A love triangle shapes this intricate murder mystery from the popular twentieth-century author of the Rachel Murdock series. When a policeman shows up at her door one morning, Doris Chenoweth is sure her husband, Sargent, is home—but she’s wrong. He’s been found dead in his car at the edge of a reservoir. With no one else to turn to, Doris calls her elderly uncle Chuck, knowing he has no real reason to help her since they’ve fallen out of touch. But to Doris’s relief, Chuck comes to her aid, armed with his law degree. Acting as her attorney, he delves into her husband’s affairs—business and romantic. The revelations come fast and furiously, pointing to infidelity, shady stock investments, and a betrayal of the worst kind. And when Chuck realizes Doris has secrets of her own—ones that could land her in jail—he must determine which is a greater motive for murder: love or money . . . Praise for Dolores Hitchens “High-grade suspense.” —San Francisco Chronicle on Stairway to an Empty Room/Terror Lurks in Darkness “Dolores Hitchens wrote crime novels that were both tough and compassionate, with a sharp eye for the emotional scars that violence leaves.” —MysteryTribune “Almost unbearable suspense . . . Holds the reader to the last punctuation mark.” —Greensboro News & Record on The Grudge

There are men who can at times be stirred by the power and conflict of their own emotions to the point of shedding tears. Such a man was Abel Mason. Unhappily married to the shrewish Lena, he sought release in a love affair that all too soon ended in brutal tragedy. Abel left home, taking with him his young son, Dick, and together they tramped their way to the North where his roots lay. It was a hard and sometimes traumatic journey, and at its end there seemed to open up whole new vistas of life and experience. But the legacy of the past remained, and the burden of its secrets would continue to play a major part in shaping Abel's destiny and Dick's character alike.

This book provides an introduction to the elements of poetry, formulates a series of contexts for the interpretation of poems, and offers a substantial anthology. Its purpose is to enable students to read poems with understanding and pleasure and to provide them with a basic vocabulary for analysing and talking about poems.

While hunting for a meager dinner, Melissa Malcolm stumbles across a half-dead man. He can't remember who he is or how he came to have a bullet hole in his shoulder, but Melissa knows he's part of her destiny. Calling him "Dan," she learns about the love of Jesus Christ from this mild-mannered stranger. Dan knows he's losing his heart to Melissa, but until his past is recalled, there's no hope of a permanent relationship with her. His presence seems to bring danger to the Malcolm home - especially when a vaguely familiar man, bent on courting Melissa, seems to be seeking to kill Dan. Could the Lord have plans for a home Dan and Melissa can call their own? Can they trust their hearts to God and let Him show them the way home?

An epic movie from the creator of Orlando and The Tango Lesson, The Man Who Cried is a young woman's coming-of-age story set in the dangerous maelstrom of the Nazi Occupation of Paris. The film charts a journey which begins in the lost world of old Jewry and ends in the new world of Hollywood, a journey in which the young woman's original language is taken from her, causing her to retreat into silence - and song. The film attempts to mourn for those lost in the terrible events of the last century - and to celebrate those who found their voices and survived.

A little book with a big heart—from the New York Times bestselling author of A Man Called Ove and Anxious People. “I read this beautifully imagined and moving novella in one sitting, utterly wowed, wanting to share it with everyone I know.” —Lisa Genova, bestselling author of Still Alice From the New York Times bestselling author of A Man Called Ove, My Grandmother Asked Me to Tell You She’s Sorry, Britt-Marie Was Here, and Anxious People comes an exquisitely moving portrait of an elderly man’s struggle to hold on to his most precious memories, and his family’s efforts to care for him even as they must find a way to let go. With all the same charm of his bestselling full-length novels, here Fredrik Backman once again reveals his unrivaled understanding of human nature and deep compassion for people in difficult circumstances. This is a tiny gem with a message you’ll treasure for a lifetime.

