The Mars Probe has crashed. A triumph of Soviet technology, the first two-way interplanetary probe performed brilliantly until the final stage of its return. Then something went wrong: rather than following its programmed course to a soft landing in its country of origin, the probe crashed in the Peruvian Andes. Now a weird infection beyond the understanding of medical science has wiped out an entire village - except for one man, who, alone and undiscovered by medics, survives. He has awakened to find himself become his own ancestor, and a god. Suddenly the flames of an Indian revolution are spreading South America; he is the Martian Inca.

John Deacon uses hypnosis to research altered states of consciousness. One of his subjects, Michael Peacocke, is unusually susceptible and in their first session together he recalls a Close Encounter which took place some years before. Deacon is sceptical of UFOs and dismisses Peacocke's story as an adolescent sexual fantasy. But then inexplicable things happen - the tape of the session is mysteriously erased, Deacon's dog is killed, he and Michael see a pterodactyl, Michael's girlfriend is menaced by Men in Black - and Deacon is forced to reconsider. Could UFOs be symbols projected from the collective unconscious? Are they messages from the biomatrix? Does the mind have the ability to project tulpas, objects and people which are physically real yet somehow illusory?

"[Malmgren] succeeds in formulating a typology of science fiction that will become a standard reference for some years to come." —Choice " . . . the most intelligently organized and effectively argued general study of SF that I have ever read." —Rob Latham, SFRA Review " . . . required reading for its evenhanded overview of so much of the previous critical/theoretical material devoted to science fiction." —American Book Review Worlds Apart provides a comprehensive theoretical model for science fiction by examining the worlds of science fiction and the discourse which inscribes them. Malmgren identifies the basic science fiction types, including alien encounters, alternate societies and worlds, and fantasy, and examines the role of the reader in concretizing and interpreting these science fiction worlds.

When the British Arean Company founded its Martian colony, it welcomed any settlers it could get. Outcasts, misfits and dreamers emigrated in droves to undertake the grueling task of terraforming the cold red planet--only to be abandoned when the BAC discovered it couldn't turn a profit on Mars. This is the story of Mary Griffith, a determined woman with three daughters, who opened the only place to buy a beer on the Tharsis Bulge. It's the story of Manco Inca, whose attempt to terraform Mars brought a new goddess vividly to life; of Stanford Crosley, con man extraordinaire; of Ottorino Vespucci, space cowboy and romantic hero; of the Clan Morrigan, of the denizens of the Martian Motel, and of the machinations of another Company entirely, all of whom contribute to the downfall of the BAC and the founding of a new world. But Mary and her struggles and triumphs is at the center of it all, in her bar, the Empress of Mars. Based on the Hugo-nominated novella of the same name, this is a rollicking novel of action, planetary romance, and high adventure. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Who are the extraordinary individuals that will take us on the next great space race, the next great human endeavor, our exploration and colonization of the planet Mars? And more importantly, how are they doing it? Acclaimed science writer Oliver Morton explores the peculiar and fascinating world of the new generation of explorers: geologists, scientists, astrophysicists and dreamers. Morton shows us the complex and beguiling role that mapping will play in our understanding of the red planet, and more deeply, what it means for humans to envision such heroic landscapes. Charting a path from the 19th century visionaries to the spy-satellite pioneers to the science fiction writers and the arctic explorers -- till now, to the people are taking us there -- Morton unveils the central place that Mars has occupied in the human imagination, and what it will mean to realize these dreams. A pioneering work of journalism and drama, Mapping Mars gives us our first exciting glimpses of the world to come and the curious, bizarre, and amazing people who will take us there.

Now in Paperback The Road to Science Fiction is a six-volume anthology that covers the development of this genre from its earliest prototypes to the current day. Created originally to provide anthologies for use in classrooms in the late 1970s, these volumes became mass-market sellers. Between an ancient Roman's trip to the moon and the fantastic tales of H.G. Wells lies a journey through time and space and an awesome evolution in scientific thinking. From Gilgamesh's search for immortality to Edgar Allan Poe's balloon trip in the year 2848 these and other key works are gathered together for the first time in one anthology, complete with revealing commentary on the authors, their eras, and the role each played in establishing what we today recognize as science fiction. Volume 4 From Here to Forever covers the period from 1950-1992, illustrating how science fiction can be as concerned with language and character as much as traditional fiction and anything in the mainstream. Includes stories by Jorge Luis Borges, Richard Matheson, C. M. Kornbluth, Jack Vance, and Pamela Zoline.

