The behind-the-scenes story of a television classic, presenting a full illustrated account of the show's history, the program's remarkable surge in popularity, and the factors that led to the show's cancellation. Includes a complete episode guide. 80 black-and-white photographs.

One of a series of novels based on the cult 1960s TV spy series, The Man From UNCLE. The series was conceived as a Bond pastiche, pitting Napoleon Solo (Robert Vaughan) and Illya Kuryaki (David McCallum) of the secret organization UNCLE against their evil counterparts THRUSH.

A struggling actor gets caught up in a mob family’s last hit in this comic crime thriller by the beloved actor from TV’s NCIS. Crime pays. And pays well. Sal, Max, and Enzo Bruschetti have proved this over a lifetime of nefarious activity that they have kept hidden from law enforcement. Now, however, Max has a problem. His doctor has told him to take it easy, and so Max has decided that the time has come for the family to retire. But when young actor Harry Murphy overhears the Bruschetti brothers planning changes to their organization, including the murder of a man in London who knows too much, he makes the well-intentioned if egregious mistake of trying to warn the Brushettis’ intended victim, and the brothers’ plans begin to unravel . . . At turns tense and funny, Once a Crooked Man is infused with the infectious charm that made David McCallum one of television’s longest running, most-beloved stars. Praise for Once a Crooked Man “Crackling, darkly comic.” —Parade “Pretty danged good.” —The Washington Post “Highly entertaining . . . McCallum respects the genre’s tenets, supplying the right amount of intrigue, violence, and sex for a well-plotted, action-packed tale.” —Associated Press

Set in an alternate reality where Richard the Lionheart’s descendants rule the Anglo-French Empire, the laws of magic have developed in place of the laws of physics. In this late 20th century world, people still travel through pea fog by horse and carriage, but magic has made levitation and enchantment spells the norm, especially at a sorcerer’s convention. The International Sorcerer’s Convention is in full swing. Until London’s Chief Forensics Sorcerer, Sir James Zwinge, is found dead inside a locked room, that is. Master Sean O Lochlainn had been at odds with Sir James over competing breakthroughs in incision-free surgery, making him the prime suspect. It’s up to Lord Darcy to solve Sir James’ murder and exonerate his own forensic sorcerer and trusted assistant. But the mystery deepens when the murder of a Naval spy is connected to that of Sir James’ death. Conflict with Poland, a dominating world power, changes the game and suddenly there is a lot more at stake than the freedom of Lord Darcy’s old friend. Too Many Magicians was nominated for the Hugo Award in 1967, and the complete Lord Darcy series later won the Sideways Award for Alternate History.

A remarkable array of different rare and unusual products that were issued in connection with this popular TV show.

The most recognizable fictional spy and one of the longest running film franchises, James Bond has inspired a host of other pop culture contributions, including Doctor Who (the Jon Pertwee era), the animated television comedy series Archer, Matt Kindt's comic book series Mind MGMT, Japan's Nakano Spy School Films, the 1960s Italian Eurospy genre, and the recent 007 Legends video game. This collection of new essays analyzes Bond's phenomenal literary and filmic influence over the past 50-plus years. The 14 essays are categorized into five parts: film, television, literature, lifestyle (emphasis on fashion and home decor), and the Bond persona reinterpreted.

Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood’s Renewed Obsession with Russia explores the reasons for this sudden reestablished interest in the Cold War. Essayists examine such films as Guy Ritchie’s The Man from U.N.C.L.E., Steven Spielberg’s Bridge of Spies, Ethan Coen and Joel Coen’s Hail, Caesar!, David Leitch’s Atomic Blonde, Guillermo del Toro’s The Shape of Water, Ryan Coogler’s Black Panther, and Francis Lawrence’s Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences’ understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II.