Tattoo art has become a worldwide phenomenon. Increasing numbers of people are seeking high-quality tattoos --extensive designs that elevate tattoo work to an art form. In this book, Hungarian author Ákos Bánfalvi introduces readers to the most talented tattoo artists of our times. These men--and one woman--have become idols in the global tattoo community. In exclusive interviews with these 25 artists, Bánfalvi uncovers the circumstances that drew them to tattooing and the ideas that inspire them. Through their stories, a larger picture emerges of the current trends and styles in tattooing and the growth of the industry. Paired with more than 1,500 new and rarely seen images of their work, this book presents a comprehensive view of the best and most creative tattoo art being done in countries including Russia, Poland, Lithuania, Italy, England, France, Germany, the United States, Venezuela and Estonia.

Ugly: trivial art; hairy bodies; pock marks; and worst, rotten color rendition. The weak color was probably intentional--for some misguided artistic purpose. $35.00 though 1994 (and probably $20.00 on the remainder tables within a half year). Annotation copyright by Book News, Inc., Portland, OR

The memoir of iconic tattoo artist Hardy from his beginnings in 1960's California, to leading the tattoo renaissance and building his name into a hugely lucrative international brand.

Despite the social sciences' growing fascination with tattooing--and the immense popularity of tattoos themselves--the practice has not left much of a historical record. And, until very recently, there was no good context for writing a serious history of tattooing in the West. This collection exposes, for the first time, the richness of the tattoo's European and American history from antiquity to the present day. In the process, it rescues tattoos from their stereotypical and sensationalized association with criminality. The tattoo has long hovered in a space between the cosmetic and the punitive. Throughout its history, the status of the tattoo has been complicated by its dual association with slavery and penal practices on the one hand and exotic or forbidden sexuality on the other. The tattoo appears often as an involuntary stigma, sometimes as a self-imposed marker of identity, and occasionally as a beautiful corporal decoration. This volume analyzes the tattoo's fluctuating, often uncomfortable position from multiple angles. Individual chapters explore fascinating segments of its history--from the metaphorical meanings of tattooing in Celtic society to the class-related commodification of the body in Victorian Britain, from tattooed entertainers in Germany to tattooing and piercing as self-expression in the contemporary United States. But they also accumulate to form an expansive, textured view of permanent bodily modification in the West. By combining empirical history, powerful cultural analysis, and a highly readable style, this volume both draws on and propels the ongoing effort to write a meaningful cultural history of the body. The contributors, representing several disciplines, have all conducted extensive original research into the Western tattoo. Together, they have produced an unrivalled account of its history. They are, in addition to the editor, Clare Anderson, Susan Benson, James Bradley, Ian Duffield, Juliet Fleming, Alan Govenar, Harriet Guest, Mark Gustafson, C. P. Jones, Charles MacQuarrie, Hamish Maxwell-Stewart, Stephan Oettermann, Jennipher A. Rosecrans, and Abby Schrader.

Tattooing is a very old and spiritually respected art form that has existed in many different cultures around the world. After many centuries of not being practiced in Europe, tattooing was re-introduced to the Western world through the inhabitants of the Pacific Ocean. Beginnning in the 16th century, European explorers came across many people who practiced tattooing as an integral part of their cultures. This is the first serious study of Filipino tattoos, and it considers early accounts from explorers and Spanish-speaking writers. The text presents Filipino cultural practices connected with ancestral and spiritual aspects of tattoo markings, and how they relate to the process and tools used to make the marks. In the Philippine Islands, tatoos were applied to men and women for many different reasons. It became a form of clothing. Certain designs recognized manhood and personal accomplishments as well as attractiveness, fertility, and continuity of the family or village. Facial tattoos occurred on the bravest warriors with names that denoted particular honor. Through the fascinating text and over 200 images, including color photographs and design drawings, the deep meanings and importance of these markings becomes apparent.

This nostalgic collection of early American tattoo art will charm collectors, artists, and the ever-growing tattoo audience. Tracing the history of tattoos in the U.S. through biographies of tattoo artists and featuring stunning, full-color illustrations of the works themselves--also known as "flash"--this gorgeous ArtBox details the unique style of the classic American tattoo. 35 full-color and b&w images. 15 postcards of "flash". 3 temporary tattoos. Decorated box.

An epic collection of tattoos by 165 amazing tattoo artists.

(Guitar). Interviews with 50 of the world's greatest guitarists spanning the past 25 years and collected into one information-packed volume. Based on articles originally published in Guitar Player magazine, Secrets from the Masters features the most influential guitarists of our time from legends such as Chuck Berry, Carl Perkins and B.B. King to Joe Satriani, Eddie Van Halen and Eric Clapton, and all genres in-between. This book celebrates the guitarists who have forever altered the way we play and think about the guitar. Within these interviews you will find poetry and prophesy, the outrageous and the sublime, plus rare photos, challenging music, groovy gear, groundbreaking techniques and other glimpses into greatness.

Vintage Tattoo Flash is a one-of-a-kind visual explorationof the history and evolution of tattooing in America. Aluscious, offset-printed, hardcover tome-a beautiful andserious addition to the understanding of one of the world'soldest and most popular art forms. Electric tattooing as we know it today was invented inNew York City at the turn of the 19th century. In the firstdays of American tattooing, tattoos were primarily wornby sailors and soldiers, outlaws and outsiders. The visuallanguage of what came to be known as "traditional tattooing"was developed in those early days on the Boweryand catered to the interests of the clientele. Commonimagery that soon became canon included sailing ships,women, hearts, roses, daggers, eagles, dragons, wolves,panthers, skulls, crosses, and popular cartoon charactersof the era. The first tattooists also figured out that usingbold outlines, complimented by solid color and smoothshading, was the proper technique for creating art on abody that would stand the test of time. In the over 100years since then, techniques and styles have evolved, andthe customer base has expanded, but the core subjectmatter and philosophy developed at the dawn of electrictattooing has persisted as perennial favorites through themodern era. While most tattoos are inherently ephemeral, transportedon skin until the death of the collector, a visual recordexists in the form of tattoo flash: the hand-painted sheetsof designs posted in tattoo shops for customers to selectfrom. Painted and repainted, stolen, traded, bought andsold, these sheets are passed between artists through onechannel or another, often having multiple useful lives in avariety of shops scattered across time and geography. Theutility of these original pieces of painted art has made itso that original examples can still be found in use or up forgrabs if you know where to look. Vintage Tattoo Flash draws from the personal collectionof Jonathan Shaw-renowned outlaw tattooist andauthor-and represents a selection of over 300 pieces offlash from one of the largest private collections in existence.Vintage Tattoo Flash spans the first roughly 75years of American tattooing from the 1900s Bowery, to50s Texas, through the Pike in the 60s and the developmentof the first black and grey, single-needle tattooingin LA in the 70s. The book lovingly reproduces entirelyunpublished sheets of original flash from the likes of BobShaw, Zeke Owen, Tex Rowe, Ted Inman, Ace Harlyn, EdSmith, Paul Rogers, the Moskowitz brothers, and many,many others relatively known and unknown.