning up the pages from chapter one."—New York Times bestselling author Raine Miller "A world of spies and traitors where no one is quite what they seem and the truth is only true for a moment...a thrilling take that will keep you guessing until the very last page."—Victoria Thompson, author of Murder in Chelsea