Posits a causal relationship between two themes in Lawrence's fiction usually thought to be unrelated: the dominance of women and the conflict between the tale and the teller. The connection is revealed in the course of a systematic analysis of the tale-teller division in Lawrence's earlier novels.

From the author of 'The Seven Wonders of the Industrial World' comes the shocking but true story behind the space race -- and the ruthless, brilliant scientists who fuelled it.

Discover Maryland with Moon Travel Guides! Explore the rustic beauty of the Chesapeake Bay, experience Baltimore's unique urban vibe, and uncover a slice of classic Americana with Moon Maryland. What you'll find in Moon Maryland: Strategic itineraries for any budget and timeline, ranging from weekend trips to Washington DC and Baltimore, to five days on the Eastern Shore Detailed maps and handy reference photos throughout Curated advice for history buffs, foodies, beach-goers, outdoor adventurers, and more Must-see attractions and off-beat ideas for making the most of your trip: Explore Baltimore's world-class museums, check out the National Aquarium, or wander the bustling Inner Harbor. Browse the trendy boutiques in historic Annapolis and unwind with a craft beer as the boats sway in the harbor. Visit the U.S. Naval Academy, or hear the stories behind Revolutionary War battlefields and Civil War landmarks. Hike verdant trails, go rock climbing on Sugarloaf Mountain, or try your hand at sailing. Relax on a quiet beach, spot wild ponies roaming freely, and crack claws at an authentic crab shack Honest advice from Maryland expert Michaela Riva Gaaserud on when to go, what to pack, and where to stay, from luxury hotels and historic inns to beach campgrounds Recommendations for families, LGBTQ+ travelers, seniors, international visitors, traveling with pets, and travelers with disabilities Thorough background on the culture, weather, wildlife, and history With Moon's local insight, diverse activities, and expert tips on experiencing the best of Maryland, you can plan your trip your way! Exploring more of the Mid-Atlantic? Try Moon Virginia & Maryland. For more beach adventures, try Moon Coastal Carolinas.

"And God said, Let us make man in our image, after our likeness; and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth." --Genesis 1:24-26 In this crucial passage from the Old Testament, God grants mankind power over animals. But with this privilege comes the grave responsibility to respect life, to treat animals with simple dignity and compassion. Somewhere along the way, something has gone wrong. In Dominion, we witness the annual convention of Safari Club International, an organization whose wealthier members will pay up to $20,000 to hunt an elephant, a lion or another animal, either abroad or in American "safari ranches," where the animals are fenced in pens. We attend the annual International Whaling Commission conference, where the skewed politics of the whaling industry come to light, and the focus is on developing more lethal, but not more merciful, methods of harvesting "living marine resources." And we visit a gargantuan American "factory farm," where animals are treated as mere product and raised in conditions of mass confinement, bred for passivity and bulk, inseminated and fed with machines, kept in tightly confined stalls for the entirety of their lives, and slaughtered in a way that maximizes profits and minimizes decency. Throughout Dominion, Scully counters the hypocritical arguments that attempt to excuse animal abuse: from those who argue that the Bible's message permits mankind to use animals as it pleases, to the hunter's argument that through hunting animal populations are controlled, to the popular and "scientifically proven" notions that animals cannot feel pain, experience no emotions, and are not conscious of their own lives. The result is eye opening, painful and infuriating, insightful and rewarding. Dominion is a plea for human benevolence and mercy, a scathing attack on those who would dismiss animal activists as mere sentimentalists, and a demand for reform from the government down to the individual. Matthew Scully has created a groundbreaking work, a book of lasting power and importance for all of us.

