This book of poetry in four parts explores a dark world of sleep, dreams and evil. But there is also joy in Sikelianos's work. Amidst the fears and despair for the children she imagines throughout the book, the author recognises the beauty of nature in the fleetingness of the natural world. This award-winning collection of American poetry has been highly esteemed by critics through the United States and Canada.

With a seamless weave of letters, reminiscences, poems and journal entries, Sikelianos creates a loving portrait-and an unblinking indictment-of her father. Jon, a multitalented, eccentric visionary, emerges as a brilliant, charming, irresponsible, frustrating, and ultimately tragic hero. This is a saga of the rise and fall of family lines-a tale marked by bohemia, Greek poets, intellectuals, drugs and homelessness. It is the story of eccentrics and survivors, the strength of personal vision and the nature of addiction, and what it does to families. An exquisitely rendered exploration of the harrowing and motivating forces of family, history, and individual choices. Eleni Sikelianos' previous books include Earliest Worlds and the National Poetry Series winner The Monster Lives of Boys & Girls. She lives in Boulder, CO.

Eleni Sikelianos, “a master of mixing genres” (Time Out New York), further bends time and space in Your Kingdom, an ode to our more-than-human animal origins. As she studies the wild roots of our past, present, and future, Sikelianos, one of our foremost practitioners of ecopoetic exploration, finds solace in the complexity of our natural lineage as we face the environmental precarity of the present. Our shoulders and hips were invented by salamanders. Hidden motives bind us to cuckoos and caterpillars. Our faces form biological maps while our organs trace the shapes of our animal ancestors. From the cellular to the celestial, Your Kingdom inquisitively and energetically investigates our notion of biological kingdoms, calling us to “let the body feel all its own evolution inside.”

Cross Words refers to cultural hybrids, trans-cultural alliances, and associations. This fascinating compendium documents—in essays, conversations, and socratic raps—the vital work poets perform when they write across borders. Anne Waldman is the author of more than forty collections of poetry, the editor of numerous anthologies, and, for The Iovis Trilogy, the winner of the Shelley Memorial Award and the USA PEN Center Award for Poetry. She is a chancellor of the Academy of American Poets. Laura E. Wright is a poet, translator, and librarian. With Anne Waldman, she co-edited Beats at Naropa (Coffee House Press, 2009).

Atkins Collected Petrarch / Petrarch Collected Atkins. All of Petrarch translated / transfigured / transplanted by Tim Atkins - a hallucinogenic, euphoric striptease of a traductory odyssey. A TLS and Salon.com Book of the Year 2014.

Donated by Nellie Lynn.

A thrillingly original exploration of a life lived under poetry's uniquely seductive spell "Oh! there are spirits of the air," wrote Percy Bysshe Shelley. In this stunningly original book Maureen N. McLane channels the spirits and voices that make up the music in one poet's mind. Weaving criticism and memoir, My Poets explores a life reading and a life read. McLane invokes in My Poets not necessarily the best poets, nor the most important poets (whoever these might be), but those writers who, in possessing her, made her. "I am marking here what most marked me," she writes. Ranging from Chaucer to H.D. to William Carlos Williams to Louise Glück to Shelley (among others), McLane tracks the "growth of a poet's mind," as Wordsworth put it in The Prelude. In a poetical prose both probing and incantatory, McLane has written a radical book of experimental criticism. Susan Sontag called for an "erotics of interpretation": this is it. Part Bildung, part dithyramb, part exegesis, My Poets extends an implicit invitation to you, dear reader, to consider who your "my poets," or "my novelists," or "my filmmakers," or "my pop stars," might be.

This PDF download provides a complete set of answers to the exercises in Latin for Common Entrance One. - Clear layout saves time marking work - Enables efficient assessment of pupils' strengths and weaknesses - Advice and guidance develops pupils' use of the language Please note that as a PDF download, this product is non-refundable.

When Lorine Niedecker died in 1970, the British poet and critic Basil Bunting eulogized her warmly. “In England,” he wrote, “she was, in the estimation of many, the most interesting woman poet America has yet produced.” Aesthetically linked with the New York Objectivist poets, Niedecker remained committed to her community in rural Wisconsin despite the grinding poverty that dogged her throughout her life. Largely self-taught, Niedecker formed attachments through her voracious reading and correspondence, but she also delighted in the disruptive richness of vernacular usage and in the homegrown, improvisational aesthetics that thrived within her immediate world. Niedecker wrote from a highly attenuated concern with biological, cultural, and political sustainability and, in her stridently modernist poems, anticipated many of the most urgent concerns in twenty-first-century poetics. In Radical Vernacular, Elizabeth Willis collects essays by leading poets and scholars that make a major contribution to the study of an important but long overlooked American poet. This pathbreaking volume contains essays by seventeen leading scholars: Rae Armantrout, Glenna Breslin, Michael Davidson, Rachel Blau DuPlessis, Ruth Jennison, Peter Middleton, Jenny Penberthy, Mary Pinard, Patrick Pritchett, Peter Quartermain, Lisa Robertson, Elizabeth Robinson, Eleni Sikelianos, Jonathan Skinner, Anne Waldman, Eliot Weinberger, and Elizabeth Willis.

Short essays by women poets on mentoring women poets; includes poems by the subjects and authors.