Acrobats and manipulators of objects, trained animals, and clowns – have been performing throughout history. In the eighteenth century, the invention of the circus ring provided a focus for the activities, and the modern circus was born. Once the circus was the most spectacular entertainment many Americans saw. When the supply of cheap labor disappeared and other forms of entertainment became available, the giant circuses shrank, and in the last quarter of the twentieth century new one ring circuses returned. The Circus and Circus Culture area of the Popular Culture Association has been examining circus history, circus life, the relationship of circus to society, and the impact of circus on the visual and literary arts since 1997. This book is a collection of papers from its annual conferences. "This fascinating collection showcases the transnational richness and cultural depth of the circus in an array of historical and contemporary settings. Strongly recommended for circus enthusiasts and students of popular culture, history, and theater." —Janet M.Davis, Associate Professor, Chair of the Department of American Studies, College of Liberal Arts at UT Austin, author of The Circus Age: Culture and Society under the American Big Top

A Leading Figure in the Development of the New Cosmology Explains What It All Means Among his peers, Alex Vilenkin is regarded as one of the most imaginative and creative cosmologists of our time. His contributions to our current understanding of the universe include a number of novel ideas, two of which—eternal cosmic inflation and the quantum creation of the universe from nothing—have provided a scientific foundation for the possible existence of multiple universes. With this book—his first for the general reader—Vilenkin joins another select group: the handful of first-rank scientists who are equally adept at explaining their work to nonspecialists. With engaging, well-paced storytelling, a droll sense of humor, and a generous sprinkling of helpful cartoons, he conjures up a bizarre and fascinating new worldview that—to paraphrase Niels Bohr—just might be crazy enough to be true.

From the Progress City Archives comes this collection of tall tales and true from the annals of the Walt Disney Company. From Walt's on-set antics to the creations of modern-day Imagineers, we've put together a sampling of stories from throughout Disney history. SEE how Walt Disney befriended presidents and saved the Winter Olympics! HEAR how Imagineers created the technological wonderland of Epcot Center! READ the true-life tales of never-built Disney theme parks Port Disney and Disney's America! Join us as we explore the obscure and amusing corners of the Disney universe. From Fantasia to Horizons, there's something here for every fan.

The circus as a focal point of twentieth-century American art.

This charming book The Many Worlds of Sarala Deri and The Tagores and Sartorial Styles, as the titles suggest, contain two separate but related writings on the Tagores. The Tagores were a pre-eminent family which became synonymous with the cultural regeneration of India, specifically of Bengal, in the ninteenth century. --

This charming book The Many Worlds of Sarala Devi and The Tagores and Sartorial Styles, as the titles suggest, contain two separate but related writings on the Tagores. The Tagores were a pre-eminent family which became synonymous with the cultural regeneration of India, specifically of Bengal, in the nineteenth century. The first writing is a sensitive translation of Sarala Devis memoirs from the Bengali, Jeevaner Jharapata, by Sukhendu Ray. It is the first autobiography written by a nationalist woman leader of India. Sarala Devi was Rabindranath Tagores niece and had an unusual life. The translation unfolds, among other things, what it was like to grow up in a big affluent house Jorasanko, that had more than 116 inmates and a dozen cooks! The second writing by Malavika Karlekar is a photo essay, creatively conceived, visually reflecting the social and cultural trends of the times, through styles of dress, jewellery and accoutrements. The modern style of wearing a sari was introduced by Jnanadanandini Devi, a member of the Tagore family. The introduction by the well-known historian, Bharati Ray, very perceptively captures the larger context of family, marriage, womens education and politics of the time which touched Sarala Devis life. She points out that if memoirs are a kind of social history then womens diaries record social influences not found in official accounts and are therefore, a rich source of documentation.

Female solo aerialists of the 1920s and early 1930s were internationally popular performers in the largest live performance mass entertainment of the period in the UK and USA. Yet these aerialists and this period in circus history have been largely forgotten despite the iconic image of ‘the’ female aerialist still flaring in the popular imagination. Kate Holmes uses insights gained as a practitioner to reconstruct in detail the British and American performances and public personae of key stars such as Lillian Leitzel, Luisita Leers, and the Flying Codonas, revealing what is performed and implicit in today’s practice. Using a wealth of original sources, this book considers the forgotten stars whose legacy of the cultural image of the female aerialist echoes. Locating performers within wider cultural histories of sport, glamour, and gender, this book asks important questions about their stardom, including: Why were female aerialists so alluring when their muscularity challenged conservative ideals of femininity and how did they participate in change? What was it about their movements and the spaces they performed in that activated such strong audience responses? This book is vital reading for students and practitioners of aerial performance, circus, gender, popular performance, and performance studies.

María Izquierdo (1902–1955) and Frida Kahlo (1907–1954) were the first two Mexican women artists to achieve international recognition. During the height of the Mexican muralist movement, they established successful careers as easel painters and created work that has become an integral part of Mexican modernism. Although the iconic Kahlo is now more famous, the two artists had comparable reputations during their lives. Both were regularly included in major exhibitions of Mexican art, and they were invariably the only women chosen for the most important professional activities and honors. In a deeply informed study that prioritizes critical analysis over biographical interpretation, Nancy Deffebach places Kahlo's and Izquierdo's oeuvres in their cultural context, examining the ways in which the artists participated in the national and artistic discourses of postrevolutionary Mexico. Through iconographic analysis of paintings and themes within each artist's oeuvre, Deffebach discusses how the artists engaged intellectually with the issues and ideas of their era, especially Mexican national identity and the role of women in society. In a time when Mexican artistic and national discourses associated the nation with masculinity, Izquierdo and Kahlo created images of women that deconstructed gender roles, critiqued the status quo, and presented more empowering alternatives for women. Deffebach demonstrates that, paradoxically, Kahlo and Izquierdo became the most successful Mexican women artists of the modernist period while most directly challenging the prevailing ideas about gender and what constitutes important art.

Why are things funny? How has humor changed over the centuries? How can humor be a political force? Featuring expert authors from across the globe, The Languages of Humor discusses three main types of humour: verbal, visual, and physical. Despite the differences between them, all have a common purpose, showing us in different ways the reality that we live in, and how we can reflect on that reality. To this end, the book shows how humor has been used to address such topics as the Holocaust and the Soviet Union, and why it has been controversial in cases including Charlie Hebdo. The Languages of Humor explores a subject that is of interest in a wide range of intellectual disciplines including sociology, psychology, communication, philosophy, history, social sciences, linguistics, computer science, literature, theatre, education, and cultural studies. This volume features contributions from world-leading academics, some of who have professional backgrounds in this field. This unique research-led book, which includes over 20 illustrations, offers a top-down analysis of humor studies.

Essays on the post-modern reception and interpretation of the Middle Ages,