Artist Edward Sorel created a wonderful, witty mural to grace the walls of The Waverly Inn, the famed New York eatery. Each of the 40 individuals depicted in the mural is presented here with a charming, telling vignette of his or her life. Full-color illustrations throughout.

A celebration of New York City's most treasured public art, now available in a smaller format for a lower price. Whether it's cocktails at the Carlyle, taking in a show at Lincoln Center, traveling via subway, or flying out of LaGuardia's venerable Marine Air Terminal, uptown to downtown to the outer boroughs, the art created for the walls of New York City's bars, hotels, offices, government buildings, and schools have themselves created the identities of the rooms they live in. Murals of New York City was the first book to curate more than thirty of the most important, influential, and impressive murals found within all five boroughs. Full-color images of works such as Paul Helleu's Mural of the Stars on Grand Central Terminal's ceiling, Robert Crowl's Dancers at the Bar at Lincoln Center, Edward Laning's New York Public Library McGraw Rotunda, José Maria Sert and Frank Brangwyn's Rockefeller Center murals, and work by artists such as Marc Chagall, Keith Haring, Roy Lichtenstein, Maxfield Parrish, and more are accompanied by informative and historical commentary. Perfect for art and architecture lovers, Murals of New York City serves as the perfect resource for New Yorkers and souvenir for the millions of tourists who visit the city every year.

The fabulous life and times of one of our wittiest, most endearing and enduring caricaturists—in his own words and inimitable art. Sorel has given us "some of the best pictorial satire of our time ... [his] pen can slash as well as any sword” (The Washington Post). Alongside more than 172 of his drawings, cartoons, and caricatures—and in prose as spirited and wickedly pointed as his artwork—Edward Sorel gives us an unforgettable self-portrait: his poor Depression-era childhood in the Bronx (surrounded by loving Romanian immigrant grandparents and a clan of mostly left-leaning aunts and uncles); his first stabs at drawing when pneumonia kept him out of school at age eight; his time as a student at New York’s famed High School of Music and Art; the scrappy early days of Push Pin Studios, founded with fellow Cooper Union alums Milton Glaser and Seymour Chwast, which became the hottest design group of the 1960s; his two marriages and four children; and his many friends in New York’s art and literary circles. As the “young lefty” becomes an “old lefty,” Sorel charts the highlights of his remarkable life, by both telling us and showing us how in magazines and newspapers, books, murals, cartoons, and comic strips, he steadily lampooned—and celebrated—American cultural and political life. He sets his story in the parallel trajectory of American presidents, from FDR’s time to the present day—with the candor and depth of insight that could come only from someone who lived through it all. In Profusely Illustrated, Sorel reveals the kaleidoscopic ways in which the personal and political collide in art—a collision that is simultaneously brilliant in concept and uproarious and beautiful in its representation.

Tales of ghostly goings-on and otherworldly encounters in Greenwich Village Among New York City’s many treasures is Greenwich Village, a bohemian area filled with creativity and rebellion. Haunted Greenwich Village—a collection of stories of ghosts, mysteries, and paranormal happenings in Greenwich Village—will leave readers delightfully frightened. Meet a colorful cast of spirits and spectres, visit haunted hotels and houses, and experience the eerie and supernatural. Many of the locations are accessible to the public—and some are even open for overnight stays for the truly daring—including: Washington Square: This upper-class neighborhood is haunted bycelebrity apparitions, the spirits of those buried there, the ghosts of those executed at Hangman’s Elm—and even a phantom dog. Third Street: The spirit that haunts a block here sometimes parks his horse and carriage directly in front of NYU’s D’Agostino Residence Hall. This famous early American politician and his daughter, who disappeared at sea, have even disrupted a restaurant about four blocks away in the West Village.

Sometimes all we have is the courage of our convictions. But not all convictions are created equal. In fact, some are downright delusional. And once a foolish notion sinks its teeth into the famous or the powerful, look out–the impact can have profound consequences for the rest of us. So it’s nothing short of gratifying when our most bullheaded and self-righteous leading lights insist on getting their way only to be proven egregiously embarrassingly wrong. From politicians to pontiffs, movie stars to moguls, and artists to inventors, Certitude presents short biographical sketches of notoriously stubborn individuals who were certain they were right–with laughable, disturbing, and often disastrous results. Earning a place among the greatest historical and contemporary bullheads are: •Girolamo Savonarola, the Dominican friar who failed to place his own vanities on the bonfire. •Carry A. Nation, the saloon smasher who didn’t have a temperate bone in her teetotaling body. •Arthur Conan Doyle, author of the Sherlock Holmes series, who lacked the deductive reasoning he bestowed on his own creation. •Joseph Stalin, the hard-line Soviet leader who had a soft spot after all. •Madonna, the queen of pop, who isn’t just a material girl: She’s embraced Kabbalah and the doctrine of reincarnation–in other words, she’ll be back! Informative, irreverent, and brilliantly illustrated by the caricaturist Edward Sorel, Certitude is a book for our time.

A language barrier is no match for love. Lauren Collins discovered this firsthand when, in her early thirties, she moved to London and fell for a Frenchman named Olivier—a surprising turn of events for someone who didn’t have a passport until she was in college. But what does it mean to love someone in a second language? Collins wonders, as her relationship with Olivier continues to grow entirely in English. Are there things she doesn’t understand about Olivier, having never spoken to him in his native tongue? Does “I love you” even mean the same thing as “je t’aime”? When the couple, newly married, relocates to Francophone Geneva, Collins—fearful of one day becoming "a Borat of a mother" who doesn’t understand her own kids—decides to answer her questions for herself by learning French. When in French is a laugh-out-loud funny and surprising memoir about the lengths we go to for love, as well as an exploration across culture and history into how we learn languages—and what they say about who we are. Collins grapples with the complexities of the French language, enduring excruciating role-playing games with her classmates at a Swiss language school and accidently telling her mother-in-law that she’s given birth to a coffee machine. In learning French, Collins must wrestle with the very nature of French identity and society—which, it turns out, is a far cry from life back home in North Carolina. Plumbing the mysterious depths of humanity’s many forms of language, Collins describes with great style and wicked humor the frustrations, embarrassments, surprises, and, finally, joys of learning—and living in—French.

Presents biographies by the acclaimed caricaturist Edward Sorel, who has long believed, that next to composers, writers are the craziest people in the world.

A hilarious send-up of sex, scandal, and the Golden Age of Hollywood by legendary cartoonist Edward Sorel. In 1965, a young, up-and-coming illustrator by the name of Edward Sorel tore away layer after layer of linoleum from the floor of his $97-a-month Manhattan apartment until he discovered a hidden treasure: issues of the New York Daily News and Daily Mirror from 1936, each ablaze with a scandalous child custody trial taking place in Hollywood starring the actress Mary Astor—and the journal in which she detailed her numerous affairs. Thus began a half-century obsession that reached its peak in Mary Astor’s Purple Diary, “a thoroughly charming” (New York Times Book Review, front-page review) account of the scandal in which Sorel narrates and illustrates the travails of the Oscar-winning actress alongside his own personal story of discovering an unlikely muse. Now in a stunning paperback, featuring more than sixty ribald and rapturous original illustrations, Mary Astor’s Purple Diary is the life’s masterpiece of one of America’s greatest illustrators.