The goal of this book is to apply the principles of acoustics to the audio arts. This involves serving as an interpreter of major trends and the literature for students and practitioners in the audio field. Along with covering the more theoretical aspects of acoustics, the book applies the theory to the design of specialized audio spaces such as the home listening room, the control room, and the multi-track-recording studio.

Practical Instruction on the Art and Science of Acoustic Design and Architecture Build your own acoustic environments such as recording studios, control rooms, and home listening rooms with expert insights from two engineering professionals. Fully expanded to cover the latest methods and software tools, Master Handbook of Acoustics, Fifth Edition presents clear explanations of acoustic phenomena and provides a hands-on approach to room design. Learn how to perform acoustic measurements, choose room dimensions, assign speaker placement, analyze response curves, and design and install sound absorbers and diffusers. You will also find details on how to fine-tune room reverberation, minimize external noise, and apply psychoacoustic concepts. Master Handbook of Acoustics, Fifth Edition explains how to: Determine how sound propagates in open and enclosed spaces Measure sound-pressure levels and work with decibels Analyze the characteristics of room modal resonances Treat rooms for optimal early reflections, reverberation, and diffusion Minimize acoustic distortion, comb-filter effects, and HVAC interference Construct high-quality stereo and surround-sound listening rooms Design personal and professional recording studios and control rooms Understand the acoustics of auditoriums and concert halls Optimize room designs using measurement, modeling, and auralization software

An overview of general sound principles, such as frequency, wavelength, absorption, decibel measurement, and transmission in various materials, as well as a look at the human ear and auditory system. Annotation copyrighted by Book News, Inc., Portland, OR

The industry standard guide to room acoustics―fully updated with the latest advances Based on the classic text written by acoustics pioneer F. Alton Everest, this revised resource presents the fundamentals of acoustics along with time-tested solutions and detailed room designs. Master Handbook of Acoustics, Seventh Edition explains the art and science of room acoustics and architecture by combining theoretical instruction with matter-of-fact engineering advice. The numerous room designs inside—complete with floor and elevation plans and performance analyses—can be built as presented or adapted to meet specific needs. You will get designs new to this edition, including video teleconferencing rooms and voice studios, as well as new details on listening room and recording studio construction. Inside, you’ll discover how to: Control and utilize sound reflection, absorption, diffraction, and diffusion Calculate room reflections, reverberation times, and modal resonances Perform acoustical measurements and site surveys and choose construction materials Install modules to optimize early reflections, reverberation, and diffusion Design and construct home theaters, project studios, control rooms, recording studios, and other acoustically sensitive spaces Reduce HVAC noise levels and achieve excellent sound isolation with proven wall, window, and door designs Analyze the acoustics of concert halls, auditoriums, and places of worship Incorporate psychoacoustics in your designs to optimize room performance Understand the operation of room acoustics modeling software Utilize the supplied cost-effective plans and specifications for a variety of listening and recording rooms

Undergraduate-level text examines waves in air and in three dimensions, interference patterns and diffraction, and acoustic impedance, as illustrated in the behavior of horns. 1951 edition.

This is an unparalleled modern handbook reflecting the richly interdisciplinary nature of acoustics edited by an acknowledged master in the field. The handbook reviews the most important areas of the subject, with emphasis on current research. The authors of the various chapters are all experts in their fields. Each chapter is richly illustrated with figures and tables. The latest research and applications are incorporated throughout, including computer recognition and synthesis of speech, physiological acoustics, diagnostic imaging and therapeutic applications and acoustical oceanography. An accompanying CD-ROM contains audio and video files.

Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms, Third Edition explains the physical and perceptual processes that are involved in sound reproduction and demonstrates how to use the processes to create high-quality listening experiences in stereo and multichannel formats. Understanding the principles of sound production is necessary to achieve the goals of sound reproduction in spaces ranging from recording control rooms and home listening rooms to large cinemas. This revision brings new science-based perspectives on the performance of loudspeakers, room acoustics, measurements and equalization, all of which need to be appropriately used to ensure the accurate delivery of music and movie sound tracks from creators to listeners. The robust website (www.routledge.com/cw/toole) is the perfect companion to this necessary resource.

Handbook for Sound Engineers is the most comprehensive reference available for audio engineers, and is a must read for all who work in audio. With contributions from many of the top professionals in the field, including Glen Ballou on interpretation systems, intercoms, assistive listening, and fundamentals and units of measurement, David Miles Huber on MIDI, Bill Whitlock on audio transformers and preamplifiers, Steve Dove on consoles, DAWs, and computers, Pat Brown on fundamentals, gain structures, and test and measurement, Ray Rayburn on virtual systems, digital interfacing, and preamplifiers, Ken Pohlmann on compact discs, and Dr. Wolfgang Ahnert on computer-aided sound system design and room-acoustical fundamentals for auditoriums and concert halls, the Handbook for Sound Engineers is a must for serious audio and acoustic engineers. The fifth edition has been updated to reflect changes in the industry, including added emphasis on increasingly prevalent technologies such as software-based recording systems, digital recording using MP3, WAV files, and mobile devices. New chapters, such as Ken Pohlmann’s Subjective Methods for Evaluating Sound Quality, S. Benjamin Kanters’s Hearing Physiology—Disorders—Conservation, Steve Barbar’s Surround Sound for Cinema, Doug Jones’s Worship Styles in the Christian Church, sit aside completely revamped staples like Ron Baker and Jack Wrightson’s Stadiums and Outdoor Venues, Pat Brown’s Sound System Design, Bob Cordell’s Amplifier Design, Hardy Martin’s Voice Evacuation/Mass Notification Systems, and Tom Danley and Doug Jones’s Loudspeakers. This edition has been honed to bring you the most up-to-date information in the many aspects of audio engineering.

The fifth edition of this successful introductory text on hearing sciences includes auditory, anatomy, physiology, psychoacoustics, and perception content. Fundamentals of Hearing is one of only a few textbooks that covers all of hearing at an introductory level. A meaningful introduction to hearing for students and a wealth of data and facts related to hearing for the professional. It it heavily illustrated with over 200 figures. Each chapter concludes with a Supplement section with additional resources about topics covered. Appendices provide background information to enable full comprehension of content. It contains a complete Glossary of terms from the American Standards Institute, a combined subject/author index, and a comprehensive bibliography.

Philip Newell's comprehensive reference work contains pearls of wisdom which anyone involved in sound recording will want to apply to their own studio design. He discusses the fundamentals of good studio acoustics and monitoring in an exhaustive yet accessible manner. Recording Studio Design covers the basic principles, their application in practical circumstances, and the reasons for their importance to the daily success of recording studios. All issues are approached from the premise that most readers will be more interested in how these things affect their daily lives rather than wishing to make an in-depth study of pure acoustics. Therefore frequent reference is made to examples of actual studios, their various design problems and solutions. Because of the importance of good acoustics to the success of most studios, and because of the financial burden which failure may impose, getting things right first time is essential. The advice contained in Recording Studio Design offers workable ways to improve the success rate of any studio, large or small.