Learn the 10 Rules Every Artist or Band should know about music copyright law, the two copyrights in every song, the two worlds of music, and all the revenue streams that songs generate. The Music Copyright Manual is the essential guide to Music Copyright Law in this digital age. The book is divided in four main sections. In section one, you will learn what is copyright and how to establish one, along with copyright duration and transfer, and what is music publishing. In section two, you will learn all the exclusive rights you get with a copyright and the money streams associated with those rights and how to take advantage of those. You will also learn the keys to joint authorship and what a work-for-hire is and how to retain full ownership of your songs. Section three covers the new realities of the digital music world, including the most recent right of digital audio transmission. You will learn about the revenue sources from music streaming, Youtube, and master recordings. In the final section, music copyright infringement is discussed. You will learn what a plaintiff must prove, defenses, damages, and how to avoid being sued for copyright infringement.

With behind-the-scenes anecdotes from the halls of power, real-world case studies, and tips from successful industry players, this book equips readers with the tools they need to navigate the complex world of music copyright, showing how creator, technology, and communities can work together to support a healthier music ecosystem.

Whatever your level of experience, the Dance Music Manual is packed with sound advice, techniques and practical examples to help you achieve professional results. Written by a professional producer and remixer, this book offers a comprehensive approach to music production, including knowledge of the tools, equipment and different dance genres. Get more advice and resources from the books official website, www.dancemusicproduction.com. * Included in the new edition are sections on recording instruments alongside new chapters covering more dance music genres. * Examines all aspects of music production, from sound design, compression & effect to mixing & mastering to publishing & promoting, to help you become a better producer. * The companion CD provides sample and example tracks, demonstrating the techniques used in the book.

How do I get my music played on the radio? Do I really need my own website - can't I just use MySpace? How do I copyright and license my songs? The DIY Music Manual has the answers to these questions ... and more. Over the last couple of years, the face of independent music has changed completely. With the rise of websites such as MySpace and iTunes, digital radio stations, podcasts, band websites and online music stores, it has made music much easier to make, promote and distribute outside traditional channels. Whereas before it was a case of sending your band's demo tape to a record label and hoping for the best, now it's possible to cut out the middle man and make a success of your band without being signed. Clearly, concisely and with a dash of wit, The DIY Music Manual tells you exactly how to do that.

Great for teachers and students alike! Why not teach what you know? Students are everywhere; you just need to let them know you are there.Once they find you, what do you do? This book is a compendium of thoughts, practical advice, and experiences to get you on the right track to becoming a successful teacher.Conduct both classroom & private lessons! Get and keep your students! You will learn: ÿ The techniques of teaching ÿ How to succeed with your students ÿ How to start and run a business ÿ How to write and publish your own method book How to teach………for fun and profit! Steve Stockmal has been teaching music for over twenty years.He has produced many fine musicians, and will now show you countless secrets to becoming a successful teacher.

Written by an attorney with over 30 years of experience in the music industry, Music Publishing: The Complete Guide is the definitive manual on music copyright. Whereas many books on the subject are aimed at artists and songwriters, this book will serve as a thorough guide for industry pros, lawyers, and music business and law students. Subjects covered include copyright; performing rights organizations; mechanical, synchronization, and print licensing; songwriter and composer agreements; publishing administration and foreign sub-publishing; production music libraries; pitching and placement companies; sampling; and much more. The discussion also delves into historical perspective and current trends and revenue opportunities in the evolving digital marketplace. Easy-to-read narratives explain the key points for all of these types of deals. There are many sample agreements included in the book, all annotated in simple terms that explain the often complex contract language. There are also links to copyright and publishing resources, listings of foreign performance and mechanical societies, and anecdotes and case studies from real world incidents. If you're looking for a thorough grounding and go-to reference book on music copyright, not just a quick crash course, your search is over.

Provides an in-depth, yet easy to understand, exploration of copyright law and how it applies to the music industry.

The Music Industry Handbook, Second edition is an expert resource and guide for all those seeking an authoritative and user-friendly overview of the music industry today. The new edition includes coverage of the latest developments in music streaming, including new business models created by the streaming service sector. There is also expanded exploration of the music industry in different regions of the UK and in other areas of Europe, and coverage of new debates within the music industry, including the impact of copyright extensions on the UK music industry and the business protocols involved when music is used in film and advertising. The Music Industry Handbook, Second edition also includes: in-depth explorations of different elements of the music industry, including the live music sector, the recording industry and the classical music business analysis of business practices across all areas of the industry, including publishing, synchronisation and trading in the music industry profiles presenting interviews with key figures workings in the music industry detailed further reading for each chapter and a glossary of essential music industry terms.

To access the 2014-2015 Supplement click here. Copyright Law is unique among copyright casebooks in that it is tightly and coherently structured, intelligently distilled, and clearly contextualized. Halpern's casebook explores the complex and sometimes counterintuitive issues surrounding protection of intellectual creativity under US copyright law by ensuring that both student and professor always maintain an understanding of how doctrinal elements relate to the whole. Thus, the book is perfect for those students who have struggled with dense notes and opaque explanations, professors who have labored through cumbersome and poorly ordered texts, and for new teachers who need a concise and clear pedagogic template complete with both substantive doctrine and highly instructive cases. Simply put, Copyright Law is a refreshing primer on the title topic, and a welcome alternative to less coherent texts. The second edition expands upon the first and brings the material up-to-date while retaining its eminently teachable structure. "...a great primer for all things copyright...an excellent overview of the topic. The table of contents reads like a class outline you would 'borrow' from the smart guy sitting up front." -- Legal Information Alert, on the first edition

Metal Music Manual shows you the creative and technical processes involved in producing contemporary heavy music for maximum sonic impact. From pre-production to final mastered product, and fundamental concepts to advanced production techniques, this book contains a world of invaluable practical information. Assisted by clear discussion of critical audio principles and theory, and a comprehensive array of illustrations, photos, and screen grabs, Metal Music Manual is the essential guide to achieving professional production standards. The extensive companion website features multi-track recordings, final mixes, processing examples, audio stems, etc., so you can download the relevant content and experiment with the techniques you read about. The website also features video interviews the author conducted with the following acclaimed producers, who share their expertise, experience, and insight into the processes involved: Fredrik Nordström (Dimmu Borgir, At The Gates, In Flames) Matt Hyde (Slayer, Parkway Drive, Children of Bodom) Ross Robinson (Slipknot, Sepultura, Machine Head) Logan Mader (Gojira, DevilDriver, Fear Factory) Andy Sneap (Megadeth, Killswitch Engage, Testament) Jens Bogren (Opeth, Kreator, Arch Enemy) Daniel Bergstrand (Meshuggah, Soilwork, Behemoth) Nick Raskulinecz (Mastodon, Death Angel, Trivium) Quotes from these interviews are featured throughout Metal Music Manual, with additional contributions from: Ross "Drum Doctor" Garfield (one of the world’s top drum sound specialists, with Metallica and Slipknot amongst his credits) Andrew Scheps (Black Sabbath, Linkin Park, Metallica) Maor Appelbaum (Sepultura, Faith No More, Halford)