Suspense, humor, and romance abound in this 1868 mystery, in which a gem stolen from a Hindu shrine resurfaces in an English country home — with a trio of watchful Brahmins hot on its trail.

Seven jewels have been stolen from the Fairy Queen's crown! Without them, the Jewel Fairies' magical powers are fading. Read all seven books to find the jewels and save the fairies!Jack Frost is up to no good again! This time, he's stolen the seven jewels from Queen Titania's crown. Without them, the Jewel Fairies can't do their jobs. The magic in Fairyland is fading fast!India the Moonstone Fairy is in charge of dream magic. Can Rachel and Kirsty help find the moonstone . . . before everything turns into a nightmare?Find the sparkly jewel in each book and help bring the magic back to Fairyland!

The mind-bending miniature historical epic is Sjón's specialty, and Moonstone: The Boy Who Never Was is no exception. But it is also Sjón's most realistic, accessible, and heartfelt work yet. It is the story of a young man on the fringes of a society that is itself at the fringes of the world--at what seems like history's most tumultuous, perhaps ultimate moment. Máni Steinn is queer in a society in which the idea of homosexuality is beyond the furthest extreme. His city, Reykjavik in 1918, is homogeneous and isolated and seems entirely defenseless against the Spanish flu, which has already torn through Europe, Asia, and North America and is now lapping up on Iceland's shores. And if the flu doesn't do it, there's always the threat that war will spread all the way north. And yet the outside world has also brought Icelanders cinema! And there's nothing like a dark, silent room with a film from Europe flickering on the screen to help you escape from the overwhelming threats--and adventures--of the night, to transport you, to make you feel like everything is going to be all right. For Máni Steinn, the question is whether, at Reykjavik's darkest hour, he should retreat all the way into this imaginary world, or if he should engage with the society that has so soundly rejected him.

"First published as Dilah and the moonstone by People's Literature Publishing House in 2014."--Title page verso.

Lawyer-sleuth Perveen Mistry returns in another fascinating Bombay mystery. 'Vivid and clever...love her to bits.' Kerry Greenwood, bestselling author of the Miss Phryne Fisher series The delightfully clever Perveen Mistry, Bombay's first female lawyer, returns in an adventure of treacherous intrigues and suspicious deaths. India, 1922: It is rainy season in the lush, remote Sahyadri Mountains southeast of Bombay, where the kingdom of Satapur is tucked away. A curse has fallen upon Satapur's royal family, whose maharaja and his teenage son are both dead. The kingdom is now ruled by an agent of the British Raj on behalf of Satapur's two maharanis, the dowager queen and the maharaja's widow. The royal ladies are in dispute over the education of the young crown prince, and a lawyer's council is required - but the maharanis live in purdah and do not speak to men. Just one woman can help them: Perveen Mistry. Perveen is determined to bring peace to the royal house, but when she arrives she finds that the Satapur palace is full of cold-blooded power plays and ancient vendettas. Too late, she realises she has walked into a trap. But whose? And how can she protect the royal children from the deadly curse on the palace? '... even better than the series' impressive debut . . . The winning, self-sufficient Perveen should be able to sustain a long series.' - Publishers Weekly, Starred Review 'Simply put, The Satapur Moonstone is a flawless gem. Historical mysteries don't get any better than this.' - New York Journal of Books 'Once again Massey does a superb job of combining a fascinating snapshot into 1920s British-ruled India with a top-notch mystery. She has created a strong, appealing heroine who is forging her own path in a rapidly changing world.' - Library Journal, Starred Review

"When you looked down into the stone, you looked into a yellow deep that drew your eyes into it so that they saw nothing else." The Moonstone, a yellow diamond looted from an Indian temple and believed to bring bad luck to its owner, is bequeathed to Rachel Verinder on her eighteenth birthday. That very night the priceless stone is stolen again and when Sergeant Cuff is brought in to investigate the crime, he soon realizes that no one in Rachel’s household is above suspicion. Hailed by T. S. Eliot as "the first, the longest, and the best of modern English detective novels," The Moonstone is a marvellously taut and intricate tale of mystery, in which facts and memory can prove treacherous and not everyone is as they first appear. Sandra Kemp’s introduction examines The Moonstone as a work of Victorian sensation fiction and an early example of the detective genre, and discusses the technique of multiple narrators, the role of opium, and Collins’s sources and autobiographical references.

It is 1980 and Bonnie Benson, twenty-seven, is annoyed when her photojournalist, identical twin brother, Kenny Benson, disrupts her vacation plans by insisting she join him in Morocco. Upon arriving, Bonnie is shocked by Kenny's discovery-World War II photographs of their parents pinned to a wall in a small bar in Tangier. So begins their exciting and dangerous quest to learn about their dead parents' past. Because their parents died in Argentina a little over a year ago in a private plane crash. And they had mysteriously filed an amended flight plan-destination Morocco. Soon the twins' quest takes them to Marrakesh but not before Bonnie meets Roger Reveson, a handsome widower, who will join them in their quest. Soon their lives are threatened by others who want to know why they are in Morocco. Amid the danger and suspense, Bonnie and Roger fall in love. At the end of the book, the past and the present collide in a perilous fashion.