Featuring deep dives into thirst traps, drag queens, Antonio Banderas, and telenovelas—all in the service of helping us reframe how we talk about (desiring) men—this insightful memoir-in-essays is as much a coming of age as a coming out book Manuel Betancourt has long lustfully coveted masculinity—in part because he so lacked it. As a child in Bogotá, Colombia, he grew up with the social pressure to appear strong, manly, and, ultimately, straight. And yet in the films and television he avidly watched, Betancourt saw glimmers of different possibilities. From the stars of telenovelas and the princes of Disney films to pop sensation Ricky Martin and teen heartthrobs in shows like Saved By the Bell, he continually found himself asking: Do I want him or do I want to be him? The Male Gazed grapples with the thrall of masculinity, examining its frailty and its attendant anxieties even as it focuses on its erotic potential. Masculinity, Betancourt suggests, isn’t suddenly ripe for deconstruction—or even outright destruction—amid so much talk about its inherent toxicity. Looking back over decades’ worth of pop culture’s attempts to codify and reframe what men can be, wear, do, and desire, this book establishes that to gaze at men is still a subversive act. Written in the spirit of Hanif Abdurraqib and Olivia Laing, The Male Gazed mingles personal anecdotes with cultural criticism to offer an exploration of intimacy, homoeroticism, and the danger of internalizing too many toxic ideas about masculinity as a gay man.

Perfect for fans of Raina Telgemeier and All's Faire in Middle School, this sequel to the Eisner Award-nominated The Cardboard Kingdom follows the kids as they solve the mystery of a new neighborhood monster. A mystery is afoot in the Cardboard Kingdom. Vijay, the Beast, renounces his title after being bullied by neighborhood teenagers. No one--not his big sister Shikha or his friends--can seem to draw him back out of his shell. That very night is when it starts. At first, no one believes Nate, who breaks his leg trying to pursue what he saw from his bedroom window. But then there's another, and another. An unknown monster has been spotted roaming the Kingdom after dark. It's ghastly, it's quick, and it might even have giant tentacles. Or claws. Or wings. Okay, there might be some varied testimonies on what exactly this monster looks like. Forget Halloween--the newly minted Monster Mashers will go to any lengths to protect the Kingdom and uncover this mystery. But how did the monster get here? What does it want? And mostly importantly, who is behind its creation? The Cardboard Kingdom: Roar of the Beast was created, organized, and drawn by Chad Sell with writing from nine other authors: Jay Fuller, David DeMeo, Katie Schenkel, Molly Muldoon, Vid Alliger, Manuel Betancourt, Michael Cole, Cloud Jacobs, and Barbara Perez Marquez.

In a world where more women are joining the work force, where ever more are stepping out from their secluded and cloistered world and can be physically seen in larger numbers, this collection seeks to explore how male writers in Urdu view and consequently present or represent the women of their world. In her Introduction, Rakhshanda Jalil traces the history of ‘writings on women’ by both male and female writers — from the doyens of Urdu literature to contemporary writers dealing with contemporary issues, setting the mood for the stories in this collection and giving the reader a sampler of what to expect in the ensuing pages. The collection includes themes which are timeless as well as topics that are an outcome of the times we live in. Starting with two of the four pillars of the Urdu short story – Rajinder Singh Bedi and Krishan Chandar – who can be credited with introducing a realistic portrayal of women in Urdu fiction, the stories in this volume offer multiple ways of ‘seeing’ women.

A "New York Times"-bestselling author draws readers into a world where emotion can be a deadly weapon, and where there is only one possible female mate for every male. Original.

