Composed while its author was the ruler of Tibet, Mirror of Beryl is a detailed account of the origins and history of medicine in Tibet through the end of the seventeenth century. Its author, Desi Sangye Gyatso (1653 - 1705), was the heart disciple and political successor of the Great Fifth Dalai Lama and the author of several highly regarded works on Tibetan medicine, including his Blue Beryl, a commentary on the foundational text of Tibetan medicine, The Four Tantras. In the present historical introduction, Sangye Gyatso traces the sources of influence on Tibetan medicine to classical India, China, Central Asia, and beyond, providing life stories, extensive references to earlier Tibetan works on medicine, and fascinating details about the Tibetan approach to healing. He also provides a commentary on the pratimoksha, bodhisattva, and tantric Buddhist vows. Desi Sangye Gyatso's Mirror of Beryl remains today an essential resource for students of medical science in Tibet.

Comprehensive survey of Grieg's 180 songs, considering particularly questions and issues of performance. Edvard Grieg's 180 songs mirror his artistic and personal development more intimately than any of his other music, yet are still the least known part of his output. This definitive appraisal, now revised and updated, discusses every song, including those left only in manuscript and sketches at the composer's death, set against the background of his life and times. It also deals with the poetry set, often chosen to reflect his current situation, and the poets, several of whom, including great figures of the day such as Ibsen and Bjornson, were his friends and colleagues. Grieg frequently bemoaned poor translations and indifferent performances, and the various editions and translations, from first publication to the present day, are also discussed, together with his own ideas for interpretation. Musical examples and analysis are included to give a closer understanding of Grieg's word-setting and harmonic development, although their performance is always kept paramount. BERYL FOSTER is a graduate of London University and studied singing in Colchester and at the Royal College of Music. As well as all the usual repertoire, since 1980 she has made a particular study of the songs of Grieg and other Norwegian composers, giving recitals, lectures and workshops in Britain, Norway, Germany, the Netherlands, Italy and China. She is also a private teacher andfestival adjudicator.

Battle Cry is the remarkable true story of one woman's trust in God. A passionate missionary, intercessor, evangelist, teacher, YWAM Zion ministry leader, and pro-life advocate, Beryl is powerfully anointed with the Holy Spirit to minister to other broken lives, the healing and freedom she has found in Jesus.

I had a constant battle to get where I am today. Scrimping and scraping, people telling me not to do it, I couldn't do it. That my life wouldn't amount to very much. Now I might have had a bit of natural talent but I got here because of pure determination and persistence. Stubbornness you might say. I always went that extra mile, pushed myself that bit harder than anyone else and never took anything for granted. It was 1954 when Beryl Charnock met keen cyclist Charlie Burton. In those days they cycled in clubs and once Beryl started she was smitten, not only with Charlie, but by the thrill and freedom found on two wheels. Beryl was better than good, she was the best, and she was determined to stay that way. Beryl Burton was five times world-pursuit champion, thirteen times national champion, twice road-racing world champion and twelve times national champion. Her accolades include time trials, former world-record holder, former British record-holder, numerous sports awards an MBE and an OBE. Burton was one of the most astonishing sports people ever to have lived, but she remains something of a mystery. Beryl, which celebrates the extraordinary sporting achievements of this inspirational cyclist, has been specially commissioned as an adaptation from Maxine Peake's acclaimed 2012 Radio 4 play and marks her stage-writing debut. It received its world premiere on 30 June 2014 at the West Yorkshire Playhouse in the Courtyard Theatre.

About Grimms' Fairy Tales Children's and Household Tales (German: Kinder- und Hausmärchen) is a collection of German fairy tales first published in 1812 by the Grimm brothers, Jacob and Wilhelm. The collection is commonly known in English as Grimm's Fairy Tales. Composition The first volume of the first edition was published in 1812, containing 86 stories; the second volume of 70 stories followed in 1815. For the second edition, two volumes were issued in 1819 and a third in 1822, totalling 170 tales. The third edition appeared in 1837; fourth edition, 1840; fifth edition, 1843; sixth edition, 1850; seventh edition, 1857. Stories were added, and also subtracted, from one edition to the next, until the seventh held 211 tales. All editions were extensively illustrated, first by Philipp Grot Johann and, after his death in 1892, by German illustrator Robert Leinweber. The first volumes were much criticized because, although they were called "Children's Tales", they were not regarded as suitable for children, both for the scholarly information included and the subject matter. Many changes through the editions – such as turning the wicked mother of the first edition in Snow White and Hansel and Gretel (shown in original Grimm stories as Hänsel and Grethel) to a stepmother, were probably made with an eye to such suitability. They removed sexual references—such as Rapunzel's innocently asking why her dress was getting tight around her belly, and thus naïvely revealing to her stepmother her pregnancy and the prince's visits—but, in many respects, violence, particularly when punishing villains, was increased. In 1825, the Brothers published their Kleine Ausgabe or "small edition", a selection of 50 tales designed for child readers. This children's version went through ten editions between 1825 and 1858. Influence The influence of these books was widespread. W. H. Auden praised the collection, during World War II, as one of the founding works of Western culture. The tales themselves have been put to many uses. Hitler praised them as folkish tales showing children with sound racial instincts seeking racially pure marriage partners, and so strongly that the Allied forces warned against them; for instance, Cinderella with the heroine as racially pure, the stepmother as an alien, and the prince with an unspoiled instinct being able to distinguish. Writers who have written about the Holocaust have combined the tales with their memoirs, as Jane Yolen in her Briar Rose. The work of the Brothers Grimm influenced other collectors, both inspiring them to collect tales and leading them to similarly believe, in a spirit of romantic nationalism, that the fairy tales of a country were particularly representative of it, to the neglect of cross-cultural influence. Among those influenced were the Russian Alexander Afanasyev, the Norwegians Peter Christen Asbjørnsen and Jørgen Moe, the English Joseph Jacobs, and Jeremiah Curtin, an American who collected Irish tales. There was not always a pleased reaction to their collection. Joseph Jacobs was in part inspired by his complaint that English children did not read English fairy tales; in his own words, "What Perrault began, the Grimms completed". Three individual works of Wilhelm Grimm include Altdänische Heldenlieder, Balladen und Märchen ('Old Danish Heroic Songs, Ballads, and Folktales') in 1811, Über deutsche Runen ('On German Runes') in 1821, and Die deutsche Heldensage ('The German Heroic Saga') in 1829. thirty-four popular Collections In this book, we collect thirty-four popular Grimms' fairy tales, so you can accompany the children a pleasant stay.

