The Multiverse of Office Fiction liberates Herman Melville’s 1853 classic, “Bartleby, the Scrivener,” from a microcosm of Melville studies, namely the so-called Bartleby Industry. This book aims to illuminate office fiction—fiction featuring office workers such as clerks, civil servants, and company employees—as an underexplored genre of fiction, by addressing relevant issues such as evolution of office work, integration of work and life, exploitation of women office workers, and representation of the Post Office. In achieving this goal, Bartleby plays an essential role not as one of the most eccentric characters in literary fiction, but rather as one of the most generic characters in office fiction. Overall, this book demonstrates that Bartleby is a generative figure, by incorporating a wide diversity of his cousins as Bartlebys. It offers fresh contexts in which to place these characters so that it can ultimately contribute to an ever-evolving poetics of the office.

In the multiverse there are worlds that live beyond our imaginations. Worlds where magic exists, and ghost stories are real. Where artificial intelligence is sentient, and where virtual reality is more real than reality. Each story takes you on a journey, often ending up where you least expect it.

First in a duology that reimagines fairy tale tropes within a space opera—The Princess Bride meets Princess Leia. Rory Thorne is a princess with thirteen fairy blessings, the most important of which is to see through flattery and platitudes. As the eldest daughter, she always imagined she’d inherit her father’s throne and govern the interplanetary Thorne Consortium. Then her father is assassinated, her mother gives birth to a son, and Rory is betrothed to the prince of a distant world. When Rory arrives in her new home, she uncovers a treacherous plot to unseat her newly betrothed and usurp his throne. An unscrupulous minister has conspired to name himself Regent to the minor (and somewhat foolish) prince. With only her wits and a small team of allies, Rory must outmaneuver the Regent and rescue the prince. How Rory Thorne Destroyed the Multiverse is a feminist reimagining of familiar fairytale tropes and a story of resistance and self-determination—how small acts of rebellion can lead a princess to not just save herself, but change the course of history.

Space pirate Rory Thorne and her crew trace an abandoned ship to vicious advanced alien tech and a sentient floral plant designed to be a massive biological weapon.

Quantum mechanics is the foundation of the universe. At the bedrock of quantum mechanics lies mathematics--the path-integral formulation. In this text, a variety of novel theories pertaining to quantum mechanics, and the mathematical foundations of theoretical physics, are surveyed. After the publication of his previous book, "Physics Reforged," concerning his multiverse theory, Julian von Abele has returned to expand on his multiverse hypothesis, and present his novel theory of time. Is time multidimensional? Is reality plural, or whole? How did the universe begin, and how will it end? Do alternate realities exist? All these questions, and more, are answered in this remarkable anthology of academic papers on quantum theory, cosmology, and novel theories of time. Intended primarily for physicists and mathematicians, this book offers an intriguing gateway into some of the most fundamental problems of physics.

What if you suddenly met someone who's you--only better? That's what happens in this hilarious new series for fans of Stuart Gibb's Moon Base Alpha and quirky sci-fi animated shows like Rick and Morty and Regular Show. It all starts with a note folded into the shape of an origami octopus: "Hi, Me. Yes, you. You're me, and I'm you." If you believe this and the other origami notes that follow--which middle schooler Meade Macon absolutely, positively does NOT--the concept of parallel dimensions is true, and there is a convention full of alternate versions of Meade waiting for his RSVP. It's got to be a joke. Except . . . the octopus is an origami fold Meade thought he invented. And the note writer has a lot of intel on him that nobody else should know. I mean, he's told his best friend Twig a lot about himself, but he's definitely kept mum about that time he sleepwalk-peed into his Lego container when he was six. Could Me Con be a real thing? And why does the origami stalker want him to go so badly anyway?

Can plain old Average Me fix the rip in the multiverse? The Mes are back in this hilarious second book in the sci-fi comedy series for fans of Stuart Gibb's Moon Base Alpha and quirky animated shows like Rick and Morty and Regular Show. Saving the multiverse starts with another origami note: Make it here, pronto. This time Meade Macon, aka Average Me, knows that parallel dimensions are real. He's met dozens of his counterparts from other Earths. What he doesn't know is that they're all about to get zapped out of existence. On Earth Zero, a rip in the multiverse is spreading to other realities and causing chaos wherever it appears. And the different versions of Meade--the Mes--are caught in the middle! Motor Me, Resist Me, and Hollywood Me just want to go back home to their own Earths. The only way to do that is to repair the rip. Once again, it's up to Average Me! But if Average is going to fix the multiverse, he just might have to team up with his archnemesis . . . Meticulous Me.

