The insurrection of 31 May-2 June 1793 that overthrew the Girondins and brought the Montagnards to power was a decisive event in the history of the French Revolution. Morris Slavin's study is the first that discusses the background, the mechanisms, and the immediate results of the uprising, as well as the hidden forces that produced it and the contradictions that were inherent in it from the beginning. Slavin's approach to the controversy between the Gironde and the Mountain is from below (d'en bas), from the vantage point of the sections of Paris and their extralegal assembly, the Eveche assembly, and its Comite des Neuf. He shows how and why the Montagnards used the insurrectionary organs created by the sans-culottes for their own purposes, and how the Montagnards won them over against their Girondin enemies by granting the sans-culottes economic concessions, at the same time disarming them politically. This revelation of the profound differences between the sans-culottes and the Montagnards on the goals of the insurrection is a major contribution to understanding French revolutionary behavior. Slavin finds that the rank and file in the pro-Girondin sections were just as self-sacrificing and just as patriotic as the followers of the Mountain. The dispute between the Girondins and the Montagnards was an intraclass contest, not a class struggle.

An inside look at the writing process of Star Trek: Insurrection. From concept to final film script

From uncovering major retailers' links to sweatshop abuses and revealing the deception of American tobacco companies, to questioning corporations' ties to repressive dictators, shaming food processors into selling dolphin-safe tuna and demanding that businesses stop destroying old growth forests, citizens have become far more aggressive in directly

Shays' Rebellion is often dismissed in the history books as an isolated incident following the American Revolution. Sometimes, it's grudingly given credit for spurring the Constitution Convention. In this well-balanced book, David P. Szatmary devotes the time and study necessary to classify Shays' Rebellion as the historical watershed it truly is. Shays' Rebellion signified more than economically depressed New England farmers waging war on creditors; it marked the beginning of the end of the American subsistence farmer. This change in an accepted way of life was at least as painful as the birth of the new United States. Szatmary chronicles how international influences forced a change in how merchants, farmers and artisans interacted, and how the initial changes brought friction. The rebellion resulting from this friction in turn revealed how ineffective the Articles of Confederation were in dealing with a crisis that could destroy the country. Szatmary links the state's governments weakness to the Constitution by using newspaper and editorial accounts of the day to provide a well-rounded view of an overlooked milestone.

The collapse of Western colonial empires in the twenty years after the Second World War led to a series of vicious struggles for power - in Africa, Asia and the Middle East - whose bloody consequences haunt us still. Acclaimed historian Michael Burleigh's brilliant analytic skills and clear eye for common themes underpins this powerful account of those conflicts. He takes us on a historical journey from Algeria to Cuba, from Malaysia to Palestine, and from Kenya to Vietnam and, in so doing, he reframes mid-twentieth-century history by forcing us to look away from the Cold War to the hot wars that continue to afflict us. The result is a dazzling work of history, which examines the death of colonialism with passion, insight and genuine understanding of what it feels like to be caught in the middle of realpolitik.

In this incendiary new work, the controversial author and speaker Peter Rollins proclaims that the Christian faith is not primarily concerned with questions regarding life after death but with the possibility of life before death. In order to unearth this truth, Rollins prescribes a radical and wholesale critique of contemporary Christianity that he calls pyro-theology. It is only as we submit our spiritual practices, religious rituals, and dogmatic affirmations to the flames of fearless interrogation that we come into contact with the reality that Christianity is in the business of transforming our world rather than offering a way of interpreting or escaping it. Belief in the Resurrection means but one thing: Participation in an Insurrection. "What Pete does in this book is take you to the edge of a cliff where you can see how high you are and how far you would fall if you lost your footing. And just when most writers would kindly pull you back from edge, he pushes you off, and you find yourself without any solid footing, disoriented, and in a bit of a panic…until you realize that your fall is in fact, a form of flying. And it's thrilling." --Rob Bell, author of Love Wins and Velvet Elvis "While others labor to save the Church as they know it, Peter Rollins takes an ax to the roots of the tree. Those who have enjoyed its shade will want to stop him, but his strokes are so clean and true that his motive soon becomes clear: this man trusts the way of death and resurrection so much that he has become fearless of religion." --Barbara Brown Taylor, author of Leaving Church and An Altar in the World “Rollins writes and thinks like a new Bonhoeffer, crucifying the trappings of religion in order to lay bare a radical, religionless and insurrectional Christianity. A brilliant new voice—an activist, a storyteller and a theologian all in one—and not a moment too soon.” --John D. Caputo, Thomas J. Watson Professor of Religion Emeritus, Syracuse University “What does it mean when the Son of God cries out, ‘My God, My God, why have you forsaken me’? Brilliantly, candidly, and faithfully, Rollins wrestles here with that question. You may not agree with his answers and conclusions, but you owe it to yourself and to the Church at large to read what he says.” --Phyllis Tickle, author, The Great Emergence "Excellent thinking and excellent writing! I hope this fine book receives the broad reading it deserves. It will change lives, and our understanding of what religion is all about!" -- Rohr,O.F.M., Center for Action and Contemplation; Albuquerque, New Mexico