Hamlet Way is nestled deep in the heart of England. A small village where people live simple lives, but their existence hides murder, mystery, love, loathing with a little laughter and sadness. Each villager has a tale to tell, layered by surprise and intrigue. As the story enfolds the reader will travel on a journey of revelation, as they learn more about the people of Hamlet Way.

A spooky doll story filled with thrills and chills, for fans of Mary Downing Hahn and Neil Gaiman. Josie always liked visiting her grandmother's house. But when she's forced to move there, she starts to feel like something is a little . . . off. Her grandmother has some very strange rules:Never leave your windows open after dark.No dolls in the house.Never, ever go by the house in the woods.A little spooked, Josie is relieved to find that her school seems pretty normal. She even manages to make friends with a popular girl named Vanessa. When Vanessa invites Josie back to her house to hang out, Josie doesn't question it. Not even when Vanessa takes her into the woods, and down an old dirt road, toward the very house her grandmother had warned her about . . .The house that has been calling for her.

“A gripping story of three sisters, of love lost and found and a family’s journey from grief to triumph” from the New York Times bestselling author (Debbie Macomber). Losing her father on the night she was born could have torn Beryl Graham’s family apart. Instead, it knitted them together. Under their mother’s steady guidance, Beryl and her older sisters, Isak and Rumer, shared a childhood filled with happiness. But now Mia Graham has passed away after battling Alzheimer’s, and her three daughters return to their New Hampshire home to say goodbye. Swept up in memories and funeral preparations, the sisters catch up on each other’s lives. Surprising revelations abound, especially when they uncover Mia’s handwritten memoir. In it are secrets they never guessed at—clandestine romance, passionate dreams, joy and guilt. And as Beryl, Rumer, and Isak face a future without her, they realize it’s never too late to heed a mother’s lessons—about taking chances, keeping faith, and loving in spite of the risks . . . “Nostalgic and tender . . . summons the pain of loss, the balm of sisterhood, and the unbreakable bonds of family that help us survive both.”—Marie Bostwick, New York Times bestselling author Praise for the novels of Nan Rossiter “Eloquent and surprising . . . I love this story of faith, love, and the lasting bonds of family.”—Ann Leary, New York Times bestselling author on The Gin & Chowder Club “A multi-leveled, beautifully written story that will glow in readers’ hearts long after the last page is turned.”—Kristan Higgins, New York Times bestselling author on Promises of the Heart

This beautifully illustrated book represents the first full publication of the most elaborate metal vessel from the ancient world yet discovered. Found in an undisturbed Macedonian tomb of the late 4th century B.C., the volute krater is a tour de force of highly sophisticated methods of bronze working. An unusual program of iconography informs every area of the vessel. Snakes with copper and silver inlaid stripes frame the rising handles, wrapping their bodies around masks of underworld deities. On the shoulder sit four cast bronze figures: on one side a youthful Dionysos with an exhausted maenad, on the other a sleeping Silenos and a maenad handling a snake. In the major repousse frieze on the body a bearded hunter is associated with Dionysian figures. What was the function of this extraordinary object? And what is the meaning of the intricate iconography? The krater is placed in its Macedonian archaeological context as an heirloom of the descendants of the man named in the Thessalian inscription on its rim, and in its art-historical context as a highly elaborated, early-4th-century version of a metal type known in Athens by about 470 B.C.

Lily loves all things dark and mysterious, so when she discovers a magic mirror in a locked room it's like a dream come true. Or is it ... Lily now has a new friend who desperately needs her help. But she's also got an older brother who really needs to get a life. Lily will require all eleven fingers, plus a hefty slice of Grandad's chocolate ganache cake, to fix a long-forgotten tragedy that's very close to home.