When former party girl and society photographer Theophania Bogart flees to San Francisco to escape a high-profile family tragedy, a series of murders drags her unwillingly out of hiding. In no time at all she discovers she's been providing cover for a sophisticated smuggling operation, she starts to fall for an untrustworthy stranger, and she's knocked out, tied up and imprisoned. The police are sure she's lying. The smugglers are sure she knows too much. Her friends? They aren't sure what to believe. The body count is rising and Theo struggles to find the killer before she's the next victim or her new life is exposed as an elaborate fraud. But the more deeply entangled she becomes, the more her investigation is complicated by her best friend, who is one of her prime suspects; her young protégé, who may or may not have a juvie record; her stern and unyielding grandfather, who exposes an unexpected soft center; and the man on her washing machine, who isn't quite what he appears, either. Susan Cox's Minotaur Books/Mystery Writers of America First Crime Novel Award-winning novel is a charming debut with wacky, colorful characters and a delightfully twisted mystery.

Scientist Charles Neumann loses a leg in an industrial accident. It's not a tragedy. It's an opportunity. Charlie always thought his body could be better. He begins to explore a few ideas. To build parts. Better parts. Prosthetist Lola Shanks loves a good artificial limb. In Charlie, she sees a man on his way to becoming artificial everything. But others see a madman. Or a product. Or a weapon. A story for the age of pervasive technology, Machine Man is a gruesomely funny unraveling of one man's quest for ultimate self-improvement.

The first modern translation of the complete texts of La Mettrie's pioneering L'Homme machine and L'Homme plante, first published in 1747 and 1748, respectively, this volume also includes translations of the advertisement and dedication to L'Homme machine. Justin Leiber's introduction illuminates the radical thinking and advocacy of the passionate La Mettrie and provides cogent analysis of La Mettrie's relationship to such important philosophical figures as Descartes, Malebranche, and Locke, and of his lasting influence on the development of materialism, cognitive studies, linguistics, and other areas of intellectual inquiry.

The Man in the Machine consists of lively, iconoclastic assessments of major writers and critics by Marvin Mudrick, about whom the critic Roger Sale wrote: "T. S. Eliot was not so good a reviewer as Marvin Mudrick." The book takes its title from Mudrick’s introduction, in which he writes about Edgar Allan Poe’s pervasive influence on modern literature: "[Poe] had the effrontery to palm off on us the silliest, least interesting, and most influential of twentieth-century critical dogmas: that books are machines with nobody inside." Writing about such masters as Kafka, D. H. Lawrence, Jane Austen, Trollope, Saint-Simon, Conrad, Chekhov, and Solzhenitsyn, Mudrick shows us the pyrotechnics that can occur when a towering intellect meets characters from the past with all dogma and theories of literature tossed to the wind.

From a post-AI-war Earth where humans have traded technology for survival, to an entirely new kind of naval warfare, this brilliant collection of fifteen original stories, from such authors as Jean Rabe, Simon Brown, and Ed Gorman, envisions a future where computers achieve genuine Artifical Intelligence. Original.

Ferrari means red. It means racing. Excellence, luxury, and performance. Less well-known is the man behind the brand. For nearly seventy years, Enzo Ferrari dominated a motor-sports empire that defined the world of high-performance cars. Next to the Pope, Ferrari was the most revered man in Italy. But was he the benign padrone portrayed by an adoring world press at the time, or was he a ruthless despot, who drove his staff to the edge of madness, and his racing drivers even further? Brock Yates's definitive biography penetrated Ferrari's elaborately constructed veneer and uncovered the truth behind Ferrari's bizarre relationships, his work with Mussolini's fascists, and his fanatical obsession with speed. "A fascinating and provocative book" The Observer.

MACHINE OF DEATH tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out.