Job 19:25: For I know that my redeemer liveth, and that he shall stand at the latter day upon the earth The Book of Revelation is not in chronological order. In the 14th chapter of the Book of Revelation we find our Savior Jesus Christ on the earth, standing on Mount Sion in Israel, with 144,000 redeemed from humanity. Revelation 14:1: And I looked, and, lo, a Lamb stood on the mount Sion, and with him an hundred forty and four thousand, having his Father's name written in their foreheads. However, five chapters later in the 19th chapter of Revelation we see our Master Jesus Christ still in Heaven about to lead the armies of holy angels down to the earth. Revelation 19:11-14: 19:11: And I saw heaven opened, and behold a white horse; and he that sat upon him was called Faithful and True, and in righteousness he doth judge and make war. 19:12: His eyes were as a flame of fire, and on his head were many crowns; and he had a name written, that no man knew, but he himself. 19:13: And he was clothed with a vesture dipped in blood: and his name is called The Word of G-D. 19:14: And the armies which were in heaven followed him upon white horses, clothed in fine linen, white and clean. The goal of Look at the Moon! is to place the events of the Book of Revelation into their correct chronological order.

Smith is shown to be both an innovator and a significant figure in understanding Romantic conceptions of gender. As the first book devoted to a serious critical study of Smith's poetry, Charlotte Smith: Romanticism, poetry and the culture of gender will appeal to professional scholars and students alike."--Jacket.

Bakhtin and Lawrence share remarkable affinities. Bakhtinian dialogism is effectively a philosophy of potentiality, and Lawrence, or at least the Lawrence who authored Women in Love, may well be its High Priest. Both thinkers address questions of unity, newness, and the creative process. In this study they enter into complementary, genuinely Bakhinian dialogue, one in which “The word in language is half someone else’s.” One surprising result of this comparative examination is that some prevalent, deeply damaging biases about Lawrence are undermined: Is he a misogynist, or is he essentially, as he seems evidently to fear in Women in Love and rather consistently elsewhere, an over-compensating momma’s boy? Here Bakhtinian theory is used as a means of testing pertinent criticism of Lawrence, and it provides a detailed conceptual basis for the readings of his fiction that follow. Is Women in Love a Bakhtinian "open totality"? How is dialogic openness (as opposed to modernist indeterminacy) a "form-shaping ideology" of comic interrogation? Is Women in Love not only open-ended and unresolved, but also about its open-endedness or unfinalizability? In methods and meanings, in forming depths and explicit surfaces, this study explores the sum and substance of the novel’s dialogicality, and finds that the shape of its dialogic openness is interrogative. Indeed, in Women in Love characters are identified by the self-shaping questions they ask: “’How much do you love me?’” asks Gudrun of Gerald, whose “’What do women want, at the bottom?’” like Ursula’s “’Do you really love me?’” have surprisingly revelatory depths. Birkin’s ludicrously encompassing and apocalyptic “Is our day of creative life finished?” not only expresses a fundamental authorial narrative intention, it simultaneously and self-correctively mocks itself for so doing, and does so in ways that may well suggest intuitive insights into the nature of Bakhtinian carnival laughter. In large measure, “character” in the Bakhtinian framework appropriated by this study is essentially a question personified, one that is made to walk and talk, so to speak, within the intersecting chronotopes or “time-space” zones of the novel. Such ambulatory interrogations then either connect or fail to do so with other characters-as-questions in “living conversation.” Women in Love achieves a polyphonic or dialogic openness, one that Lawrence in his later fictions cannot always sustain. Subsequent to it, univocal, simplifying organizations in his work supervene. In his later fictions, dialogic process collapses into a stenographic report upon completed dialogue, over which the travel writer, the poet or the messianic martyr preside. There are, nevertheless, even in his later works, happy exceptions to this diminution of dialogic vitality. Lawrence’s consummate, dialogic openness of thought and expression can be discerned in the ambivalent laughter of The Captain's Doll, of St. Mawr, and of "The Man Who Loved Islands." In these retrospective variations on earlier themes, laughing openness of vision takes new, "unfinalizable" or “open” shapes.

This book is an extensive study of astrology, containing the results of many years of research. Astrology is an ancient subject. But until recently, this generation seemed to have never cared about the foundation of this belief that has been supported for so many years. Because of long-repressed realism, people have developed a new interest in these old-world beliefs, and this book is written to satisfy this interest.