The Making of Servant and Other Poems was first published in the early 1970's when Zithobile Qangule and Walter Saunders were fellow lecturers at the University of South Africa in Pretoria - the spiritual heart of Apartheid but with a growing 'verligte' or 'enlightened' element. One day Zithobile sent him a Xhosa poem he had translated into English for publication in Ophir, a radical independent anti-apartheid poetry magazine, which Saunders co-edited with Peter Horn and Michael Macnamara. The poem was The Making of a Servant by J.J.R. Jolobe. What a stunning poem! Ophir immediately decided to publish it with a selection of other newly-translated Xhosa poems as a small book. Qangule selected six more poems by six other - St J. Page Yako, S.W. Nkuhlu, M.E. Nyoka, Samuel Edward Krune Loliwe Ngxekengxeke Mqhayi, Alfred Zwelinzima Ngani and R.M Tshaka. All the poems Qangule wanted to work on had already been published in Xhosa and some of them translated. But those were the days of apartheid. The publishers included core Afrikaner Nationalist companies, who were making their money producing books for Bantu Education schools. Qangule felt that all the poems were deeply subversive but they had never been translated in English so as to reveal their satire and political commentary. The brief therefore of the translators, Qangule himself and Robert Mshengu Kavanagh, was to translate or re-translate the poems so as to bring this out.

All American Poem embraces the ecstatic nature of our daily lives. Introduction by Tony Hoagland.

This book, written by a team of experts from many countries, provides a comprehensive account of the ways in which translation has brought the major literature of the world into English-speaking culture. Part I discusses theoretical issues and gives an overview of the history of translation into English. Part II, the bulk of the work, arranged by language of origin, offers critical discussions, with bibliographies, of the translation history of specific texts (e.g. the Koran, the Kalevala), authors (e.g. Lucretius, Dostoevsky), genres (e.g. Chinese poetry, twentieth-century Italian prose) and national literatures (e.g. Hungarian, Afrikaans).

A collection of South African poetry.

What do people think of translation in the different historical, cultural and linguistic traditions of the world? How many uses has translation been put to? How distant from one another are the concepts of translation found in the different traditions? These are some of the questions A World Atlas of Translation addresses. Its twenty-one reports give us pictures taken from the inside, both from traditions that are well represented in the literature and from the many that (for now) are not. But the Atlas is not content with documenting – no map is this innocent. In fact, the wealth of information collected and made accessible by its reporters can be useful to gauge the dispersion of translation concepts across traditions. As you read its reports, the Atlas will keep asking “How far apart do these concepts look to you?” Finally and more ambitiously, the reports can help us test the hypothesis that a cross-cultural notion of translation exists. In this respect, the Atlas is mostly a proof of concept. It hopes to encourage further fact-based research in quest of a robust and compelling unifying notion of translation.

This book, first published in 1983, was the first detailed study of the Xhosa oral poetry tradition.

In the current climate of extreme nationalism and fear-mongering, a new politics for a socially just world is needed more than ever. Featuring internationally-renowned scholars, Applied Linguistics and Politics explores how innovative theories, methodologies and pedagogies in applied linguistics can address the political challenges and issues arising in the 21st century. Adopting a Gramscian theoretical framework, the five parts of this volume focus on the various ways in which the political is discursively and materially realized in its dialogic co-constructions within the media, the economy, culture and identity, affect, and education. Examining the power instantiations of sociolinguistic and semiotic practices in society from a variety of critical perspectives, this book questions how applied linguists can respond to, and challenge, current discourses of issues such as militarism, nationalism, Islamophobia, sexism, racism and the free market, and suggests future directions for research. Making use of a range of methodologies from discourse analysis, sociolinguistics, semiotics and political science, Applied Linguistics and Politics demonstrates how linguistics can intervene in the political and help mobilize and organize for an economically and socially just society.

From the outset, South Africa's history has been marked by division and conflict along racial and ethnic lines. From 1948 until 1994, this division was formalized in the National Party's policy of apartheid. Because apartheid intruded on every aspect of private and public life, South African literature was preoccupied with the politics of race and social engineering. Since the release from prison of Nelson Mandela in 1990, South Africa has been a new nation-in-the-making, inspired by a nonracial idealism yet beset by poverty and violence. South African writers have responded in various ways to Njabulo Ndebele's call to "rediscover the ordinary." The result has been a kaleidoscope of texts in which evolving cultural forms and modes of identity are rearticulated and explored. An invaluable guide for general readers as well as scholars of African literary history, this comprehensive text celebrates the multiple traditions and exciting future of the South African voice. Although the South African Constitution of 1994 recognizes no fewer than eleven official languages, English has remained the country's literary lingua franca. This book offers a narrative overview of South African literary production in English from 1945 to the postapartheid present. An introduction identifies the most interesting and noteworthy writing from the period. Alphabetical entries provide accurate and objective information on genres and writers. An appendix lists essential authors published before 1945.