The Mystique of Transmission is a close reading of a late-eighth-century Chan/Zen Buddhist hagiographical work, the Lidai fabao ji (Record of the Dharma-Jewel Through the Generations), and is its first English translation. The text is the only remaining relic of the little-known Bao Tang Chan school of Sichuan, and combines a sectarian history of Buddhism and Chan in China with an account of the eighth-century Chan master Wuzhu in Sichuan. Chinese religions scholar Wendi Adamek compares the Lidai fabao ji with other sources from the fourth through eighth centuries, chronicling changes in the doctrines and practices involved in transmitting medieval Chinese Buddhist teachings. While Adamek is concerned with familiar Chan themes like patriarchal genealogies and the ideology of sudden enlightenment, she also highlights topics that make Lidai fabao ji distinctive: formless practice, the inclusion of female practitioners, the influence of Daoist metaphysics, and connections with early Tibetan Buddhism. The Lidai fabao ji was unearthed in the early twentieth century in the Mogao caves at the Silk Road oasis of Dunhuang in northwestern China. Discovery of the Dunhuang manuscripts has been compared with the discovery of the Dead Sea Scrolls, as these documents have radically changed our understanding of medieval China and Buddhism. A crucial volume for students and scholars, The Mystique of Transmission offers a rare glimpse of a lost world and fills an important gap in the timeline of Chinese and Buddhist history.

The Record of the Dharma-Jewel Through the Generations (Lidai fabao ji) is a little-known Chan/Zen Buddhist text of the eighth century, rediscovered in 1900 at the Silk Road oasis of Dunhuang. The only remaining artifact of the Bao Tang Chan school of Sichuan, the text provides a fascinating sectarian history of Chinese Buddhism intended to showcase the iconoclastic teachings of Bao Tang founder Chan Master Wuzhu (714–774). Wendi Adamek not only brings Master Wuzhu's experimental community to life but also situates his paradigm-shifting teachings within the history of Buddhist thought. Having published the first translation of the Lidai fabao ji in a Western language, she revises and presents it here for wide readership. Written by disciples of Master Wuzhu, the Lidai fabao ji is one of the earliest attempts to implement a "religion of no-religion," doing away with ritual and devotionalism in favor of "formless practice." Master Wuzhu also challenged the distinctions between lay and ordained worshippers and male and female practitioners. The Lidai fabao ji captures his radical teachings through his reinterpretation of the Chinese practices of merit, repentance, precepts, and Dharma transmission. These aspects of traditional Buddhism continue to be topics of debate in contemporary practice groups, making the Lidai fabao ji a vital document of the struggles, compromises, and insights of an earlier era. Adamek's volume opens with a vivid introduction animating Master Wuzhu's cultural environment and comparing his teachings to other Buddhist and historical sources.

The Platform Sutra comprises a wide range of important Chan/Zen Buddhist teachings. Purported to contain the autobiography and sermons of Huineng (638–713), the legendary Sixth Patriarch of Chan, the sutra has been popular among monastics and the educated elite for centuries. The first study of its kind in English, this volume offers essays that introduce the history and ideas of the sutra to a general audience and interpret its practices. Leading specialists on Buddhism discuss the text's historical background and its vaunted legacy in Chinese culture. Incorporating recent scholarship and theory, chapters include an overview of Chinese Buddhism, the crucial role of the Platform Sutra in the Chan tradition, and the dynamics of Huineng's biography. They probe the sutra's key philosophical arguments, its paradoxical teachings about transmission, and its position on ordination and other institutions. The book includes a character glossary and extensive bibliography, with helpful references for students, general readers, and specialists throughout. The editors and contributors are among the most respected scholars in the study of Buddhism, and they assess the place of the Platform Sutra in the broader context of Chinese thought, opening the text to all readers interested in Asian culture, literature, spirituality, and religion.

"Essays that introduce the history and ideas of the sūtra to a general audience and interpret its practices." (book jacket).

The Chan monk Qisong (1007-1072), an important figure in Northern Song religious and intellectual history, has garnered relatively little scholarly attention. This book provides a detailed biography with a focus on the influential historical writings he composed to defend Chan claims of a "mind-to-mind transmission" tracing back to the historical Buddha. It places his defense of lineage in the context not only of attacks by the rival Tiantai school but also of the larger backdrop of the development of lineage and patriarchs as sources of authority in Chinese Buddhism. It advances new arguments about these Chinese Buddhist innovations, challenges common assumptions about Chan masters, and offers insights into the interactions of Buddhists, Confucians, and the imperial court during the Song.

