Charles Wesley (1707-1788) was the cofounder of Methodism and the author of more than 9,000 hymns and sacred poems, including such favorites as "Hark the Herald Angels Sing," "O for a Thousand Tongues to Sing," and "Christ the Lord Is Risen Today." John Tyson here traces the remarkable life of this influential man from cradle to grave, using rare -- including previously unpublished -- hymns, letters, and journal materials. As the younger brother of John Wesley, Charles was a vital partner in the Methodist revival. While often standing in the shadow of his more famous brother, Charles Wesley was arguably the founder of the Oxford Holy Club, and he actually experienced evangelical conversion three days prior to John. In Assist Me to Proclaim Tyson explores, among other things, behind-the-scenes questions about the brothers' sometimes-stormy relationship. Notwithstanding all his accomplishments as an evangelist and itinerant preacher, Charles is chiefly remembered for his startling facility at writing hymns that show God at work in almost every instance of life. His remarkable legacy endures around the world, as hundreds of Charles Wesley hymns are still sung in churches everywhere today. Assist Me to Proclaim draws a picture of a man whose fidelity to both the Church of England and the original vision of Methodism energized his remarkable abilities as a revivalist and hymn writer. Readers also get a glimpse into Wesley's heart and mind through the window of his hymn texts. This is a biography that any student of church history or hymnody will welcome.

The theological concerns of Charles Wesley are expressed primarily through his repertory of over 9,000 hymns and sacred poems. They include inquiries into the meaning of the Church's sacred rites, festivals, and seasons (e.g., Holy Communion, Baptism, Advent, Christmas, Easter, Ascension, Pentecost) and a host of other concerns, such as conversion, sanctification, perfection, holiness, grace, and love. This volume prepares the reader to read Wesley's poetry, showing the plethora of literary, theological,and societal influences on his thought and writing; and brings together a collection of hymns and sacred poems that are representative of his theological perspectives. The reader is given the opportunity to become better equipped to grasp the meaning of Wesley's profound lyrical theology and its implications for contemporary theology and life.

The Wesleyan tradition was born in song. Early Methodist people found their true identity as the children of God through singing, and the hymns of Charles Wesley, in particular, shaped their self-understanding and praxis.

One of the difficulties in studying the theology of Wesleyan hymns and sacred poems is that it is couched in a literary and liturgical art form that does not fit into the usual intellectual paths defined over the last two centuries for the study of theology, which tends to be a prose endeavour.

Excerpts from Charles and John Wesley, co-founders of Methodism, provide insight into the renewal of dynamic and vital Christianity and into the struggles and concerns of all who seek to be faithful participants in God's vision of love in every age.

This book examines the primary biblical themes in the lyrical theology of Charles Wesley, the master hymn writer and cofounder of the Methodist movement. Methodism was born in song, and it is highly doubtful whether without the hymns of Charles Wesley there could have been a Methodist revival. Charles's hymns have exerted a monumental influence on Methodist doctrine and Methodist people through the years. They are essentially mosaics of biblical texts; in singing these hymns, Methodists have sung the grand narrative of redemption and restoration in the biblical witness. A summary list of key biblical texts drawn from the 1780 Collection of Hymns for the Use of the People Called Methodists serves as a summa of Charles Wesley's theology and points to the doctrinal concerns that shaped his life most fully. Intended as an exploration of Wesleyan theology through the lens of "sung doctrine," this study demonstrates the world-making and life-shaping effect of hymns, and the way in which they emanate from Charles Wesley's life of prayer and evoke a life of service.

