From navigating the corrupt Liberian political and educational system to extracting himself from his oppressor's polygamist network at age twelve, Augustine's journey into adulthood was atypical. When the country's civil uprising forced young men to choose-kill or be killed-a series of strangers showed him a powerful third choice: love.

The author offers exploration of self and practical guidance dealing with the dark side of personality based on Jung's concept of "shadow," or the forbidden and unacceptable feelings and behaviors each of us experience.

What's the difference between a cast shadow and a form shadow? Why do shadows become increasingly important in Western art? Can we only ever see shadows, not objects themselves, as Plato claimed? In this beautiful little book, printmaker and History of Art Professor William Vaughan presents the history of shadows, from their emergence in the visuals arts to their association with death and the subconscious. Get ready! You may never look at the world the same way again! WOODEN BOOKS. Small books, BIG ideas. Tiny but packed with information. "Stunning" NEW YORK TIMES. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST.

Sarah the Sensible, that's what Sarah's year 12 jersey said. Sarah's studying law, living at Galston College on a scholarship, and happy to have found Wil, the ideal boyfriend. So why is Sarah dreaming about the boy she met in the laundry? Paige Miss Popular, Paige's jersey said. She and Tallulah have been best friends forever. And thanks to Tallulah, they're the only freshmen to have been invited to the hottest party on campus. So why is Paige now a patient in a psychiatric ward? What happened to Paige between then and now that she's pretending she can't remember? The truth will illuminate the darkness - but what if Sarah and Paige don't want to hear it?

This book is a study of the phenomena of shadows, meant in a broader sense as “symbolic forms”. The shadow is a less real, “surface” replica of some more real form. From the Platonic point of view, empirical objects are “shadows of ideas”, while from the modern “natural” point of view, shadows are seen and conceived primarily as “weaker” replicas of bodies, which give evidence of their material reality. In the first three essays here, several topics from the Ancient Egypt and Greece to modern arts and sciences are considered, while in the fourth essay, the contemporary virtual reality, cyber-technology and the internet as our parallel “shadow world” are discussed from the philosophical point of view. The main and innovative point of this book is the connection between the meaning of shadows in philosophy and art on the one hand, and their role in modern science and technology on the other. The book will appeal to a wide span of readers, from academic circles, students, and artists, to the general reader interested in the humanities, especially in philosophy and art.

A collection of essays by scientist Wade Davis that analyze the interactions between human societies and the natural world.

Tracks and Shadows is both an absorbing autobiography of a celebrated field biologist and a celebration of beauty in nature. Harry W. Greene, award-winning author of Snakes, delves into the poetry of field biology, showing how nature eases our existential quandaries. More than a memoir, the book is about the wonder of snakes, the beauty of studying and understanding natural history, and the importance of sharing the love of nature with humanity. Illustrations.

In Measuring Shadows, Raz Chen-Morris demonstrates that a close study of Kepler’s Optics is essential to understanding his astronomical work and his scientific epistemology. He explores Kepler’s radical break from scientific and epistemological traditions and shows how the seventeenth-century astronomer posited new ways to view scientific truth and knowledge. Chen-Morris reveals how Kepler’s ideas about the formation of images on the retina and the geometrics of the camera obscura, as well as his astronomical observations, advanced the argument that physical reality could only be described through artificially produced shadows, reflections, and refractions. Breaking from medieval and Renaissance traditions that insisted upon direct sensory perception, Kepler advocated for instruments as mediators between the eye and physical reality, and for mathematical language to describe motion. It was only through this kind of knowledge, he argued, that observation could produce certainty about the heavens. Not only was this conception of visibility crucial to advancing the early modern understanding of vision and the retina, but it affected how people during that period approached and understood the world around them.

Two friends find that shadows are all around them. "My friend catches my shadow's hand. Hand in shadow we walk the sand." Dragonflies zip by with their shadows behind them. Toe shadows wiggle along the bottom of a creek. In the shadow of a tree lurks delicious cool shade. On a long sunny day, two friends search for shadows and discover the hidden delights of the everyday world. Lush, sun-soaked illustrations and poetic text capture the childhood delights of a summer day.

Presents the author's thesis that consciousness, in its manifestation in the human quality of understanding, is doing something that mere computation cannot; and attempts to understand how such non-computational action might arise within scientifically comprehensive physical laws.