This beautifully rendered portrait of life in rural Ireland charms and delights with its authentic characters and gentle humor. This vivid portrayal of the universal search for love brings with it a darker tale, one that is heartbreaking in its poignancy.

A sprawling, complex tale of magic and destiny that won't disappoint its readers. This auspicious beginning for author Peter Orullian will have you looking forward to more.--Terry Brooks.

How do you find a book when you can't recall the title...or the author? This homage to a common reader's dilemma is a gift the booklover in your life won't soon forget. Readers know all too well the comedy and tragedy of forgetting the name of a must-find book. Inspired by this torturous predicament, artist Marina Luz creates paintings of books based on the descriptions we use when we can't remember their titles—mining Internet book-search forums for the quirky, vague, and often hilarious language we come up with in these moments. This volume collects dozens of these imaginary books into a library all their own: Titles like "Cat, Possibly Named Henry," "It Was All a Dream," or "Something-Something, Beverly Hills" inspire dreaming up their contents, often as entertaining as trying to guess the real book behind them. A celebration of book love unlike any other, this petite book is a clever gift for bibliophiles that will spark knowing smiles. PERFECT GIFT FOR BOOKLOVERS: The collection will spark recognition for everyone who has encountered this phenomenon (so, virtually every reader) and especially those who have worked in a bookstore, who know intimately well how often this dilemma arises. This impulse-priced delight is an excellent way to make book-loving friends feel seen. A UNIQUE APPRECIATION OF BOOK LOVE: This is a loving tribute to the wonderful and bizarre ways that books leave impressions on our souls, if not always perfectly in our memories. It's a fun and fresh appreciation of bibliophilia that still delivers long after the first read. Perfect for: • Bibliophiles • Booksellers • People seeking gifts for the booklovers in their life

Ireland’s Haunted Women tells the chilling tales of nine modern Irishwomen, and one young girl, who have experienced hauntings. This is not just another ghost book – no rehashing of old tales or stories borrowed from other collections. These cases are told here for the first time, collected from women the length and breadth of Ireland – women who are vulnerable to seeing ghosts, to house-hauntings and to demonic possession. We have come a long way from headless horsemen, pookas, banshees and the like. The modern ghost has to be more sophisticated than that. On the other hand, poltergeist activity has remained virtually unchanged down the centuries; scenes of past wickedness continue to haunt the living; the spirits of the deceased stubbornly insist on returning. Riveting, suspenseful, these tales of the paranormal will draw you in and leave you petrified! Whether you accept them as truth or reject them as delusion or false memory, we guarantee that they will leave you shaken and slow to switch off your bedside lamp for many nights to come.

The Devil Is Alive and Well In The Dark Sacrament, coauthors David M. Kiely and Christina McKenna faithfully recount ten contemporary cases of demon possession, haunted houses, and exorcisms, and profile the work of two living, active exorcists. The authors serve as trustworthy guides on this suspense-filled journey into the bizarre, offering concrete advice on how to avoid falling prey to the dark side.

In The Fatal Englishman, his first work of nonfiction, Sebastian Faulks explores the lives of three remarkable men. Each had the seeds of greatness; each was a beacon to his generation and left something of value behind; yet each one died tragically young. Christopher Wood, only twenty-nine when he killed himself, was a painter who lived most of his short life in the beau monde of 1920s Paris, where his charm, good looks, and the dissolute life that followed them sometimes frustrated his ambition and achievement as an artist. Richard Hillary was a WWII fighter pilot who wrote a classic account of his experiences, The Last Enemy, but died in a mysterious training accident while defying doctor’s orders to stay grounded after horrific burn injuries; he was twenty-three. Jeremy Wolfenden, hailed by his contemporaries as the brightest Englishman of his generation, rejected the call of academia to become a hack journalist in Cold War Moscow. A spy, alcoholic, and open homosexual at a time when such activity was still illegal, he died at the age of thirty-one, a victim of his own recklessness and of the peculiar pressures of his time. Through the lives of these doomed young men, Faulks paints an oblique portrait of English society as it changed in the twentieth century, from the Victorian era to the modern world.

A REESE'S BOOK CLUB PICK * INSTANT NEW YORK TIMES BESTSELLER * BELLETRIST BOOK CLUB PICK * INDIE NEXT SELECTION * LIBRARY READS SELECTION * AMAZON EDITORS' CHOICE * WASHINGTON POST BEST OF THE YEAR The "terrifying, wise, tender, and thrilling" (R.O. Kwon) adventure story of a fugitive girl, a mysterious gang of robbers, and their dangerous mission to transform the Wild West. In the year of our Lord 1894, I became an outlaw. The day of her wedding, 17 year old Ada's life looks good; she loves her husband, and she loves working as an apprentice to her mother, a respected midwife. But after a year of marriage and no pregnancy, in a town where barren women are routinely hanged as witches, her survival depends on leaving behind everything she knows. She joins up with the notorious Hole in the Wall Gang, a band of outlaws led by a preacher-turned-robber known to all as the Kid. Charismatic, grandiose, and mercurial, the Kid is determined to create a safe haven for outcast women. But to make this dream a reality, the Gang hatches a treacherous plan that may get them all killed. And Ada must decide whether she's willing to risk her life for the possibility of a new kind of future for them all. Featuring an irresistibly no-nonsense, courageous, and determined heroine, Outlawed dusts off the myth of the old West and reignites the glimmering promise of the frontier with an entirely new set of feminist stakes. Anna North has crafted a pulse-racing, page-turning saga about the search for hope in the wake of death, and for truth in a climate of small-mindedness and fear.

'I learned about conflict from my parents.' So begins Christina McKenna's haunting memoir of her lonely early life. Recounting scenes from her childhood in Ulster, she paints a memorable and poignant picture of violence and oppression with her brutal father and protective mother, whose retalliation to her husband's meaness came in the form of a secret yellow dress. This is a rite-of-passage account of two generations of Irish women, told with great humour and compassion. On the one hand is the writer; on the other the heroic mother who showed her love as best she could. McKenna concludes that our past, no matter how painful, need not keep us bound - once we choose love over hate. That choice, she suggests, will set us free.

Authors determine that The Book of Mormon is an adaptation of an obscure historical novel. Read about their findings.

When associated with rising factional discord, the increased hostility from the Left resonates a violence that is becoming a clear and present danger.This paper will provide an estimate of the current situation that transcends well-travelled two-party political narratives. The objective is to provide a strategic understanding of the Left that baselines the current situation to enable directionality, predictability, and actionability. To that end, the estimate will use a political warfare analysis to reframe the political environment in order to provide timely anticipatory situational awareness in support of decision-making.National policy has come under the influence of constructed narratives that mainstream and conservative leaders neither understand nor control. Lacking situational awareness to recognize the operational nature of information campaigns directed against national policy, responses tend to be tactically limited and predictably reactive along scripted action-reaction cycles built into the operational sequencing of information campaigns controlled by the Left. These powerful but misunderstood narratives drive policy.At their core, these narratives are not American. Rather, they are dialectically driven Neo-Marxist memes that infuse mass line efforts operating at the cultural level intent on powering down into the political space.This furthers the Left's political warfare effort to impose conformance resulting in the non-enforcement of laws by those tasked with their oversight and enforcement. As these narratives transition into prevailing cultural memes, non-enforcement becomes institutionalized and enforced by an opposition that increasingly comes under the control of those narratives.As such, for the Left, political organizations like Congress become vehicles to execute lines of effort in an execution matrix along which information campaigns are executed from outside and above.