Synopsis: An uninteresting man of mistaken importance struggles to understand his role in life. This imaginative and thought-provoking book of quips, reflections, and antagonisms reads in the spirit of science fiction. The author deems it “philosofiction”. Δ * * * The year is 2066. Silverberg, the world’s youngest and undisputedly most powerful country, generally entertains only the most prominent visitors and immigrants. However, this year it has intentionally attracted an otherwise uninteresting young man of average station. When the powers that lured him cannot find him, the hunt begins. Misunderstanding his importance, multiple operatives of high station and various loyalties race to find him. As time progresses, the intensity thickens. Those who join this man find their own lives disrupted and changed forever, swept up by the storm surrounding him. While he means no harm to anybody, his pursuers will not rest until he is found and destroyed. It is only a matter of time. Bombarded with varying opinions about the truth, this man struggles for discernment and understanding, but what he believes cannot save him - or can it? * * * Pragmatic dogma, theology, and atheology collide and argue in the background as we follow this unhero through a quick, comedic, dark, and philosophical journey of determining what he is - deciding between God, Man, and The Machine. This 316 page volume includes maps, art, footnotes, appendices, and more. Δ Phi·los·o·phy Investigation of the nature, causes, or principles of reality, knowledge, or values, based on logical reasoning rather than empirical methods. Fic·tion A literary work whose content is produced by the imagination and is not necessarily based on fact.

For Readers of Ray Kurzweil and Michio Kaku, a New Look at the Cutting Edge of Artificial Intelligence Imagine a robotic stuffed animal that can read and respond to a child’s emotional state, a commercial that can recognize and change based on a customer’s facial expression, or a company that can actually create feelings as though a person were experiencing them naturally. Heart of the Machine explores the next giant step in the relationship between humans and technology: the ability of computers to recognize, respond to, and even replicate emotions. Computers have long been integral to our lives, and their advances continue at an exponential rate. Many believe that artificial intelligence equal or superior to human intelligence will happen in the not-too-distance future; some even think machine consciousness will follow. Futurist Richard Yonck argues that emotion, the first, most basic, and most natural form of communication, is at the heart of how we will soon work with and use computers. Instilling emotions into computers is the next leap in our centuries-old obsession with creating machines that replicate humans. But for every benefit this progress may bring to our lives, there is a possible pitfall. Emotion recognition could lead to advanced surveillance, and the same technology that can manipulate our feelings could become a method of mass control. And, as shown in movies like Her and Ex Machina, our society already holds a deep-seated anxiety about what might happen if machines could actually feel and break free from our control. Heart of the Machine is an exploration of the new and inevitable ways in which mankind and technology will interact. The paperback edition has a new foreword by Rana el Kaliouby, PhD, a pioneer in artificial emotional intelligence, as well as the cofounder and CEO of Affectiva, the acclaimed AI startup spun off from the MIT Media Lab.

The “charming and terrifying” story of IBM’s breakthrough in artificial intelligence, from the Business Week technology writer and author of The Numerati (Publishers Weekly, starred review). For centuries, people have dreamed of creating a machine that thinks like a human. Scientists have made progress: computers can now beat chess grandmasters and help prevent terrorist attacks. Yet we still await a machine that exhibits the rich complexity of human thought—one that doesn’t just crunch numbers, or take us to a relevant web page, but understands and communicates with us. With the creation of Watson, IBM’s Jeopardy!-playing computer, we are one step closer to that goal. In Final Jeopardy, Stephen Baker traces the arc of Watson’s “life,” from its birth in the IBM labs to its big night on the podium. We meet Hollywood moguls and Jeopardy! masters, genius computer programmers and ambitious scientists, including Watson’s eccentric creator, David Ferrucci. We see how Watson’s breakthroughs and the future of artificial intelligence could transform medicine, law, marketing, and even science itself, as machines process huge amounts of data at lightning speed, answer our questions, and possibly come up with new hypotheses. As fast and fun as the game itself, Final Jeopardy shows how smart machines will fit into our world—and how they’ll disrupt it. “The place to go if you’re really interested in this version of the quest for creating Artificial Intelligence.” —The Seattle Times “Like Tracy Kidder’s Soul of a New Machine, Baker’s book finds us at the dawn of a singularity. It’s an excellent case study, and does good double duty as a Philip K. Dick scenario, too.” —Kirkus Reviews “Like a cross between Born Yesterday and 2001: A Space Odyssey, Baker’s narrative is both . . . an entertaining romp through the field of artificial intelligence—and a sobering glimpse of things to come.” —Publishers Weekly, starred review