"Reizenstein's peculiar vision of New Orleans is worth resurrecting precisely because it crossed the boundaries of acceptable taste in nineteenth-century German America and squatted firmly on the other side... This work makes us realize how limited our notions were of what could be conceived by a fertile American imagination in the middle of the nineteenth century." -- from the Introduction by Steven Rowan A lost classic of America's neglected German-language literary tradition, The Mysteries of New Orleans by Baron Ludwig von Reizenstein first appeared as a serial in the Louisiana Staats-Zeitung, a New Orleans German-language newspaper, between 1854 and 1855. Inspired by the gothic "urban mysteries" serialized in France and Germany during this period, Reizenstein crafted a daring occult novel that stages a frontal assault on the ethos of the antebellum South. His plot imagines the coming of a bloody, retributive justice at the hands of Hiram the Freemason -- a nightmarish, 200-year-old, proto-Nietzschean superman -- for the sin of slavery. Heralded by the birth of a black messiah, the son of a mulatto prostitute and a decadent German aristocrat, this coming revolution is depicted in frankly apocalyptic terms. Yet, Reizenstein was equally concerned with setting and characters, from the mundane to the fantastic. The book is saturated with the atmosphere of nineteenth-century New Orleans, the amorous exploits of its main characters uncannily resembling those of New Orleans' leading citizens. Also of note is the author's progressively matter-of-fact portrait of the lesbian romance between his novel's only sympathetic characters, Claudine and Orleana. This edition marks the first time that The Mysteries of New Orleans has been translated into English and proves that 150 years later, this vast, strange, and important novel remains as compelling as ever.

When the smiling King of Carnival is killed at Mardi Gras, policewoman Skip Langdon is on the case. She knows the upper-crust family of the victim and that it hides more than its share of glittering skeletons. But nothing could prepare her for the tangled web of clues and ancient secrets that would mean danger for her--and doom for the St. Amants.... "Smith is a gifted writer." THE WASHINGTON POST BOOK WORLD

This original anthology of noir fiction set across the Big Easy includes new stories by Ace Atkins, Laura Lippman, Maureen Tan, and more. New Orleans has always the home of the lovable rogue, the poison magnolia, the bent politico, and the heartless con artist. And in post-Katrina times, it’s the same old story—only with a new breed of carpetbagger thrown in. In other words, it’s fertile ground for noir fiction. This sparkling collection of tales, set both before and after the storm, explores the city’s gutted neighborhoods, its outwardly gleaming “sliver by the river,” its still-raunchy French Quarter, and other hoods so far from the Quarter they might as well be on another continent. It also looks back into the city’s darkly colorful, nineteenth century past. New Orleans Noir includes brand-new stories by Ace Atkins, Laura Lippman, Patty Friedmann, Barbara Hambly, Tim McLoughlin, Olympia Vernon, David Fulmer, Jervey Tervalon, James Nolan, Kalamu ya Salaam, Maureen Tan, Thomas Adcock, Jeri Cain Rossi, Christine Wiltz, Greg Herren, Julie Smith, Eric Overmyer, and Ted O’Brien. A portion of the profits from New Orleans Noir will be donated to Katrina KARES, a hurricane relief program sponsored by the New Orleans Institute that awards grants to writers affected by the hurricane.

Two businessmen want to destroy a wildlife reserve in New Orleans and build a shopping center. Mysterious deaths, and an ecological disaster shock the city. Three friends decide to solve this mystery, but can they find the document that will save the wildlife reserve?--Quatrième de couverture.

On a class trip to New Orleans, Catalina Cat Duran and her friends find themselves in the middle of a voodoo mystery.

