This book, first published in 1964, concerns the practice of Zen Buddhism. The practice is a particular form of meditation. In Japan, the only country in which it is any longer seriously pursued, the practice is called zazen. The author directs attention to zazen because it is being overlooked in the current interest in Zen.

There is a fine art to presenting complex ideas with simplicity and insight, in a manner that both guides and inspires. In Taking the Path of Zen Robert Aitken presents the practice, lifestyle, rationale, and ideology of Zen Buddhism with remarkable clarity. The foundation of Zen is the practice of zazen, or mediation, and Aitken Roshi insists that everything flows from the center. He discusses correct breathing, posture, routine, teacher-student relations, and koan study, as well as common problems and milestones encountered in the process. Throughout the book the author returns to zazen, offering further advice and more advanced techniques. The orientation extends to various religious attitudes and includes detailed discussions of the Three Treasures and the Ten Precepts of Zen Buddhism. Taking the Path of Zen will serve as orientation and guide for anyone who is drawn to the ways of Zen, from the simply curious to the serious Zen student.

A neuroscientist and Zen practitioner interweaves the latest research on the brain with his personal narrative of Zen. Aldous Huxley called humankind's basic trend toward spiritual growth the "perennial philosophy." In the view of James Austin, the trend implies a "perennial psychophysiology"—because awakening, or enlightenment, occurs only when the human brain undergoes substantial changes. What are the peak experiences of enlightenment? How could these states profoundly enhance, and yet simplify, the workings of the brain? Zen and the Brain presents the latest evidence. In this book Zen Buddhism becomes the opening wedge for an extraordinarily wide-ranging exploration of consciousness. In order to understand which brain mechanisms produce Zen states, one needs some understanding of the anatomy, physiology, and chemistry of the brain. Austin, both a neurologist and a Zen practitioner, interweaves the most recent brain research with the personal narrative of his Zen experiences. The science is both inclusive and rigorous; the Zen sections are clear and evocative. Along the way, Austin examines such topics as similar states in other disciplines and religions, sleep and dreams, mental illness, consciousness-altering drugs, and the social consequences of the advanced stage of ongoing enlightenment.

FOREWORD BY GUY KAWASAKI Presentation designer and internationally acclaimed communications expert Garr Reynolds, creator of the most popular Web site on presentation design and delivery on the Net — presentationzen.com — shares his experience in a provocative mix of illumination, inspiration, education, and guidance that will change the way you think about making presentations with PowerPoint or Keynote. Presentation Zen challenges the conventional wisdom of making "slide presentations" in today’s world and encourages you to think differently and more creatively about the preparation, design, and delivery of your presentations. Garr shares lessons and perspectives that draw upon practical advice from the fields of communication and business. Combining solid principles of design with the tenets of Zen simplicity, this book will help you along the path to simpler, more effective presentations.

Zen Sand is a classic collection of verses aimed at aiding practitioners of kôan meditation to negotiate the difficult relationship between insight and language. As such it represents a major contribution to both Western Zen practice and English-language Zen scholarship. In Japan the traditional Rinzai Zen kôan curriculum includes the use of jakugo, or "capping phrases." Once a monk has successfully replied to a kôan, the Zen master orders the search for a classical verse to express the monk’s insight into the kôan. Special collections of these jakugo were compiled as handbooks to aid in that search. Until now, Zen students in the West, lacking this important resource, have been severely limited in carrying out this practice. Zen Sand combines and translates two standard jakugo handbooks and opens the way for incorporating this important tradition fully into Western Zen practice. For the scholar, Zen Sand provides a detailed description of the jakugo practice and its place in the overall kôan curriculum, as well as a brief history of the Zen phrase book. This volume also contributes to the understanding of East Asian culture in a broader sense.

Professor Stephen Addiss explores visual expressions of Zen enlightenment, or Zenga, as created by Japanese monk-artists from 1600 to 1925. Illustrated with over 100 calligraphies and paintings, along with accompanying informative text, Dr. Addiss allows for a deep appreciation of this meditative, spiritual, and inspirational art form.

