"[The Magic Lantern of Marcel Proust] reduces the ungainly and intricately designed masterpiece to its shape, and with hardly a wasted word...The paragraphs on habit and memory are truly wonderful—wonderful as explication, as psychology, and as philosophy."—John Updike "Almost everything Moss says seems to me right, illuminating, and new. This is the book of a mature and individual mind and sensibility, with a deep experience of moral, social, psychological, and aesthetic values which is rare among critics." —George D. Painter "A moving and inspiring book. Moss clears away dark corners, clarifies motivations, and places the huge work within the reader's perspective. A book of great value to the scholar and the general reader." —Publishers Weekly "Remembrance of Things Past is more than a novel; it is a work in which a single person's life is transformed into a mythology, with its own pantheon of gods, its own religious rituals, and its own moral laws. A total vision, it does not rely on any system outside itself for support. It is as if Dante had set out to write the Paradiso and the Inferno utilizing only the facts of his own existence without any reference to Christianity...Other novelists describe or invent worlds. Remembrance of Things Past is an entire universe created and interpreted by Marcel Proust." — from Chapter 1 "Moss lays out the sweeping claims and overarching structure of Remembrance of Things Past—the significance of Swann's Way and the Guermantes Way, or why there are such long party scenes—and is equally good at bringing to light all sorts of tiny, revealing details." — from the new Foreword by Damion Searls

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"The author explores this tradition in depth and defines it with a breadth of vision, a dynamic vigor and freedom rarely paralleled today....His method, flexible, generous, humane in the best sense of the word, eschews pedantry, dogma, useless theorizing and scholastic argumentation."--The New York Times Book Review. "I wish to make it clear that The Gates of Horn represents an outstanding critical accomplishment."--Saturday Review. In the Odyssey, Homer describes two gates of the imagination: one of ivory through which fictitious dreams pass, and the other of horn, through which nothing but the truth may pass. Realism is the type of literature that passes through the horn, and in this significant study of the genre Levin examines a major form of Realism--the French novel--and focuses on five of its masters--Stendahl, Balzac, Flaubert, Zola, and Proust. Now available in paperback, Levin's study is a veritable reconstruction of the artistic and intellectual life of a nation.

How can Proust's A la recherche du temps perdu prompt us to re-imagine the cinema? Although no-one goes to the cinema in the novel, and its narrator is critical of a 'merely' cinematographic account of reality, the proposition of Thinking Cinema with Proust is that the Recherche can provide a powerful catalyst for re-thinking the cinema, and that the 'structural absence' of cinema from Proust's novel is rich in implications. Drawing on a complex terrain of intersections and overlaps between the experience of the spectator and that of Proust's narrator and reader, the book is focused around a series of motifs - reverie, the camera obscura, the magic lantern, projection, gesture and 'screen memory' - which enable a fluid movement back and forth between Proust and film theory. Patrick ffrench is Professor of French at King's College London.

Now in a convenient eBook bundle, this Modern Library edition provides the most authoritative, critically acclaimed translation of Marcel Proust’s masterpiece in six volumes, In Search of Lost Time, which includes Swann’s Way, Within a Budding Grove, The Guermantes Way, Sodom and Gomorrah, The Captive, The Fugitive, and Time Regained. Graham Greene considered Marcel Proust “the greatest novelist of the twentieth century, just as Tolstoy was in the nineteenth.” Edmund Wilson proposed that he was “perhaps the last great historian of the loves.” And Virginia Woolf celebrated Proust for “his combination of the utmost sensibility with the utmost tenacity.” The prolific French master dazzled many of the most cherished authors of our time, and now his signature work comes alive in this practical and completely accessible eBook bundle. For these Modern Library volumes, D. J. Enright revised the late Terence Kilmartin’s acclaimed reworkings of C. K. Scott Moncrieff’s and Andreas Mayor’s translations to match the definitive French editions published in recent decades. Expertly and lovingly crafted to rival Marcel Proust’s original in elegance, precision, and emotional resonance, here is In Search of Lost Time as it was meant to be read.

"Eric Karpele's guide offers a feast for the eyes as it celebrates the close relationship between the visual and literary arts in Proust's masterpiece, Karpeles has identified and located all of the paintings to which Proust makes exact reference. Where only a painter's name is mentioned to indicate a certain mood or appearance, he has chosen a representative work to illustrate the impression that Proust sought to evoke. Botticelli's angels, Manet's courtesans, Mantegna's warriors and Carpaccio's saints stand among Monet's water lilies and Piranesi's engravings of Rome, while Karpeles's insightful essay and lucid contextual commentary explain their significance to Proust. Extensive notes and a comprehensive index of all painters and paintings mentioned in the novel provide an invaluable resource for the reader navigating In Search of Lost Time for the first time or the fifth."--BOOK JACKET.

The celebrated novelist and influential cultural critic's classic biography of one of history's most important writers, Marcel Proust If there is anyone worthy of producing an intimate biography of the enigmatic genius behind Remembrance of Things Past, it is Edmund White, himself an award- winning writer for whom Marcel Proust has long been an obsession. White introduces us not only to the recluse endlessly rewriting his one massive work through the night, but also the darling of Parisian salons, the grasper after honors, and the closeted homosexual-a subject this book is the first to explore openly. From the frothiest gossip to the deepest angst, here is a moving portrait to be treasured by anyone looking for an introduction to this literary icon.

This study examines Marcel Proust’s works and his readers, starting of with the reading encounter one needs in order not to miss out on things, and ending by exploring the nature of Proust’s vision. An interesting study for everyone who wants to know more about Proust and his ideas.

The importance of vision and visual arts such as painting, theatre, and sculpture in Marcel Proust's A la recherche du temps perdu has long been affirmed; another significant system of visual representation in the novel is photography. Proust appropriated photography as a practice with its own distinctive characteristics which could inform his writing about the processes of perception and memory. Through close textual analysis of scenes where photography is experienced or observed as a practice, and scenes where photography is written into the body of the text, Aine Larkin offers an invigorating new study that sheds genuinely new light on the presence of photographic motifs in Proust's novel, and the subtlety of Proust's engagement with this modern imaging system in his work.