One of the most scandalous books published in America at the time. "Reizenstein's peculiar vision of New Orleans is worth resurrecting precisely because it crossed the boundaries of acceptable taste in nineteenth-century German America and squatted firmly on the other side . . . This work makes us realize how limited our notions were of what could be conceived by a fertile American imagination in the middle of the nineteenth century."—from the Introduction by Steven Rowan A lost classic of America's neglected German-language literary tradition, The Mysteries of New Orleans by Baron Ludwig von Reizenstein first appeared as a serial in the Louisiana Staats-Zeitung, a New Orleans German-language newspaper, between 1854 and 1855. Inspired by the gothic "urban mysteries" serialized in France and Germany during this period, Reizenstein crafted a daring occult novel that stages a frontal assault on the ethos of the antebellum South. His plot imagines the coming of a bloody, retributive justice at the hands of Hiram the Freemason—a nightmarish, 200-year-old, proto-Nietzschean superman—for the sin of slavery. Heralded by the birth of a black messiah, the son of a mulatto prostitute and a decadent German aristocrat, this coming revolution is depicted in frankly apocalyptic terms. Yet, Reizenstein was equally concerned with setting and characters, from the mundane to the fantastic. The book is saturated with the atmosphere of nineteenth-century New Orleans, the amorous exploits of its main characters uncannily resembling those of New Orleans' leading citizens. Also of note is the author's progressively matter-of-fact portrait of the lesbian romance between his novel's only sympathetic characters, Claudine and Orleana. This edition marks the first time that The Mysteries of New Orleans has been translated into English and proves that 150 years later, this vast, strange, and important novel remains as compelling as ever.

Nola Trenholm is hopeful for a fresh start in the Big Easy but must deal with ghosts from her past—as well as new ones—in this first book in a spin-off series of Karen White's New York Times bestselling Tradd Street novels. After a difficult detour on her road to adulthood, Nola Trenholm is looking to begin anew in New Orleans, and what better way to start her future than with her first house? But the historic fixer-upper she buys comes with even more work than she anticipated when the house’s previous occupants don’t seem to be ready to depart. Although she can’t communicate with ghosts like her stepmother can, luckily Nola knows someone in New Orleans who is able to—even if he’s the last person on earth she wants anything to do with ever again. Beau Ryan comes with his own dark past—a past that involves the disappearance of his sister and parents during Hurricane Katrina—and he’s connected to the unsolved murder of a woman who once lived in the old Creole cottage Nola is determined to make her own...whether the resident restless spirits agree or not.

Samantha thought following a mysterious diary around the French Quarter of New Orleans would be a harmless way to learn about her new hometown until it became about murder.As the newest resident of Thibodeaux Mansion, West Coast transplant Samantha is looking forward to starting her thirties in a new place. Drawn to New Orleans for its music, food and history, she's excited to start her future in this unique city. But Samantha is also hopeful she'll find her past since she was adopted from Louisiana after being orphaned in a hurricane as a toddler.An anonymous diary, unusual key, and a distinctive doll are left in her furnished apartment and her mostly friendly neighbors all deny leaving the gifts. Samantha, now Sammy to her new friends, can't believe any of them could be a liar. When the diary leads her to a dead body, Sammy needs to find out what these clues mean and what the murderer is trying to tell her.Although her best friends Sissy and Andrew are happy to help her with this mystery, her other friends aren't sure the murder and diary are about Sammy. Not wanting to lose her newfound friendships and possible love interest, Sammy decides she must uncover the answers on her own.Sammy moved to New Orleans looking for a new future, but is it her past that found her first?The Key to Murder is the first book in the The French Quarter Mysteries featuring West Coast transplant Samantha Richardson settling into her new hometown, New Orleans. Her neighborhood is full of music, food and history as well as interesting people. Join Sammy as she explores the Big Easy by solving the mysteries of the past and present in this new modern, cozy mystery series.

Lady detective Skip Langdon goes after the killer of Geoffrey Kavanagh, a computer genius. In the process, she learns to navigate The Original Worldwide Network, a country-wide bulletin board service. By the author of Jazz Funeral.

From the author of the popular Tea Shop Mysteries comes the first in a cozy crafting mystery series! New Orleans scrapbooking shop owner Carmela Bertrand delights her customers with her stunning arrangements of their scrapbooks. But among her clients’ keepsakes she finds a tip of her own—about a murder... Business is booming and life is cozy for Carmela at her scrapbooking shop, Memory Mine. But when one of the city’s elite dies during Mardi Gras, the police name Carmela’s estranged husband as their number one suspect. Although Carmela hasn’t forgotten how he scrapped their marriage, she doesn’t think he is cut out to be a killer. And if Shamus is being framed, Carmela might be the only one who can find the pattern and solve the case in time...