Miss Minerva Lane is a quiet, bespectacled wallflower, and she wants to keep it that way. After all, the last time she was the center of attention, it ended badly--so badly that she changed her name to escape her scandalous past. Wallflowers may not be the prettiest of blooms, but at least they don't get trampled. So when a handsome duke comes to town, the last thing she wants is his attention. But that is precisely what she gets. Because Robert Blaisdell, the Duke of Clermont, is not fooled. When Minnie figures out what he's up to, he realizes there is more to her than her spectacles and her quiet ways. And he's determined to lay her every secret bare before she can discover his. But this time, one shy miss may prove to be more than his match... The books in the Brothers Sinister series: ½. The Governess Affair (free prequel novella) 1. The Duchess War 1½. A Kiss for Midwinter (a companion novella to The Duchess War) 2. The Heiress Effect 3. The Countess Conspiracy 4. The Suffragette Scandal 4½. Talk Sweetly to Me

Since it first appeared in Screen in 1975, Laura Mulvey's essay "Visual Pleasure and Narrative Cinema" has been an enduring point of reference for artists, filmmakers, writers and theorists. Mulvey's compelling polemical analysis of visual pleasure has provoked and encouraged others to take positions, challenge preconceived ideas and produce new works that owe their possibility to the generative qualities of this key essay. In this book, the celebrated New York-based video artist Rachel Rose (born 1986) has produced an innovative work that extends and adds to the essay's frame of reference. Drawing on 18th- and 19th-century fairy tales, and observing how their flat narratives matched the flatness of their depictions, Rose created collages that connect these pre-cinematic illustrations to what Mulvey describes in her essay--cinema flattening sexuality into visuality.

Book two in the New York Times–bestselling author’s world history–spanning epic that began with Isle of Woman. Piers Anthony’s Shame of Man is a towering saga of remarkable scope, retelling the story of humanity in a daring and exciting way. At once grand in scope and intimate in human detail, Shame of Man recounts the stunning journey of a single family reborn again and again throughout history. Beginning in the earliest origins of our ancient ancestors who emerged from the Eden of Africa millions of years ago, Shame of Man follows two lovers—Hugh, a dreamer and musician, and his beloved Ann, a beautiful dancer—as they struggle to preserve their family and their way of life during some of the most turbulent periods of our savage past. Their saga takes them from the caves of prehistoric Europe to the Holy Land in the time of King David, through the imperial court of third century Japan, and Damascus in the early days of Islam, to Central Asia in the era of Genghis Khan, and the fallen paradise of Easter Island, concluding with a harrowing glimpse of our future, in the wreckage of a world devastated by global ecological catastrophe. Through their eyes we experience humanity’s greatest triumphs, and witness its greatest shame, the relentless exploitation of nature that now threatens our very survival.

Perfect for fans of Raina Telgemeier, Awkward, and All's Faire in Middle School, this graphic novel follows a neighborhood of kids who transform ordinary cardboard into fantastical homemade costumes as they explore conflicts with friends, family, and their own identity. "A breath of fresh air, this tender and dynamic collection is a must-have." --Kirkus, Starred Welcome to a neighborhood of kids who transform ordinary boxes into colorful costumes, and their ordinary block into cardboard kingdom. This is the summer when sixteen kids encounter knights and rogues, robots and monsters--and their own inner demons--on one last quest before school starts again. In the Cardboard Kingdom, you can be anything you want to be--imagine that! The Cardboard Kingdom was created, organized, and drawn by Chad Sell with writing from ten other authors: Jay Fuller, David DeMeo, Katie Schenkel, Kris Moore, Molly Muldoon, Vid Alliger, Manuel Betancourt, Michael Cole, Cloud Jacobs, and Barbara Perez Marquez. The Cardboard Kingdom affirms the power of imagination and play during the most important years of adolescent identity-searching and emotional growth. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS * THE NEW YORK PUBLIC LIBRARY * SCHOOL LIBRARY JOURNAL * A TEXAS BLUEBONNET 2019-20 MASTER LIST SELECTION "There's room for everyone inside The Cardboard Kingdom, where friendship and imagination reign supreme." --Ingrid Law, New York Times bestselling author of Savvy "A timely and colorful graphic novel debut that, like its many offbeat but on-point characters, marches to the beat of its own cardboard drum." --Tim Federle, award-winning author of Better Nate Than Ever