The Mysterious Universe is a science book by the British astrophysicist Sir James Jeans. It is an expanded version of the Rede Lecture delivered at the University of Cambridge in 1930, and begins with a full-page citation of the famous passage in Plato’s Republic, Book VII, laying out the allegory of the cave. It makes frequent reference to the quantum theory of radiation, begun by Max Planck in 1900, to Einstein’s general relativity, and to the new theories of quantum mechanics of Heisenberg and Schrödinger, of whose philosophical perplexities the author seemed well aware. This New Revised Edition was first published in 1932. A popular book to this day, and a valuable addition to any reader’s science book collection.

The Mysterious Universe is a popular science book which begins with a full-page citation of the famous passage in Plato's Republic, Book VII, laying out the allegory of the cave. The book made frequent reference to the quantum theory of radiation, begun by Max Planck in 1900, to Albert Einstein's general relativity, and to the new theories of quantum mechanics of Heisenberg and Schrödinger, of whose philosophical perplexities the author seemed well aware. This book is based upon the conviction that the teachings and findings of astronomy and physical science are destined to produce an immense change on our outlook on the universe as a whole, and on views about the significance of human life. The author contends that the questions at issue are ultimately one for philosophical discussion, but that before philosophers can speak, science should present ascertained facts and provisional hypotheses. The book is therefore written with these thoughts in mind while broadly presenting the fundamental physical ideas and findings relevant for a wider philosophical inquiry.

“A fascinating, comprehensive, and accessible exploration of life’s most fundamental questions. If you’re wondering who we are and why we’re here, this book is a great place to start.” —Mark Gober, award-winning author of An End to Upside Down Thinking and board member at the Institute of Noetic Sciences Is our physical universe actually a virtual simulation that is thought into existence by consciousness? Noted astrophysicist Bernard Haisch explores the frontiers of science, consciousness, and God, revolutionizing our understanding of the universe and what’s behind it all. Have you ever wondered why and how the world around you came to exist and whether there might be another experience awaiting you after the physical body dies? Might there actually be a God and a heaven of some sort? Without consciousness there is nothing. The hypothesis presented in this book is that our seemingly physical universe of matter and energy is a virtual simulation which is thought into existence by a universal consciousness which we call God. Authors Bernard Haisch and Marsha Sims tackle age-old metaphysical questions such as the following: Are near-death experiences real? What is the zero-point field? What kind of being could God be? Is there some place that God could have come from? How does the Big Bang figure into this? It there an afterlife, and what could it be like? What is the purpose of life? Is consciousness all there is? Is the universe a virtual reality? Why is hell impossible?

FFaith Physics is a new Theory of Everything (ToE) combining ancient spiritual wisdom and modern quantum physics findings to deliver a belief system that is both intellectually sound and spiritually satisfying. It maintains an ineffable Supreme Consciousness is the catalyst of all material creation as a ‘great thought’ through pure white light in zero-point morphogenetic quantum fields. Faith Physics claims that consciousness is the cornerstone of base reality existing in a timeless state of now. By using the natural cause-and-effect laws of classical physics, the uncertainty principle of quantum mechanics, and dark matter/energy, Faith Physics posits pure consciousness manifests physical creation in a remarkable myriad of forms. In the wave/particle duality paradigm revealed by quantum mechanics, conscious observation transforms light energy into particulate physical matter as condensed or frozen light in accordance with Albert Einstein’s famous E=mc2 equation. Faith Physics teaches us we exist and thrive in a unified participatory universe emanating from an eternal Supreme Consciousness source, and we are not just a product of random-chance evolution. In the 21st century, religion and science are reaching an enlightened consensus that pure metaphysical consciousness is perpetually painting a picture on the space-time continuum canvas depicting a miraculous cycle of physical creation, entropy, and cosmic rebirth.

Our experience of a unified sense of the self is underwritten by a multiplicity of self-aspects having very different metaphysical commitments. Our experience of unity is provided by a process-which, under certain clinical conditions, is rendered inoperative-that enables a person to experience mental states as personally owned.

A distinguished mathematician traces the history of science, illustrating philosophy's ongoing role, explaining technology's erosion of the rapport between the two fields, and offering suggestions for their reunion. 1962 edition.

"Has science made religion intellectually implausible? Does it rule out the existence of a personal God? In an age of science can we really believe that the universe has a "purpose"? And, finally, doesn't religion hold much of the blame for the present ecological crisis?" "These questions form the nucleus of today's debate between science and religion. This book is a guide for that debate, identifying the questions, isolating the issues and pointing to ways the questions can be resolved." "There are four possible ways, says John F. Haught, that we can view the relationship between religion and science. First, they can stand in complete opposition - the conflict position. Or, we can believe they are so different that conflict is impossible - the contrast position. A third approach holds that while science and religion are distinct, each has important implications for the other. A fourth way views them as different but mutually supportive."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The long-awaited new edition of a groundbreaking work on the impact of alternative concepts of space on modern art. In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception—the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space—were central to the development of modern art. The possibility of a spatial fourth dimension suggested that our world might be merely a shadow or section of a higher dimensional existence. That iconoclastic idea encouraged radical innovation by a variety of early twentieth-century artists, ranging from French Cubists, Italian Futurists, and Marcel Duchamp, to Max Weber, Kazimir Malevich, and the artists of De Stijl and Surrealism. In an extensive new Reintroduction, Henderson surveys the impact of interest in higher dimensions of space in art and culture from the 1950s to 2000. Although largely eclipsed by relativity theory beginning in the 1920s, the spatial fourth dimension experienced a resurgence during the later 1950s and 1960s. In a remarkable turn of events, it has returned as an important theme in contemporary culture in the wake of the emergence in the 1980s of both string theory in physics (with its ten- or eleven-dimensional universes) and computer graphics. Henderson demonstrates the importance of this new conception of space for figures ranging from Buckminster Fuller, Robert Smithson, and the Park Place Gallery group in the 1960s to Tony Robbin and digital architect Marcos Novak.