Illustrations: 16 B/w Illustrations Description: This book is of a historical Nature and is intended to give readers a faithful Account of the historical development of Zen Buddhism. However Zen is not merely of historical interest; it has Importance for the present day. History reveals the form and leads to the essence of things. In historical Research we are guided by the Things themselves, and we try to comprehend their response and their teaching. The object of the book is to put the reader into a close contact with Zen as possible to elucidate its inner form from History and make its living Values apparent. Contents Preface I. THE MYSTICAL ELEMENT IN EARLY Buddhism AND HIHAYANA : 1. Buddhism and Mysticism 2. Shakyamuni, the Enlightened One 3. Hinayanist Meditative Exercises 4. Nirvana as the God of the Mystic Way II. Mysticism WITHIN Mahayana : 1. Perception of Life and Mysticism 2. The Beginnings of Mahayana 3. The Bodhisattva Ideal 4. Buddhoiogy and Nirvana III. THE MAHAYANA SUTRAS AND Zen : 1. The Position of Zen in Intellectual History 2. Prajnaparamita - Transcendental Wisdom 3. Religious Cosmotheism in the Avatamsaka Sutras 4. The Vimalikirti Sutra - The Way of Enlightenment for All 5. The Psychological View of the Process of Enlightenment in the Lankavatara Sutra IV. THE ANTICIPATION OF ZEN IN Chinese BUDDHISM : 1. The Historical Understanding of Zen 2. The Introduction of Buddhist Meditation into China 3. Kumarajiva and Buddhabhadra 4. Wisdom Not Being Knowledge 5. The Suddenness of Enlightenment V. ZEN PATRIARCHS OF THE EARLY PERIOD : 1. Bodhidharma 2. Disciples and Followers 3. Schisms and Oppositions VI. THE HIGH PERIOD OF CHINESE ZEN : 1. The Sixth Patriarch 2. To See into One's Nature and Become a Buddha 3. Zen Masters of the T'ang Period 4. The Monastic Life VII. PECULIARITIES OF THE FIVE HOUSES : 1. The Circular Figures (Wei-yang Sect) 2. The Pass of a Single Word (Yiin-men Sect) 3. The Interpenetration of the Attributes of Being (Fa-yen Sect) 4. The Five Ranks (Ts'ao-tung Sect) 5. Shouting and Beating (Lin-chi Sect) VIII. SPREAD AND METHODOLOGICAL DEVELOPMENT DUNNG THE SUNG PERIOD : 1. Zen and the Spirit of the Age 2. The Rise of the Koan in the Lin-chi Sect 3. The Psychological Structure of the Koan 4. The Two Main Streams of Zen IX. THE TRANSPLANTING OF ZEN TO Japan : 1. Preliminary Developments 2. Eisai 3. The Flowering of Rinzai Zen in the Kamakura Period X. THE ZEN MASTER DOGEN : 1. His Life and Work 2. Zazen 3. Religious Metaphysics XI. THE Cultural INFLUENCE OF ZEN IN THE MUROMACHI PERIOD : 1. The Spread of Zen Under the Rule of the Ashikaga 2. Approaches to the People 3. The Unfolding in Japanese Culture XII. THE FIRST ENCOUNTER BETWEEN ZEN AND Christianity : 1. Friendly and Hostile Contacts 2. Doctrinal Disputes 3. Cultural Adaptations and Influences 4. The Christian Daimyo and the Way of Tea XIII. ZEN IN THE MODERN JAPANESE AGE : 1. The Obaku Sect 2. Renewal of Zen 3. Basho and Zen's Love of Nature XIV. THE ZEN MYSTICISM OF HAKUIN : 1. Life and Work 2. Mystical Experiences 3. The Great Doubt and the Great Enlightenment 4. Zen Sickness 5. Personality and the Japanese Character XV. THE ESSENCE OF ZEN : 1. History and Form 2. The Experience of Satori 3. The Psychological Interpretation of Satori 4. Natural Mysticism

"When a Zen master puts brush to paper, the resulting image is an expression of the quality of his or her mind. It is thus a teaching, intended to compassionately stop us in our tracks and to compel us to consider ultimate truth. Here, forty masterpieces of painting and calligraphy by renowned masters such as Hakuin Ekaku (1685–1768) and Gibon Sengai (1750–1837) are reproduced along with commentary that illuminates both the art and its teaching. The authors’ essays provide an excellent introduction to both the aesthetic and didactic aspects of this art that can be profound, perplexing, serious, humorous, and breathtakingly beautiful—often all within the same simple piece."--Publisher description.

Random House 1977Zen History,Haiku, Ceramics, Archery, Landscape Garden, Stone Garden, Ink Landscape Scroll, Zen Architecture, Sword, Katana, No Theater, Noh Theater, Japanese Tea Ceremony, Flower arranging, Ikebana, Zen Ceramic Art, Raku, Shino, Ryoanji-ji 'Highly recommended'The Center for Asian Studies'A connoisseur'NYC-FM'Hoover provides an excellent introduction

This book is the first to engage Zen Buddhism philosophically on crucial issues from a perspective that is informed by the traditions of western philosophy and religion. It focuses on one renowned Zen master, Huang Po, whose recorded sayings exemplify the spirit of the 'golden age' of Zen in medieval China, and on the transmission of these writings to the West. The author makes a bold attempt to articulate a post-romantic understanding of Zen applicable to contemporary world culture. While deeply sympathetic to the Zen tradition, he raises serious questions about the kinds of claims that can be made on its behalf.