The Middle Kingdom (ca. 2030–1650 B.C.) was a transformational period in ancient Egypt, during which older artistic conventions, cultural principles, religious beliefs, and political systems were revived and reimagined. Ancient Egypt Transformed presents a comprehensive picture of the art of the Middle Kingdom, arguably the least known of Egypt’s three kingdoms and yet one that saw the creation of powerful, compelling works rendered with great subtlety and sensitivity. The book brings together nearly 300 diverse works— including sculpture, relief decoration, stelae, jewelry, coffins, funerary objects, and personal possessions from the world’s leading collections of Egyptian art. Essays on architecture, statuary, tomb and temple relief decoration, and stele explore how Middle Kingdom artists adapted forms and iconography of the Old Kingdom, using existing conventions to create strikingly original works. Twelve lavishly illustrated chapters, each with a scholarly essay and entries on related objects, begin with discussions of the distinctive art that arose in the south during the early Middle Kingdom, the artistic developments that followed the return to Egypt’s traditional capital in the north, and the renewed construction of pyramid complexes. Thematic chapters devoted to the pharaoh, royal women, the court, and the vital role of family explore art created for different strata of Egyptian society, while others provide insight into Egypt’s expanding relations with foreign lands and the themes of Middle Kingdom literature. The era’s religious beliefs and practices, such as the pilgrimage to Abydos, are revealed through magnificent objects created for tombs, chapels, and temples. Finally, the book discusses Middle Kingdom archaeological sites, including excavations undertaken by the Metropolitan Museum over a number of decades. Written by an international team of respected Egyptologists and Middle Kingdom specialists, the text provides recent scholarship and fresh insights, making the book an authoritative resource.

A remarkable history of the two-centuries-old relationship between the United States and China, from the Revolutionary War to the present day From the clipper ships that ventured to Canton hauling cargos of American ginseng to swap Chinese tea, to the US warships facing off against China's growing navy in the South China Sea, from the Yankee missionaries who brought Christianity and education to China, to the Chinese who built the American West, the United States and China have always been dramatically intertwined. For more than two centuries, American and Chinese statesmen, merchants, missionaries, and adventurers, men and women, have profoundly influenced the fate of these nations. While we tend to think of America's ties with China as starting in 1972 with the visit of President Richard Nixon to China, the patterns—rapturous enchantment followed by angry disillusionment—were set in motion hundreds of years earlier. Drawing on personal letters, diaries, memoirs, government documents, and contemporary news reports, John Pomfret reconstructs the surprising, tragic, and marvelous ways Americans and Chinese have engaged with one another through the centuries. A fascinating and thrilling account, The Beautiful Country and the Middle Kingdom is also an indispensable book for understanding the most important—and often the most perplexing—relationship between any two countries in the world.

Middle Kingdom, Adrienne Su's first collection of poems, explores American identity in terms of language, geography, and personal history. Starting in Georgia, the poems travel to New York, New England, China, Mexico, and other locales in the search for a sense of place.

No matter what one doubts, wrote Yeats, one never doubts the faeries for...they stand to reason. The author, a friend of both Yeats and the great folklorist Douglas Hyde, is a staunch believer in the ancient and continuing spirit life of the countryside. Writing not as folklorist but as an historian, he records many manifestations of the Irish fairy world in recent years. Strikingly persuasive, this tackles in a serious and intelligent manner a subject that has a strong romantic appeal.

The year is 2196. After more than a century of peace and stability, Chung Kuo - the great Empire of Ice controlled by seven ruling kings, the T'ang - has finally been shaken. Lwo Kang, Minister of the Edict - the legal instrument that prevents change - has been assassinated; blown away while in the imperial solarium.

"Japan and China have been rivals for more than a millennium. Until the late nineteenth century, China was the more powerful, while Japan took the upper hand in the twentieth century. Now, China's resurgence has emboldened it as Japan perceives itself falling behind, exacerbating long-standing historical frictions ... Dreyer argues that recent disputes should be seen as manifestations of embedded rivalries rather than as issues whose resolution would provide a lasting solution to deep-standing disputes"--Jacket.

Historians have claimed that when social stability returned to Korea after devastating invasions by the Japanese and Manchus around the turn of the seventeenth century, the late Chosŏn dynasty was a period of unprecedented economic and cultural renaissance, in which prosperity manifested itself in new programs and styles of visual art. A New Middle Kingdom questions this belief, claiming instead that true-view landscape and genre paintings were likely adopted to propagandize social harmony under Chosŏn rule and to justify the status, wealth, and land grabs of the ruling class. This book also documents the popularity of art books from China and their misunderstanding by Koreans and, most controversially, Korean enthusiasm for artistic programs from Edo Japan, thus challenging academic stereotypes and nationalistic tendencies in the scholarship about the Chosŏn period. As the first truly interdisciplinary study of Korean art, A New Middle Kingdom points to realities of late Chosŏn society that its visual art seemed to hide and deny. A William Sangki and Nanhee Min Hahn Book

2023 Caroline Bancroft History Prize from the Denver Public Library 2023 WHA W. Turrentine Jackson Award From the earliest days of non-Native settlement of Montana, when Chinese immigrants made up more than 10 percent of the territory's population, Chinese pioneers played a key role in the region's development. But this population, so crucial to Montana's history, remains underrepresented in historical accounts, and popular attention to the Chinese in Montana tends to focus on sensational elements--exoticizing Chinese Montanans and distancing their lived experiences from our modern understanding. The Middle Kingdom under the Big Sky seeks to recover the stories of Montana's Chinese population in their own words and deepen understanding of Chinese experiences in Montana by using a global lens. Mark T. Johnson has mined several large collections of primary documents left by Chinese pioneers, translated into English here for the first time. These collections, spanning the 1880s through the 1950s, provide insight into the pressures the Chinese community faced--from family members back in China and from non-Chinese Montanans--as economic and cultural disturbances complicated acceptance of Chinese residents in the state. Through their own voices Johnson reveals the agency of Chinese Montanans in the history of the American West and China.

[Poetry and Culture in Middle Kingdom Egypt] certainly represents a landmark. It is the first monograph devoted to an integral study and interpretation of the entire corpus of literature preserved from the Egyptian Middle Kingdom.'Joachim Quack, Professor of Egyptology, University of Heidelberg.

First published in 2009. This work by S. Wells Williams is a complete look at the Chinese Empire during the mid-nineteenth century. Subjects include the divisions of the Empire, geographical descriptions, religion and art, literature, the second war between Great Britain and China and social life among the Chinese. This is Volume one of two.