This book takes up the story where 'At Least She Never Drank Much' - the first volume of Geraldine's autobiography - left off. Her erratic journey through life continues to intrigue as she walks out of her job and into an enchanted world of witches, weirdos and wannabe poets. Two offbeat characters she meets at an Earth Mysteries Group kick off the changes that Fate has in store for her, and a charismatic stranger she meets on a train takes her on a magical mystery tour through Cumbria's Lakeland, opening up her latent spirituality and leaving her hearing the Voice of God in her head. Like the Cat that Walks by Himself, Geraldine threads her own path through witches' sabbats, predatory preachers, performance poets and passionate romances, coming out at the end of it with The Man Who'll See the Poet - the only man who ever saw her as she was, instead of what he wanted her to be. There is magic and mayhem in this charming book, which has Ms Murfin-Shaw's uniquely individualistic touch.

One of the Greatest Poems in American Literature Walt Whitman (1819-1892) was considered by many to be one of the most important American poets of all time. He had a profound influence on all those who came after him. “Song of Myself”, a portion of Whitman’s monumental poetry collection “Leaves of Grass”, is one of his most beloved poems. It was through this moving piece that Whitman first made himself known to the world. One of the most acclaimed of all American poems, it is written in Whitman’s signature free verse style, without a regular form, meter, or rhythm. His lines have a mesmerizing chant-like quality, as he sought to make poetry more appealing. Few poems are as fun to read aloud as this one. Considered to be the core of his poetic vision, this poem is an optimistic and inspirational look at the world in 1855. It is exhilarating, epic, and fresh in its brilliant and fascinating diction and wordplay as it tries to capture the unique meaning of words of the day, while also embracing the rapidly evolving vocabularies of the sciences and the streets. Far ahead of its time, it was considered by many social conservatives to be scandalous and obscene for its depiction of sexuality and desire, while at the same time, critics hailed the poem as a modern masterpiece. This first version of “Song of Myself” is far superior to the later versions and will delight readers with the playfulness of its diction as it glorifies the self, body, and soul. “I am large, I contain multitudes,”

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986.

Peer Gynt is classical drama written by Henrik Ibsen. This modern version is rewritten by Sadr al-Din Arabi. His aim is to criticize the decadent lifestyle in the West from an Islamic point of view. Peer Gynt is obsessed about being himself, but the way he sees himself is not reflective of who he truly is. The well-known scene with the onion depicts this quite clearly. There is no core inside an onion, just as there is no core in a false self. Peer Gynt’s journey is a psychological struggle to discover his true self, his core. A core based on empathy, morality and religious meaning. In this rewritten version is Solveig, a symbol of spiritually, the pure and innocent. She is helping Peer Gynt to be reborn into a spiritual life. - There will be a new enlightenment!

"Laux writes gritty, tough, lyrical poems that depict the actual nature of life in the West today."—Philip Levine The narrative poems in Dorianne Laux's fifth collection charge through the summer of love, where Vietnam casts a long shadow, and into the present day, where she compassionately paints the smoky bars, graffiti, and addiction of urban life. Laux is "continually engaging and, at her best, luminous" (San Diego Union-Tribune). from "To Kiss Frank," make out with him a bit, this is what my friend would like to do oh these too many dead summers later, and as much as I want to stroll with her into the poet's hazy fancy all I can see is O'Hara's long gone lips fallen free of the bone, slumbering beneath the grainy soil.

First published in 1967, this book seeks to show the causes which led to Coleridge’s breakdown in 1802 and to indicate how his views on poetry changed as a result of it. The approach is selective in that it only focuses on one part of Coleridge’s life (roughly 1793-1810); however the author attempts to relate a number of different areas of his activity and to trace his emotional and moral development more closely than might be possible in a full-scale biography. The account of Coleridge’s life ends in 1810, when his relationship with the two key figures in his life Asra and Wordsworth had ruptured, as this reflected which of Coleridge’s Notebooks were available at the time.