Winner of the 2015 James M. Britton Award presented by Conference on English Education a constituent organization within the National Council of Teachers of English Carmen Kynard locates literacy in the twenty-first century at the onset of new thematic and disciplinary imperatives brought into effect by Black Freedom Movements. Kynard argues that we must begin to see how a series of vernacular insurrections—protests and new ideologies developed in relation to the work of Black Freedom Movements—have shaped our imaginations, practices, and research of how literacy works in our lives and schools. Utilizing many styles and registers, the book borrows from educational history, critical race theory, first-year writing studies, Africana studies, African American cultural theory, cultural materialism, narrative inquiry, and basic writing scholarship. Connections between social justice, language rights, and new literacies are uncovered from the vantage point of a multiracial, multiethnic Civil Rights Movement.

On a late September day in 1837, shortly after sunset, a group of six slaves marched into the small Cuban village of Güira de Melena, beating African drums and singing loudly. Alarmed, villagers rushed into the streets with machetes, sabers, and spears, ready to take action against the disobedient slaves. Yet this makeshift parade never evolved into the violent rebellion the villagers expected. Though the slaves who lived on Cuban coffee and sugar plantations sometimes defied their captors by orchestrating fierce uprisings and committing murder and suicide, they also resisted in less overt ways—by running away, feigning sickness, breaking tools, and by maintaining their own cultures. In Seeds of Insurrection, Manuel Barcia examines many largely overlooked ways in which African and Creole slaves in Cuba defied domination in the first half of the nineteenth century. Ethnic and geographic origins, as well as slaves’ personal experiences, affected their resistance to bondage. Dividing resistance into two broad types—violent and nonviolent—Barcia examines when and why the slaves chose certain forms. Creole slaves grew up in Cuba, for example, so they learned both the language of their ancestors and Spanish, and they came to understand their Spanish masters as few African-born slaves ever could. Consequently, they cleverly used the few rights colonial laws offered them to their advantage. African-born slaves, by contrast, carried with them their memories from home, their religious beliefs, jokes, and songs, and they dealt with enslavement by incorporating this cultural heritage into their everyday activities. Barcia demonstrates the ways in which the slaves made use of the privacy of their huts and barracks and the lack of surveillance in the fields to voice their ideas and opinions—through song, religion, gossip, folktales, and jokes—within an acceptable degree of safety. Relying primarily on transcripts of local and central court proceedings involving slaves, free people of color, slave owners, and witnesses, Barcia reveals the slaves’ view of their world. He also explores the forms of domination practiced by colonial authorities, plantation masters, and overseers, gleaning insight from innovative sources, including medical reports and diaries of rancheadores, as well as public and private correspondence, newspapers, and the contributions of contemporary scholars. In Seeds of Insurrection, Barcia expands the definition of resistance and adds an invaluable dimension to the understanding of slavery in the Americas.

* Selected as ONE of the BEST BOOKS of the 21st CENTURY by The New York Times * NATIONAL BOOK AWARD FINALIST * New York magazine’s #1 Book of the Year * Best Book of the Year by: The Wall Street Journal; Vogue; O, The Oprah Magazine; Los Angeles Times; The San Francisco Chronicle; The New Yorker; Time; Flavorwire; Salon; Slate; The Daily Beast “Superb…Scintillatingly alive…A pure explosion of now.”—The New Yorker Reno, so-called because of the place of her birth, comes to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity—artists colonize a deserted and industrial SoHo, stage actions in the East Village, blur the line between life and art. Reno is submitted to a sentimental education of sorts—by dreamers, poseurs, and raconteurs in New York and by radicals in Italy, where she goes with her lover to meet his estranged and formidable family. Ardent, vulnerable, and bold, Reno is a fiercely memorable observer, superbly realized by Rachel Kushner.