From Ninie Hammon, the sorceress of psychological suspense comes The Memory Closet, an amnesiac nightmare that will keep you reading through the night with the all lights on. Each memory could be her last… When Anne Mitchell was 11, a horrific accident took the life of her little sister—and every one of Anne’s childhood memories went with her. For 25 years, people have told her that losing memories is normal. Trauma will do that to a young girl. But Anne knows it is a lie. Dark, fractured memories lurk in the shadows of her mind like monsters. They glide past her mirror in the morning and dance in the reflection of her wine glass at night. Anne has had enough. She is going home to face her demons. But in a small town and a small house infected by unspeakable evil, Anne is about to learn that some memories don’t give up their secrets so easily. Some memories can’t be bargained with or cajoled or brought to heel. Some memories will drive you to the edge of sanity. Some memories will kill you. Fans of Dean Koontz and Stephen King looking for a dark, gripping psychological thriller, with a final twist that will put their jaw on the floor, will love The Memory Closet.

Something so terrible happened to Anne Mitchell when she was 11-years-old that her mind erased the whole first decade of her life. Now, 25 years later, she goes home to find her past. She doesn't know that the price of remembering could be her sanity. Or her life.

Memory Mambo describes the life of Juani Casas, a 25-year-old Cuban-born American lesbian who manages her family's laundromat in Chicago while trying to cope with family, work, love, sex, and the weirdness of North American culture. Achy Obejas's writing is sharp and mordantly funny. She understands perfectly how the romance of exile—from a homeland as well as from heterosexuality—and the mundane reality of everyday life balance one another. Memory Mambo is ultimately very moving in its depiction of what it means to find a new and finally safe sense of home.

2020 Digital Book World Best Book (Published by a University Press) In Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi, John F. Marszalek III shares conversations with same-sex couples living in small-town and rural Mississippi. In the first book of its kind to focus on Mississippi, couples tell their stories of how they met and fell in love, their decisions on whether or not to marry, and their experiences as sexual minorities with their neighbors, families, and churches. Their stories illuminate a complicated relationship between many same-sex couples and their communities, influenced by southern culture, religion, and family norms. As Marszalek guides readers into the homes of diverse same-sex couples, he weaves in his own story of meeting his husband and living as a married gay man in Mississippi. Both the couples and he explain why they remain in one of the most conservative states in the country rather than moving to a place with a large, vibrant gay community. In addition to sharing his own experiences, Marszalek reviews the literature on the topic, including writings from southern and rural queer studies, history, sociology, and psychology, to explain how the couples’ relationships and experiences compare to those of same-sex couples in other areas and times. Consequently, Coming Out of the Magnolia Closet is written for both the scholar of southern and queer studies and for anyone interested in learning about the experiences of same-sex couples.

Things are going pretty well for Rob Burnside until Pinocula--a cross between Pinocchio and a vampire--emerges from his closet, lying, joking, and doing his best to drive Rob crazy.

A literary and cultural history of the intimate space of the eighteenth-century closet—and how it fired the imaginations of Pepys, Sterne, Swift, and so many other writers Long before it was a hidden storage space or a metaphor for queer and trans shame, the closet was one of the most charged settings in English architecture. This private room provided seclusion for reading, writing, praying, dressing, and collecting—and for talking in select company. In their closets, kings and duchesses shared secrets with favorites, midwives and apothecaries dispensed remedies, and newly wealthy men and women expanded their social networks. In The Closet, Danielle Bobker presents a literary and cultural history of these sites of extrafamilial intimacy, revealing how, as they proliferated both in buildings and in books, closets also became powerful symbols of the unstable virtual intimacy of the first mass-medium of print. Focused on the connections between status-conscious—and often awkward—interpersonal dynamics and an increasingly inclusive social and media landscape, The Closet examines dozens of historical and fictional encounters taking place in the various iterations of this room: courtly closets, bathing closets, prayer closets, privies, and the "moving closet" of the coach, among many others. In the process, the book conjures the intimate lives of well-known figures such as Samuel Pepys and Laurence Sterne, as well as less familiar ones such as Miss Hobart, a maid of honor at the Restoration court, and Lady Anne Acheson, Swift's patroness. Turning finally to queer theory, The Closet discovers uncanny echoes of the eighteenth-century language of the closet in twenty-first-century coming-out narratives. Featuring more than thirty illustrations, The Closet offers a richly detailed and compelling account of an eighteenth-century setting and symbol of intimacy that continues to resonate today.

The groundbreaking National Book Award Finalist and Michael L. Printz Honor Book with more than 3.5 million copies sold, Speak is a bestselling modern classic about consent, healing, and finding your voice. "Speak up for yourself—we want to know what you have to say." From the first moment of her freshman year at Merryweather High, Melinda knows this is a big lie, part of the nonsense of high school. She is friendless, an outcast, because she busted an end-of-summer party by calling the cops. Now nobody will talk to her, let alone listen to her. As time passes, Melinda becomes increasingly isolated and practically stops talking altogether. Only her art class offers any solace, and it is through her work on an art project that she is finally able to face what really happened at that terrible party: she was raped by an upperclassman, a guy who still attends Merryweather and is still a threat to her. Her healing process has just begun when she has another violent encounter with him. But this time Melinda fights back—and refuses to be silent. From Astrid Lindgren Memorial Award laureate Laurie Halse Anderson comes the extraordinary landmark novel that has spoken to millions of readers. Powerful and utterly unforgettable, Speak has been translated into 35 languages, was the basis for the major motion picture starring Kristen Stewart, and is now a stunning graphic novel adapted by Laurie Halse Anderson herself, with artwork from Eisner-Award winner Emily Carroll. Awards and Accolades for Speak: A New York Times Bestseller A National Book Award Finalist for Young People’s Literature A Michael L. Printz Honor Book An Edgar Allan Poe Award Finalist A Los Angeles Times Book Prize Finalist A TIME Magazine Best YA Book of All Time A Cosmopolitan Magazine Best YA Books Everyone Should Read, Regardless of Age

Oral History: Challenges of Dialogue addresses oral history from two perspectives. The first is the perspective of oral history as dialoguing, the second is the presentation of concrete situations, research, persons, and their own stories as built on the solid ground of discourse and within a concrete context.

Once hanging static in a wardrobe or folded away in a trunk, in recent times clothes have found themselves thrown into the spotlight. The crowds that are drawn to large scale fashion exhibitions staged with increasing frequency in galleries and museums around the world offer glimpses into the meaning that we attach to these items of clothing. Apart from their aesthetic value, clothes have the ability to evoke issues of identity, of the relation of self to body and self to the world. We are able to find ourselves through the experiences of delving into our wardrobes and remembering. Clothes are thus layered with meaning since they have the power to act as memory prompts. Woven into their fabric are traces of past experiences; stitched into their seams are links to people we have loved and lost. Viewed as visual objects, clothing is not frivolous, flippant or foolish. In telling and talking about clothes, we reveal much about ourselves, our lives and the experiences that we drape around our bodies. Whether bought or handmade, passed down or reconstructed, clothes help us to construct meaning as we remember those things in our lives that matter.