Tess Gallagher is one of America's leading poets. In Midnight Lantern she collects her indispensable work from forty years of writing poetry, along with an ample new section written in the west of Ireland. Included in this generous book are Gallagher's signature nocturnes - for the changing Pacific Northwest, for her tough childhood, and for her late husband, Raymond Carver, and others. Her challenging new work confronts a tumultuous century's worth of art, warfare, and illness, while certifying the stubborn resilience of poetry and love. Astonishing, insightful, mischievous, an inimitable 'seeing-into experience', Midnight Lantern is the essential book by a poet in the prime of her power. 'Gallagher's poems resound with exquisite beauty and remind me once more how it is not subject but its rendering that redeems and uplifts' - Boston Globe 'Tess Gallagher's is perhaps the most deeply moving and spiritual and intensely intelligent poetry being written in America today' - William Heyen 'It is impossible to read Tess Gallagher's poems without being drawn into their mesmerising rhythms and convinced of the rightness of her intense yet unforced images' - Joyce Carol Oates 'She is outstanding among her contemporaries in the naturalness of her inflection, the fine excess of her spirit, and the energy of her dramatic imagination' - Stanley Kunitz

Sixteen stories, mostly set on the West Coast. In My Gun, a woman meditates on the pros and cons of a gun for her protection, in The Leper a woman on the telephone attempts to dissuade a friend from suicide, and Mr. Woodruff's Neckties is on the last days of a man dying from cancer.

For the first time in published form 'The Men Will Talk to Me: Galway Interviews' chronicles the experiences of the Galway-based survivors of the War of Independence and the Civil War, recorded in the hand-written notebooks of Ernie O'Malley. Many of the individuals would not talk about their experiences, even to their own families, but were willing to talk to Commandant General O'Malley, the senior surviving Republican military commander, who took on the task of preserving the memories of these participants. The resulting O'Malley notebooks provide an unrivaled insight into this important period of Irish history, including the attack on Clifden and life 'on the run' for the Galway IRA volunteers.

A collection of short stories by Josie Gray and Tess Gallagher.

Declan O'Rourke's award-winning album, Chronicles of the Great Irish Famine, was released to critical acclaim in 2017. It illuminated an extraordinary series of eye-witness accounts, including the story of Pádraig and Cáit ua Buachalla. Four years on, in Declan's meticulously researched literary debut, the story of the ua Buachalla family is woven into a powerful, multilayered work showing us the famine as it happened through the lens of a single town - Macroom, Co. Cork - and its environs.

Who knows where the time goes? There never seems to be enough time in Kinvara, or anywhere else in Ireland for that matter. When J.J.'s mother says time's what she really wants for her birthday, J.J. decides to find her some. He's set himself up for an impossible task . . . until a neighbor reveals a secret. There's a place where time stands still—at least, it's supposed to. J.J. can make the journey there, but he'll have to vanish from his own life to do so. Can J.J. find the leak between the two worlds? Will a shocking rumor about his family's past come back to haunt him? And what does it all have to do with the village's new policeman . . . ?

Tess Gallagher's sixth book, a descent into the world of the dead, a remembrance of her recently deceased beloved.

Tess Gallagher’s new poems are suspended between contradiction and beauty Is, Is Not upends our notions of linear time, evokes the spirit and sanctity of place, and hovers daringly at the threshold of what language can nearly deliver while offering alternative corollaries as gifts of its failures. Tess Gallagher’s poems reverberate with the inward clarity of a bell struck on a mountaintop. Guided by humor, grace, and a deep inquiry into the natural world, every poem nudges us toward moments of awe. How else except by delight and velocity would we discover the miracle within the ordinary? Gallagher claims many Wests—the Northwest of America, the Northwest of Ireland, and a West even further to the edge, beyond the physical. These landscapes are charged with invisible energies and inhabited by the people, living and dead, who shape Gallagher’s poems and life. Restorative in every sense, Is, Is Not is the kind of book that takes a lifetime to write—a book of the spirit made manifest by the poet’s unrelenting gaze and her intimate engagement with the mysteries that keep us reaching.

'Ideally, a reader should finish this book, then find someone to kiss.' - Tess Gallagher'This is the best book of love poems since Neruda's.' - Bill Knott'There are as many nuances and inflections for kisses as there are lips to kiss,' says American poet Tess Gallagher. And so with these playful, serious and sassy poems about kisses, a whole book devoted to the kiss. Portable Kisses is a book which kept growing. The earliest poems were published in a hand-printed limited edition called Portable Kisses in 1978. But the poems wouldn't stop, like the best of kisses, and Tess Gallagher published a new Portable Kisses in 1992, followed two years later by Portable Kisses Expanded. This first UK edition of the most travelled kisses in poetry since Neruda's Twenty Love Poems and a Song of Despair includes all the kisses Tess Gallagher has put down on paper.