Toronto PI Jonah Geller is as secular as they come, an atheist who nonetheless feels deep ties to his Jewish community. Needing to make up for past mistakes, to help those whom the system fails or can’t protect, he opens an agency called World Repairs with his best friend, stunning six-foot blonde Jenn Raudsepp. Along with Dante Ryan, a hit man trying to escape his Mob ties, they duck bullets and dodge blades—one step ahead of the law—at home and across the border. Crackling with humour, complex plotting and gritty locales, Buffalo Jump, High Chicago and Boston Cream are the first three novels in Howard Shrier’s acclaimed, Arthur Ellis Award-winning series. “Shrier is my top find of the year. . . . His excellent PI series deserves much wider attention.” —Ellery Queen Mystery Magazine “There is a reason [Shrier] consistently wins the Arthur Ellis Award: he tells a really good story.” —Library Journal, starred review “Shrier’s first Jonah Geller mystery was terrific; High Chicago is even better.” —Linwood Barclay, bestselling author of No Time for Goodbye and Trust Your Eyes

Toronto investigator Jonah Geller is at a low point in his life. A careless mistake on his last case left him with a bullet in his arm, a busted relationship and a spot in his boss's doghouse. Then he comes home to find notorious contract killer Dante Ryan in his apartment — not to kill him for butting into mob business, as Jonah fears, but to plead for Jonah's help. Ryan has been ordered to wipe out an entire Toronto family, including a five-year-old boy. With a son of his own that age, Ryan can't bring himself to do it. He challenges Jonah to find out who ordered the hit. With help from his friend Jenn, Jonah investigates the boy's father — a pharmacist who seems to lead a good life — and soon finds himself ducking bullets and dodging blades from all directions. When the case takes Jonah and Ryan over the river to Buffalo, where good clean Canadian pills are worth their weight in gold, their unseen enemies move in for the kill. From the Trade Paperback edition.

The Silurian, Book Four: The One-Armed Warrior BROTHERS DIVIDED Returned to the Clan Bear on the eve of a massive Saxon invasion, the Fox is now High Prince of Gwynedd. He is re-united with Arthur, and about to face a far greater challenge than anything gone before--time to face a battle that will bring great loss along with its glory in victory. This loss changes the Fox forever. For this is the cost of being Arthur's most powerful warrior, as Arthur himself pays a terrible price for his invincible power. Even Medraut, Arthur's embattled cousin, loses to his father, Lot; and loss binds the three men in a way they have never known before. And yet it is Bedwyr's loss that seals their future fates. As the Fox struggles to survive this loss, as Arthur gives up what he loves to stay at Bedwyr's side, in the end, their struggles divide them once again; as the Fox rises, he falls; as he is re-united, he is torn from the Bear's side by his own wild pain, for what is one warlord's loss, is another's gain. From what Bedwyr had once escaped, he now returns to win battles of his own. A force to be reckoned with, the Fox heals himself with the aid of a simple blacksmith, and here again, becomes Arthur's greatest friend and champion.

Paul Bunyan, Br'er Rabbit, Bluebeard, and Billy the Kid. These are just some of the many character alive today through folktales. A goldmine for students, storytellers, and general readers, this massive work gives easy access to the stories and legends that have captivated us for generations and continue to influence film, television, literature, and popular culture. The most ambitious undertaking of its kind, this collection conveniently groups American folktales by region and includes common and less familiar stories from a wide range of ethnic traditions. It also provides a generous sampling of electronic lore circulating on the Internet. Introductions, notes, appendices, and other helpful aids cover the fascinating background of these tales and bring them alive for students of history, literature, social studies, and the arts. Included are selections from various types of tales, such as legend, joke, tall tale, personal narrative, and myth, along with a generous sampling of electronic lore circulating on the Internet. Introductions, notes, appendices, and other aids link the tales to their origins and afterlives, so that students in social studies classes can learn about American history and culture, while literature students can learn about language, genres, and dialects.