• Details how exploratory probes sent to Mars in the 1970s triggered a plethora of anomalous events, particularly crop circles (glyphs), and how these events are messages from ET intelligence to help us send a human mission to Mars • Reveals how the anomalous Cydonia region of Mars fits the Golden Ratio Spiral and looks at links between Martian formations and Earth’s ancient sites • Illustrated throughout with color photographs, maps, and diagrams In this full-color study based on 25 years of research, Mary Bennett explores the ancient and modern connections between Mars and Earth as well as how extraterrestrial intelligences are trying to assist us in constructing a viable spacecraft to take a human crew swiftly and safely to Mars. She details how exploratory probes sent to Mars in the 1970s triggered over three decades of anomalous yet scientifically validated events, including crop circles, or crop glyphs. She explains how these formations, along with related events, encode advanced engineering concepts that offer solutions to the fundamental problems presently hindering long-haul crewed ­spaceflight--whether to the Moon, Mars, or beyond. Looking at the red planet itself, the author reveals the scientifically verifiable evidence pointing to intelligent design on the surface of Mars, specifically in the Cydonia region, which fits the Golden Ratio Spiral. She looks at the covert links between the Martian formations and Earth’s ancient sites, such as the Avebury landscape in England and the Giza Complex. She describes how agencies concerned with space travel have been quietly mirroring areas of Mars through construction projects here on Earth, revealing that many of the ET messages have already been partially decoded. Taking you from a complex on Mars to the Teotihuacán pyramids in Mexico, from phi ratios to the Pentagon, from the Great Pyramid to quantum computing, this exploration of the hidden influence of Mars shows that our abilities as a future space-faring species began in the ancient past and are now coming to fruition.

Well-known critic and novelist Brian Stableford here discusses the writers, editors, and publishers who helped create the modern genre of science fiction: Mary Wollstonecraft Shelley, Edgar Allan Poe, Camille Flammarion, Jules Verne, H. G. Wells, Hugo Gernsback, John W. Campbell Jr., Edward E. "Doc" Smith, Robert A. Heinlein, James Blish, Gregory Benford, and Ian Watson. Complete with bibliography and index.

Damien Broderick has had a major impact as an Australian SF writer since 1964. He is undoubtedly the leading Australian theorist of the SF genre' (Russell Blackford, Van Ikin, Sean McMullen, Strange Constellations). Now, Broderick draws upon his skills as both critic and novelist to analyze science fiction of the last two decades, and its earlier roots. The book proposes sf as a distinctive form of writing, the extreme narrative of difference, then closely reads authors such as John Barnes, Jamil Nasir, Wil McCarthy, Robert Grossbach and Poul Anderson. While concentrating on exciting work published in the USA and Britain, Broderick does not neglect his own country's contributions, discussing sf by George Turner and other Australians. His critical voice is wry, entertaining and occasionally scathing.

For more than a century, Mars has been at the center of debates about humanity’s place in the cosmos. Focusing on perceptions of the red planet in scientific works and science fiction, Dying Planet analyzes the ways Mars has served as a screen onto which humankind has projected both its hopes for the future and its fears of ecological devastation on Earth. Robert Markley draws on planetary astronomy, the history and cultural study of science, science fiction, literary and cultural criticism, ecology, and astrobiology to offer a cross-disciplinary investigation of the cultural and scientific dynamics that have kept Mars on front pages since the 1800s. Markley interweaves chapters on science and science fiction, enabling him to illuminate each arena and to explore the ways their concerns overlap and influence one another. He tracks all the major scientific developments, from observations through primitive telescopes in the seventeenth century to data returned by the rovers that landed on Mars in 2004. Markley describes how major science fiction writers—H. G. Wells, Kim Stanley Robinson, Philip K. Dick, Edgar Rice Burroughs, Ray Bradbury, Robert Heinlein, and Judith Merril—responded to new theories and new controversies. He also considers representations of Mars in film, on the radio, and in the popular press. In its comprehensive study of both science and science fiction, Dying Planet reveals how changing conceptions of Mars have had crucial consequences for understanding ecology on Earth.