This volume brings together the theological interpretation of the sacraments of baptism and Holy Communion as expressed in the writings and hymns of John and Charles Wesley. -Section 1 addresses the Anglican-Methodist sacrament of baptism as interpreted by John Wesley with excerpts from his Treatise on Baptism. -Section 2 contains commentaries on six of Charles Wesley's hymns on baptism. The commentaries seek to elucidate not only the theological emphases of the texts but also their meaning for the church today. -Section 3 moves to the sacrament of Holy Communion and includes excerpts from John Wesley's sermon "On the Duty of Constant Communion." Charles Wesley expresses similar views in his treatise on Holy Communion, "And upon the first Day of the Week," and in his twenty-two stanza poem "Happy the Saints of Former Days." -Section 4 includes the commentaries on sixteen Wesley hymns for Holy Communion. -Section 5 includes new musical settings for all of the twenty-two Wesley hymns on baptism and Holy Communion included here by twenty contemporary composers from North and South America, Asia, and Europe. In a variety of musical styles they seek to capture the various theological emphases and nuances of the texts.

Sanctification is a central theme in the theology of both John and Charles Wesley. However, while John’s theology of sanctification has received much scholarly attention, significantly less has been paid to Charles’ views on the subject. This book redresses this imbalance by using Charles’ many poetic texts as a window into his rich theological thought on sanctification, particularly uncovering the role of resignation in the development of his views on this key doctrine. In this analysis of Charles’ theology of sanctification, the centrality he accorded to resignation is uncovered to show a positive attribute involving acts of intention, desire and offering to God. The book begins by putting Charles’ position in the context of contemporary theology, and then shows how he differed in attitude from his brother John. It then discusses in depth how his hymns use the concept of resignation, both in relation to Jesus Christ and the believer. It concludes this analysis by identifying the ways in which Charles understood the relationship between resignation and sanctification; namely, that resignation is a lens through which Charles views holiness. The final chapter considers the implications of these conclusions for a twenty-first century theological and spiritual context, and asks whether resignation is still a concept which can be used today. This book breaks new ground in the understanding of Charles Wesley’s personal theology. As such, it will be of significant interest to scholars of Methodism and the Wesleys as well as those working in theology, spirituality, and the history of religion.

In 1736, a century into Britain's expansion in North America, Charles Wesley arrived, and departed, the American colonies. His time in Georgia, where he was a missionary of the Church of England, Colonel Oglethorpe's personal aide, and secretary of Indian Affairs, was filled with discord and difficulty. Despite being treated warmly by the Anglican clergy of Boston, he struggled as a newly ordained Anglican priest, and was enveloped by scandal when two women accused him and Oglethorpe of moral impropriety. Charles Wesley in America is the first comprehensive treatment of this period in Wesley's ministry. Kimbrough provides the first explanation of Wesley's silence following the Oglethorpe affair, and also examines his negative attitudes towards the Revolutionary War and nascent opposition to slavery. Drawing on primary sources such as Wesley's poetry and a rare letter exchange between two former slaves whom Wesley befriended in Bristol, Kimbrough gives fresh insight into this formative period and the impact it had on Wesley's later career.

The present collection of essays examines specific texts by Charles Wesley in multiple dimensions (theological, poetical, historical, biographical, etc.), demonstrating both the profound nature of the hymns and their continued relevance for Christians today. The discussions are organized by theological/liturgical topics, and each essay treats us to the hymn in its complete original form (noting significant variants as necessary), explains the historical context of its composition, provides a theological interpretation, and relates it to the life and faith of the believer. In the pages of this book, the reader will find both information and inspiration. Scholars of hymnody and of Charles Wesley will appreciate the depth of inquiry in the chapters. Just as importantly, laypersons and hymn lovers (as well as scholars) will find much spiritual benefit from the study of hymns they know and love, as well as texts with which they may be less familiar. This exploration of these profound hymns will surely lead to a deeper understanding of the "amazing love" responsible for changing the course of Charles Wesley's life, who in turn changed the course of Christian worship. With contributions from: Steve Weaver Jonathan A. Powers Patrick A. Eby Christopher P. McFadden C. Michael Hawn Josh Dear Joe Harrod Paul W. Chilcote Roger D. Duke Michael A.G. Haykin Margaret Garrett Jim Scott Orrick