A tantalizing tale of a legendary knight and a headstrong lady whose daring quest for a mysterious crystal will draw them into a whirlwind of treachery–and desire. When the fearsome knight called Hugh the Relentless swept into Lingwood Manor like a storm, everyone cowered–except Lady Alice. Sharp-tongued and unrepentant, the flame haired beauty believed Sir Hugh was not someone to dread but the answer to her dreams. She knew he had come for the dazzling green crystal, knew he would be displeased to find that it was no longer in her possession. Yet Alice had a proposition for the dark and forbidding knight: In return for a dowry that would free Alice and her brother from their uncle's grasp, she would lend her powers of detection to his warrior's skills and together they would recover his treasured stone. But even as Hugh accepted her terms, he added a condition of his own: Lady Alice must agree to a temporary betrothal–one that would soon draw her deep into Hugh's great stone fortress, and into a battle that could threaten their lives...and their only chance at love.

This compilation of Buddhist biographies, teaching and transmission stories of Indian and Chinese Chan (Japanese ‘Zen’) masters from antiquity up to about the year 1008 CE is the first mature fruit of an already thousand year-long spiritual marriage between two great world cultures with quite different ways of viewing the world. The fertilisation of Chinese spirituality by Indian Buddhism fructified the whole of Asian culture. The message of this work, that Chan practice can enable a free participation in life’s open-ended play, seems as necessary to our own time as it was to the restless times of 11th century Song China. Volume I (Books 1 - 3) is the first of a full translation of this work of thirty books.

The first book of this two-volume set consists largely of an annotated translation of the Record of the Transmission of Illumination (Denkōroku 傳光録) by Zen Master Keizan Jōkin 瑩山紹瑾 (1264–1325), presented together with the original Japanese text on which the English translation is based. That text is the recension of the Denkōroku published in Shūten Hensan Iinkai 宗典編纂委員会, ed., Taiso Keizan Zenji senjutsu Denkōroku 太祖瑩山禅師撰述伝光録 (Tokyo: Sōtōshū Shūmuchō 曹洞宗宗務庁, 2005). The Shūmuchō edition of the Denkōroku includes some items of Front Matter from earlier published editions, which are included in the English translations. Volume 1 also contains an Introduction that addresses such matters as the life of Keizan, the contents of the Denkōroku, the provenance of that work, and the textual history of its various recensions. In addition, Volume 1 includes a Bibliography that lists many works of modern Japanese- and English-language scholarship that are relevant to the academic study of the Denkōroku. The second volume contains a Glossary in two parts. Part One explains all of the Buddhist technical terms and Zen sayings that appear in the annotated translation of the Shūmuchō edition of the Denkōroku, found in Volume 1. Part Two treats all of the people, places, and texts that are named in that annotated translation. The Glossary also contains a wealth of material pertaining to the study of Chinese Chan, Japanese Zen, and East Asian Buddhist traditions at large, providing a broader historical context for understanding Keizan’s Denkōroku. Published in association with Sōtōshū Shūmuchō, Tokyo.

This compilation of Buddhist biographies, teaching and transmission stories of Indian and Chinese Chan (Japanese ‘Zen’) masters from antiquity up to about the year 1008 CE is the first mature fruit of an already thousand year-long spiritual marriage between two great world cultures with quite different ways of viewing the world. The fertilisation of Chinese spirituality by Indian Buddhism fructified the whole of Asian culture. The message of this work, that Chan practice can enable a free participation in life’s open-ended play, seems as necessary to our own time as it was to the restless times of 11th century Song China. This is the fifth volume of a full translation of this work in thirty books. Records of the Transmission of the Lamp translated by randolph s. whitfield jingde chuandeng lu by daoyuan

This compilation of Buddhist biographies, teaching and transmission stories of Indian and Chinese Chan (Japanese ‘Zen’) masters from antiquity up to about the year 1008 CE is the first mature fruit of an already thousand year-long spiritual marriage between two great world cultures with quite different ways of viewing the world. The fertilisation of Chinese spirituality by Indian Buddhism fructified the whole of Asian culture. The message of this work, that Chan practice can enable a free participation in life’s open-ended play, seems as necessary to our own time as it was to the restless times of 11th century Song China. This is the second volume of a full translation of this work in thirty books.