Mystery crime fiction written in the Golden Age of Murder "Edwards's second winter-themed anthology in the British Library Crime Classics series is a standout. As in the most successful of such volumes, the editor's expertise results in a selection of unusual suspects, expanding readers' knowledge." —Publishers Weekly STARRED review Crimson Snow brings together a dozen vintage crime stories set in winter. Welcome to a world of Father Christmases behaving oddly, a famous fictional detective in a Yuletide drama, mysterious tracks in the snow, and some very unpleasant carol singers. There's no denying that the supposed season of goodwill is a time of year that lends itself to detective fiction. On a cold night, it's tempting to curl up by the fireside with a good mystery. And more than that, claustrophobic house parties, with people cooped up with long-estranged relatives, can provide plenty of motives for murder. Including forgotten stories by major writers such as Margery Allingham, as well as classic tales by less familiar crime novelists, each story in this selection is introduced by the leading expert on classic crime, Martin Edwards. The resulting volume is an entertaining and atmospheric compendium of wintry delights.

This early work by Fergus Hume was originally published in 1888 and we are now republishing it with a brand new introductory biography. 'Madame Midas' is a tale of Australian mining life. Fergusson Wright Hume was born on 8th July 1859 in England, the second son of Dr. James Hume. The family migrated to New Zealand where Fergus was enrolled at Otago Boys' High School, and later continued his legal and literary studies at the University of Otago. Hume returned to England in 1888 where he resided in London for a few years until moving to the Essex countryside. There he published over 100 novels, mainly in the mystery fiction genre, though none had the success of his début work.

A self-absorbed and greedy gentleman, falling into debt, pressures his sister to marry a loveless rich man so that the gentleman can suck as much money as possible out of his spouse. The sister then does so, and with honour she represses the love she feels for her cousin, who is poor and heir to the title. And the cousin also has an honorable way about her, staying away from her and painting a beautiful gypsy girl in a little house in the woods, near the gypsy camp.

Reproduction of the original.

Reproduction of the original: The Bishop's Secret by Fergus Hume

It is a most incredible sight: a corpse sitting at the reins of a hansom cab–and not just any corpse, but the body of a peer of the realm. To Inspector Thomas Pitt and his wife, Charlotte, this macabre apparition seems like sheer lunacy. Who would ever want to exhume a decently buried old chap like Lord Augustus Fitzroy-Hammond? A doctor insists that Lord Augustus’s death was natural. But as far as the police are concerned, there’s certainly nothing natural about any of this gristly aftermath. Inspector Pitt is determined to unearth the truth–even if the digging puts his own life at perilous risk.

The terrifyingly surreal universe of horror master H. P. Lovecraft bleeds into the logical world of Sherlock Holmes, Sir Arthur Conan Doyle’s champion of rational deduction, in these stories by twenty top horror, mystery, fantasy, and science fiction writers. Arthur Conan Doyle’s Sherlock Holmes is among the most famous literary figures of all time. For more than a hundred years, his adventures have stood as imperishable monuments to the ability of human reason to penetrate every mystery, solve every puzzle, and punish every crime. For nearly as long, the macabre tales of H. P. Lovecraft have haunted readers with their nightmarish glimpses into realms of cosmic chaos and undying evil. But what would happen if Conan Doyle’s peerless detective and his allies were to find themselves faced with mysteries whose solutions lay not only beyond the grasp of logic, but of sanity itself? In this collection of all-new, all-original tales, twenty of today’s most cutting-edge writers provide their answers to that burning question. “A Study in Emerald” by Neil Gaiman: A gruesome murder exposes a plot against the Crown, a seditious conspiracy so cunningly wrought that only one man in all London could have planned it—and only one man can hope to stop it. “A Case of Royal Blood” by Steven-Elliot Altman: Sherlock Holmes and H. G. Wells join forces to protect a princess stalked by a ghost—or perhaps something far worse than a ghost. “Art in the Blood” by Brian Stableford: One man’s horrific affliction leads Sherlock Holmes to an ancient curse that threatens to awaken the crawling chaos slumbering in the blood of all humankind. “The Curious Case of Miss Violet Stone” by Poppy Z. Brite and David Ferguson: A girl who has not eaten in more than three years teaches Holmes and Watson that sometimes the impossible cannot be eliminated. “The Horror of the Many Faces” by Tim Lebbon: Dr. Watson witnesses a maniacal murder in London—and recognizes the villain as none other than his friend, Mr. Sherlock Holmes. With thirteen other dark tales of madness, horror, and deduction, a new and terrible game is afoot: “Tiger! Tiger!” by Elizabeth Bear “The Case of the Wavy Black Dagger” by Steve Perry “The Weeping Masks” by James Lowder “The Adventure of the Antiquarian’s Niece” by Barbara Hambly “The Mystery of the Worm” by John Pelan “The Mystery of the Hanged Man’s Puzzle” by Paul Finch “The Adventure of the Arab’s Manuscript” by Michael Reaves “The Drowned Geologist” by Caitlín R. Kiernan “A Case of Insomnia” by John P. Vourlis “The Adventure of the Voorish Sign” by Richard A. Lupoff “The Adventure of Exham Priory” by F. Gwynplaine MacIntyre “Death Did Not Become Him” by David Niall Wilson and Patricia Lee Macomber “Nightmare in Wax” by Simon Clark

After a brilliant military career, esteemed General Thaddeus Carlyon finally meets his death, not in the frenzy of battle but at an elegant London dinner party. His demise appears to be the result of a freak accident, but the general’s beautiful wife, Alexandra, readily confesses that she killed him–a story she clings to even under the threat of the noose. Investigator William Monk, nurse Hester Latterly, and brilliant Oliver Rathbone, counsel for the defense, work feverishly to break down the wall of silence raised by the accused and her husband’s proud family. With the trial only days away, these there sleuths inch toward the dark and appalling heart of the mystery.

Concentrating on works by authors such as Fergus Hume, Arthur Conan Doyle, Grant Allen, L.T. Meade, and Marie Belloc Lowndes, Christopher Pittard explores the complex relation between the emergence of detective fictions in the 1880s and 1890s and the concept of purity. The centrality of material and moral purity as a theme of the genre, Pittard argues, both reflected and satirised a contemporary discourse of degeneration in which criminality was equated with dirt and disease and where national boundaries were guarded against the threat of the criminal foreigner. Situating his discussion within the ideologies underpinning George Newnes's Strand Magazine as well as a wide range of nonfiction texts, Pittard demonstrates that the genre was a response to the seductive and impure delights associated with sensation and gothic novels. Further, Pittard suggests that criticism of detective fiction has in turn become obsessed with the idea of purity, thus illustrating how a genre concerned with policing the impure itself became subject to the same fear of contamination. Contributing to the richness of Pittard's project are his discussions of the convergence of medical discourse and detective fiction in the 1890s, including the way social protest movements like the antivivisectionist campaigns and medical explorations of criminality raised questions related to moral purity.