A ripped-from-the-headlines novel of ambition, music, and innocence lost, perfect for fans of Elizabeth Acevedo and Jason Reynolds! Be bold. Get seen. Be Heard.For seventeen-year-old Denver, music is everything. Writing, performing, and her ultimate goal: escaping her very small, very white hometown.So Denver is more than ready on the day she and her best friends Dali and Shak sing their way into the orbit of the biggest R&B star in the world, Sean "Mercury" Ellis. Merc gives them everything: parties, perks, wild nights -- plus hours and hours in the recording studio. Even the painful sacrifices and the lies the girls have to tell are all worth it.Until they're not.Denver begins to realize that she's trapped in Merc's world, struggling to hold on to her own voice. As the dream turns into a nightmare, she must make a choice: lose her big break, or get broken.Inspired by true events, Muted is a fearless exploration of the dark side of the music industry, the business of exploitation, how a girl's dreams can be used against her -- and what it takes to fight back.

The Mute Immortals Speak will be important for students and scholars in the fields of Middle Eastern literatures, Islamic studies, folklore, oral literature...

Pete Greig, the acclaimed author of Red Moon Rising, has written his most intensely personal and honest account yet in God on Mute, a book born out of his wife Samie's fight for her life and diagnosis of a debilitating brain tumor. Greig asks the timeless questions of what it means to suffer and to pray and to suffer through the silence because your prayers seem unanswered. This silence, Greig relates, is the hardest thing. The world collapses. Then all goes quiet. Words can't explain, don't fit, won't work. People avoid you and don't know what to say. So you turn to Him and you pray. You need Him more than ever before. But somehow . . . even God Himself seems on mute. In this heart-searching, honest, and deeply profound book, Pete Greig looks at the hard side of prayer, how to respond when there seem to be no answers, and how to cope with those who seek to interpret our experience for us. Here is a story of faith, hope, and love beyond all understanding.

4:23 a.m. The phone rings. The officer on the other end says, “It’s a bad one, Darren. Can you come?” Darren McDaniel has worked dozens of homicides in his years as a detective. It’s a dark and gritty business, and he’s prepared to handle whatever it throws at him. Or so he once believed. The pre-teen girl is dead, dressed in a white princess gown, lying on a bus stop bench. There’s a steel chain clamped to her ankle. A cryptic message scrawled across the booth’s dusty glass wall may be the only clue. As McDaniel plunges into the case, he isn’t surprised to discover the girl had been held somewhere horrible before her death. But, his blood chills when the evidence shows she wasn’t alone. Other children were with her. Are they still there? Can McDaniel save them in time? The detective races against the clock, but the closer he gets, the deadlier the chase becomes. Secrets this dark fight back. When those secrets turn their murderous attention on McDaniel’s family, he faces an impossible decision – let the killer walk free or risk losing his own daughter.

On most days, the wilderness gave me peace. But not tonight. In a land sculpted by glaciers, the forest is on fire. Thick smoke chokes the mountain air and casts an apocalyptic glow over the imposing peaks and vistas of Montana’s Glacier National Park. When firefighters are called in to dig firebreaks near the small town bordering the park, a crew member is shocked to unearth a shallow grave containing human remains. Park Police Officer Monty Harris is summoned to the site to conduct an excavation. But with an incendiary monster threatening to consume the town, Monty seeks help from Gretchen Larson, the county’s lead crime scene investigator. While the two work frantically to determine the true identity of the victim, a teenager suddenly disappears from one of the campgrounds in Glacier. Could the cases somehow be connected? As chances for recovery of the missing boy grow slimmer and the FBI finds only dead ends, Gretchen and Monty desperately race to fit all the pieces together while battling time, the elements, and their own unresolved inner conflicts. The Weight of Night is the latest novel in an award-winning series which “paints a moving picture of complex, flawed people fighting to make their way in a wilderness where little is black or white” (Publishers Weekly). It is a gripping tribute to the power of redemption set against one of America’s most majestic and unforgiving landscapes.

'Melding noir with the fantasy genre, this is a rather clever read, one which feels especially prescient for our reality' SCIFINOW There's power in stories, but stories can be silenced. It's election year and the streets of Fenest are filled with people from every corner of the Union of Realms. But this year is different. The Wayward storyteller has been murdered. Detective Cora Gorderheim has found the man responsible, but now he's dead too, and it's clear that the silenced Wayward is just a small part of a much bigger tale. As her investigation digs ever deeper, Cora pieces together a conspiracy that will take her from the gutter dwellers of the Union right to the top. A conspiracy that will force her to return to her own story, to its very beginning, if she is to have any say in its end. Widow's Welcome, the first book in the Tales of Fenest trilogy, is available now. 'It's rare to find such a richly imagined world about the art of myth and storytelling' CHRISTOPHER FOWLER 'Like a Philip Pullman rendition of Cloud Atlas. Widow's Welcome is an irresistibly thrilling introduction to a world of stories within stories – and I can't wait for more' TIM MAJOR 'There is more than meets the eye in this gripping and inventive debut... Rife with intrigue, deceit and cultural tension' JAMES AITCHESON 'An utterly absorbing tale set in a fascinating world. A terrific start to the series' MICK FINLAY 'If you love storytelling, you'll love this' SIMON MORDEN