The award-winning former editor of Science News shows that one of the most fascinating and controversial ideas in contemporary cosmology—the existence of multiple parallel universes—has a long and divisive history that continues to this day. We often consider the universe to encompass everything that exists, but some scientists have come to believe that the vast, expanding universe we inhabit may be just one of many. The totality of those parallel universes, still for some the stuff of science fiction, has come to be known as the multiverse. The concept of the multiverse, exotic as it may be, isn’t actually new. In The Number of the Heavens, veteran science journalist Tom Siegfried traces the history of this controversial idea from antiquity to the present. Ancient Greek philosophers first raised the possibility of multiple universes, but Aristotle insisted on one and only one cosmos. Then in 1277 the bishop of Paris declared it heresy to teach that God could not create as many universes as he pleased, unleashing fervent philosophical debate about whether there might exist a “plurality of worlds.” As the Middle Ages gave way to the Renaissance, the philosophical debates became more scientific. René Descartes declared “the number of the heavens” to be indefinitely large, and as notions of the known universe expanded from our solar system to our galaxy, the debate about its multiplicity was repeatedly recast. In the 1980s, new theories about the big bang reignited interest in the multiverse. Today the controversy continues, as cosmologists and physicists explore the possibility of many big bangs, extra dimensions of space, and a set of branching, parallel universes. This engrossing story offers deep lessons about the nature of science and the quest to understand the universe.

The Superhero Multiverse focuses on the evolving meanings of the superhero icon in 21st-century film and popular media, with an emphasis on re-adapting, re-imagining, and re-making. With its focus on multimedia and transmedia transformations, The Superhero Multiverse pivots on two important points: firstly, it reflects on the core concerns of the superhero narrative—including the relationship between ‘superhero comics’ and ‘superhero films’, the comics roots of superhero media, matters of canon and hybridity, and issues of recycling and stereotyping in superhero films and media texts. Secondly, it considers how these intersecting textual and cultural preoccupations are intrinsic to the process of remaking and re-adapting superheroes, and brings attention to multiple ways of materializing these iconic figures in our contemporary context.

A San Francisco Chronicle Best Book of the Year, A New York Times Book Review Editors' Choice, A New York Post Best Book of the Week Recommended by Vogue, The San Francisco Chronicle, The Skimm, The BBC, Southern Living, Pure Wow, Hey Alma, Esquire, EW, Refinery 29, Bust, and Read It or Weep “Mind-blowingly brilliant…. Provocative, profound and yes, a little unsettling, Come With Me is about how technology breaks apart and then reconfigures a family, and though it has hints of sci-fi, it’s so beautifully grounded in reality that it seems to breathe. Although it takes place over just three days, what’s so fascinating is that so many lives, and many possibilities, are lived through it. Truly, it’s a novel like its own multiverse.” — San Francisco Chronicle From Helen Schulman, the acclaimed author of the New York Times bestseller This Beautiful Life, comes another "gripping, potent, and blisteringly well-written story of family, dilemma, and consequence" (Elizabeth Gilbert)—a mind-bending novel set in Silicon Valley that challenges our modern constructs of attachment and love, purpose and fate. "What do you want to know?" Amy Reed works part-time as a PR person for a tech start-up, run by her college roommate’s nineteen-year-old son, in Palo Alto, California. Donny is a baby genius, a junior at Stanford in his spare time. His play for fortune is an algorithm that may allow people access to their "multiverses"—all the planes on which their alternative life choices can be played out simultaneously—to see how the decisions they’ve made have shaped their lives. Donny wants Amy to be his guinea pig. And even as she questions Donny’s theories and motives, Amy finds herself unable to resist the lure of the road(s) not taken. Who would she be if she had made different choices, loved different people? Where would she be now? Amy’s husband, Dan—an unemployed, perhaps unemployable, print journalist—accepts a dare of his own, accompanying a seductive, award-winning photographer named Maryam on a trip to Fukushima, the Japanese city devastated by tsunami and meltdown. Collaborating with Maryam, Dan feels a renewed sense of excitement and possibility he hasn’t felt with his wife in a long time. But when crisis hits at home, the extent of Dan’s betrayal is exposed and, as Amy contemplates alternative lives, the couple must confront whether the distances between them in the here and now are irreconcilable. Taking place over three non-consecutive but vitally important days for Amy, Dan, and their three sons, Come with Me is searing, entertaining, and unexpected—a dark comedy that is ultimately both a deeply romantic love story and a vivid tapestry of modern life.