While Amber and her younger brother Stevie are playing in their grandparents’ basement, they find an ancient mummified hand hidden behind a false wall. They learn quite by accident that this hand can make items like Grandpa’s championship basketball and pinball machine disappear. While trying to make them reappear before Grandma discovers what they have done, Amber and Stevie realize the hand can make them disappear as well and reappear in a strange Egyptian world where statues come to life and where a handful of ruthless pirates have been stranded for hundreds of years. When a snooping neighbor boy gets hold of the gruesome hand, he panics and accidentally sends Amber and Stevie to this strange world with no possible way of getting back home.

It’s a long, hot summer in Los Angeles and there are plenty of changes happening in Poppy Starfire’s life. One thing that’s been holding steady is the continual stream of cases coming into the Starfire Detective Agency. But the Starfires’ latest case really takes the sarcophagus. When three prominent Egyptologists from the same expedition die unexpectedly, and in short order, the son of one of the deceased wants answers. Harvey Gaffner is certain the doctor who quickly, and without much care, declared his father suffered a heart attack is dead wrong. Poppy and Jasper must find out what happened to Edward Gaffner. Was it natural causes, a murder or something more sinister like a mummy’s curse? Book 5 of the Starfire Cozy Mystery Series 1. Murder on Lot B 2. Murder at the Ostrich Farm 3. Murder on the Angels Flight Trolley 4. Murder on Holiday Lane 5. Curse of the Mummy's Hand 6. TBA

Revised and updated since its first publication in 1990, this acclaimed critical survey covers the classic chillers produced by Universal Studios during the golden age of hollywood horror, 1931 through 1946. Trekking boldly through haunts and horrors from The Frankenstein Monster, The Wolf Man, Count Dracula, and The Invisible Man, to The Mummy, Paula the Ape Woman, The Creeper, and The Inner Sanctum, the authors offer a definitive study of the 86 films produced during this era and present a general overview of the period. Coverage of the films includes complete cast lists, credits, storyline, behind-the-scenes information, production history, critical analysis, and commentary from the cast and crew (much of it drawn from interviews by Tom Weaver, whom USA Today calls "the king of the monster hunters"). Unique to this edition are a new selection of photographs and poster reproductions and an appendix listing additional films of interest.

Goosebumps now on Disney+! Abby and Peter are staying with Uncle Jonathan in an eerie old village. Their uncle knows a lot about Egypt, and his living room even looks like an ancient tomb. Do other secrets lurk inside the house? MUM's the word! Next, Abby and Peter will get all WRAPPED up in a terrifying mystery. Slappy the Dummy and other villains have been sighted in HorrorLand theme park. A monster named Byron might offer help...if they can find him.

A quirky history that offers a new way of understanding the myth of the mummy's curse. Roger Luckhurst provides a startling path through the cultural history of Victorian England and its colonial possessions.

Gabe is exploring the tunnels of an ancient Egyptian pyramid. Unfortunately, he's also lost! And Gabe is not alone. Someone else is in the pyramid, too. Someone. Or something. . .

The mummy came to life in the 1940s out of Universal Pictures' need to produce quick turnaround, low budget "B" movies. Universal produced The Mummy's Hand, The Mummy's Tomb, The Mummy's Ghost, and The Mummy's Curse (originally The Mummy's Return) and thus created a popular franchise that is still supported today by a following of loyal fans. (Universal was prompted to produce a remake of its Mummy films in 1999.) This book is devoted entirely to Universal's Mummy movies of the 1940s. It reveals lost action and dialogue by analyzing scenes that were edited out days before The Mummy's Hand was released to theaters, treats readers to other dialogue that was filmed and then cut down to almost nothing before being included in the films, and compares and contrasts the original story of The Mummy's Return to the final shooting script of what was later renamed The Mummy's Curse. Each of the films has its own chapter, and chapters are also devoted to the actors who played the heroes, heroines, high priests, victims, and mummies in the films, and to the filmmakers who brought the mummies to life.

The Mummy's Foot' is a gothic short story written by French writer, Théophile Gautier, author of 'Clarimonde'. The plot follows a man who buys a mummified foot in an antiques shop. It once belonged to an Egyptian princess, and it transpires that she wants it back. He is forced to make a deal. This is a classic short story in the genre and we a republishing it with a brand new introductory biography of the translator of the work, Lafcadio Hearn.

The Jewel of Seven Stars is a horror novel by Bram Stoker. An Egyptologist, attempting to raise from the dead the mummy of Tera, an ancient Egyptian queen, finds a fabulous gem and is stricken senseless by an unknown force. Amid bloody and eerie scenes, his daughter is possessed by Tera's soul, and her fate depends upon bringing Tera's mummified body to life.

In the winter of 1922-23 archaeologist Howard Carter and his wealthy patron George Herbert, the Fifth Earl of Carnarvon, sensationally opened the tomb of Tutenkhamen. Six weeks later Herbert, the sponsor of the expedition, died in Egypt. The popular press went wild with rumours of a curse on those who disturbed the Pharaoh's rest and for years followed every twist and turn of the fate of the men who had been involved in the historic discovery. Long dismissed by Egyptologists, the mummy's curse remains a part of popular supernatural belief. Roger Luckhurst explores why the myth has captured the British imagination across the centuries, and how it has impacted on popular culture. Tutankhamen was not the first curse story to emerge in British popular culture. This book uncovers the 'true' stories of two extraordinary Victorian gentlemen widely believed at the time to have been cursed by the artefacts they brought home from Egypt in the nineteenth century. These are weird and wonderful stories that weave together a cast of famous writers, painters, feted soldiers, lowly smugglers, respected men of science, disreputable society dames, and spooky spiritualists. Focusing on tales of the curse myth, Roger Luckhurst leads us through Victorian museums, international exhibitions, private collections, the battlefields of Egypt and Sudan, and the writings of figures like Arthur Conan Doyle, Rider Haggard and Algernon Blackwood. Written in an open and accessible style, this volume is the product of over ten years research in London's most curious archives. It explores how we became fascinated with Egypt and how this fascination was fuelled by myth, mystery, and rumour. Moreover, it provides a new and startling path through the cultural history of Victorian England and its colonial possessions.