The six biblical manuscripts that reside in the Freer Gallery of Art in Washington DC are historically significant artifacts for tracing the early history of the transmission of the writings that make up the New Testament and the Septuagint. The manuscripts, all purchased in Egypt at the beginning of the twentieth century by Charles Freer, date to the third through fifth centuries and include codices of the four Gospels, Deuteronomy and Joshua, the Psalms, and the Pauline Epistles, as well as a Coptic codex of the Psalms and a papyrus codex of the Minor Prophets, which, until the discovery of the Dead Sea Scrolls, was the earliest Greek manuscript of the Minor Prophets known. The ten essays in this volume are a notable collection of fresh scholarship with long-term value for the study of what is a small but highly valuable treasure trove of biblical manuscripts. The contributors are Malcolm Choat, Kent D. Clarke, Kristin De Troyer, Timothy J. Finney, Dennis Haugh, Larry W. Hurtado, J. Bruce Prior, Jean-Francois Racine, James R. Royse, Ulrich Schmid, and Thomas A. Wayment. Book jacket.

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This is a collection of documents from the Cairo Genizah that were obtained by Charles L. Freer in Egypt in 1908.

It is widely believed that the early Christians copied their texts themselves without a great deal of expertise, and that some copyists introduced changes to support their theological beliefs. In this volume, however, Alan Mugridge examines all of the extant Greek papyri bearing Christian literature up to the end of the 4th century, as well as several comparative groups of papyri, and concludes that, on the whole, Christian texts, like most literary texts in the Roman world, were copied by trained scribes. Professional Christian scribes probably became more common after the time of Constantine, but this study suggests that in the early centuries the copyists of Christian texts in Greek were normally trained scribes, Christian or not, who reproduced those texts as part of their trade and, while they made mistakes, copied them as accurately as any other texts they were called upon to copy.

The Old Greek translation of Zechariah has not received much scholarly attention even though it contains several well known passages. Questions concerning its origin and character as a translation have yet to be dealt with in a comprehensive manner. The present monograph aims to bridge this gap by offering new methodological perspectives. The Old Greek Translation of Zechariah attempts to answer questions concerning the outlook of the translation, and what faction of the Jewish society was interested in translating this book into Greek. It argues that the translator had pro-Hasmonean sympathies.

The Book of Revelation and Early Jewish Textual Culture explores the relationship between the writing of Revelation and its early audience, especially its interaction with Jewish Scripture. It touches on several areas of scholarly inquiry in biblical studies, including modes of literary production, the use of allusions, practices of exegesis, and early engagements with the Book of Revelation. Garrick Allen brings the Book of Revelation into the broader context of early Jewish literature, including the Dead Sea Scrolls and other important works. Arguing that the author of the New Testament Apocalypse was a 'scribal expert, someone who was well-versed in the content of Jewish Scripture and its interpretation', he demonstrates that John was not only a seer and prophet, but also an erudite reader of scripture.