An exploration of Mozart’s strong ties to Freemasonry and how its principles profoundly shaped his musical work • Reveals how Mozart structured his music on Masonic ritual and ceremony to provide a musical lexicon of Masonic symbols • Shows that Freemasonry plays the same role in Mozart’s work as Lutheran Christianity plays in that of Bach Thanks to recently discovered documents, we now have a fuller picture of the esoteric influences on the life and work of Wolfgang Amadeus Mozart. Musicologist Jacques Henry shows that the Masonic influence on Mozart goes beyond those pieces, such as The Magic Flute, that fulfilled a ritual purpose for the composer. His works actually provide a complete musical lexicon of Masonic symbols inspired by the principles of the craft and the spirit of the Masonic quest. Mozart constructed his Masonic compositions by creating auditory correspondences to the symbols present in the rituals, choosing keys and tempos that transpose their content into harmony. His understanding of the use of symbol allowed him to create music that would lead the listener into a harmony that transcended earthly existence. A number of musicologists believe that the place of the Masonic spiritual vision in Mozart’s work is comparable to that held by Lutheran Christianity in the work of Johann Sebastian Bach. Mozart wed his deep understanding of music to the esoteric wisdom he gained as a Freemason. He shows that when we lose ourselves in the expression of pure harmony, it is the same as the symbol being lost in what it symbolizes. Jacques Henry provides a rigorous and original analysis of Mozart’s works that reveals their inner meaning as shaped by the composer’s profound embrace of the spiritual principles of Freemasonry.

Chailley, a professor of music history at the Sorbonne, reveals the coherence of the opera and the hidden significance of its characters and situations. The author relates each of these elements to the esoteric tradition from which they emanate and to Mozart's own involvement with the Masonic brotherhood.

A comprehensive guide to Mozart's THE MAGIC FLUTE, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with German/English translation side-by side, and over 30 music highlight examples.

A Stanford University Press classic.

Enter a magical world of monster serpents, mysterious ladies, and flying machines where giant flowers and butterflies the size of birds abound. It is here, amidst a lush wood and within a dark labyrinthine castle that an unforgettable cast of characters gathers and a magical story of good versus evil unfolds. Readers will thrill as Prince Tamino strives to save Princess Pamina from the wicked Queen of the Night and the Chancellor Monostatos. Accompanied by Papageno, the birdcatcher, and a magic flute to ward off evil, Tamino and Pamina must overcome thundering waterfalls and walls of fire to save their kingdom from darkness and live happily ever after. Illustrated with the glorious paintings of Peter Malone, this enchanting retelling of Mozart's famous opera paired with an audio CD is sure to delight lovers of fairytales and music alike.

Award-winning author Matt Rees takes readers to 18th centuryAustria, where Mozart’s estranged sister Nannerl stumblesinto a world of ambition, conspiracy, and immortal music while attempting touncover the truth about her brother’s suspicious death. Did Mozart’s life endin murder? Nannerl must brave dire circumstances tofind out, running afoul of the secret police, the freemasons, and even theAustrian Emperor himself as she delves into a scandal greater than she had everimagined. With captivating historical details, compelling characters, and areal-life mystery upon which everything hinges, Rees—the award-winning authorof the internationally acclaimed Omar Yussefcrime series—writes in the tradition of Irvin Yalom’sWhen Nietzsche Wept, Louis Bayard’s The Pale Blue Eye, andPhillip Sington’s The Einstein Girl to achievethe very best in historical fiction with Mozart’s Last Aria.

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

An exploration of how modern Freemasonry enabled Isaac Newton and his like-minded contemporaries to flourish • Shows that Freemasonry, as a mystical order, was conceived as something new--an amalgam of alchemy and science that had little to do with operative Freemasonry • Reveals how Newton and his friends crafted this “speculative,” symbolic Freemasonry as a model for the future of England • Connects Rosslyn Chapel, Henry Sinclair, and the Invisible College to Newton and his role in 17th-century Freemasonry Freemasonry, as a fraternal order of scientists and philosophers, emerged in the 17th century and represented something new--an amalgam of alchemy and science that allowed the creative genius of Isaac Newton and his contemporaries to flourish. In Isaac Newton’s Freemasonry, Alain Bauer presents the swirl of historical, sociological, and religious influences that sparked the spiritual ferment and transformation of that time. His research shows that Freemasonry represented a crossroads between science and spirituality and became the vehicle for promoting spiritual and intellectual egalitarianism. Isaac Newton was seminal in the “invention” of this new form of Freemasonry, which allowed Newton and other like-minded associates to free themselves of the church’s monopoly on the intellectual milieu of the time. This form of Freemasonry created an ideological blueprint that sought to move England beyond the civil wars generated by its religious conflicts to a society with scientific progress as its foundation and standard. The “science” of these men was rooted in the Hermetic tradition and included alchemy and even elements of magic. Yet, in contrast to the endless reinterpretations of church doctrine that fueled the conflicts ravaging England, this new society of Accepted Freemasons provided an intellectual haven and creative crucible for scientific and political progress. This book reveals the connections of Rosslyn Chapel, Henry Sinclair, and the Invisible College to Newton’s role in 17th-century Freemasonry and opens unexplored trails into the history of Freemasonry in Europe.

Die Zauberflöte had its premiere at the Theater auf der Wieden in Vienna on 30th September 1791, less than ten weeks before Mozart's death. It has proved to be one of the most enduringly popular of all his works and has enchanted generations of opera-goers of all ages. In a fairy-tale allegory imbued with serious philosophical concerns, the opera combines ethereal music with earthy comedy to convey a message of hope for a better world.In this guide, Nicholas Till writes about the background and genesis of the opera, locating it on the cusp of the Enlightenment and the beginnings of German Romanticism. Julian Rushton provides a detailed analysis of the score with numerous musical examples highlighting its many delights, and Hugo Shirley surveys the different and often bizarre permutations that the opera has undergone on stage since some of its very earliest performances through to the present day.The guide contains the complete German libretto with a new English translation by Kenneth Chalmers and incorporates all the dialogue so frequently cut in performances. There are sixteen pages of illustrations, a musical thematic guide, a discography, a bibliography and DVD and website guides. The guide provides a perfect companion to opera-goers wishing to extend their understanding and increase their enjoyment of this much beloved work.