Emily Barlow is a simple English girl bound to the subcontinent of India from her home land, but this is where her virginity will end. Her ship is taken by pirates and she is presented as a gift to be the new sex slave of the Dey of Algiers, Ali. He subjects her to his will awakening her sexual passions as he deflowers her repeated, as she lays in his harem and going as far to acquirer her friends to become part of his harem and sexual will as will. What is this poor virtuous virgin girl of good breeding to do?

The author of Finding Master Right returns to the Master Unleashed series with a new erotic romance with an unexpected surprise. When Juliet Callahan's company lands a contract to renovate Catacombs, a mysterious private BDSM club, she's intrigued. The club's owner, William Ellis, is a bossy, dominant man who drives her up the wall. To find out what Catacombs needs, Juliet agrees to visit the club, never guessing she'll end up having a torrid night of submitting to Will's dominance. Will doesn't want a needy submissive he has to treat with kid gloves, but naïve and proper Juliet is too hard to resist. She responds to him beautifully, but after one scorching night, she runs scared. Before he can figure out what makes the interesting girl tick, an unexpected shock shows up on his doorstep. His ex's baby.

Orientalism is about much more than just information gathered about the East within its general postcolonial period. In this period, orientalism is a Western discourse that dominated and shaped the view of the East. There is “otherization” in the way the West has historically looked at the East and within the information presented about it. These original stories of travelers in the past and previous telling about the East are facing a reconstruction through modern types of media. Cinema, television, news, newspaper, magazine, internet, social media, photography, literature, and more are transforming the way the East is presented and viewed. Under the headings of post-orientalism, neo-orientalism, or self-orientalism, these new orientalist forms of work in combination with both new and traditional media are redefining orientalism in the media and beyond. The Handbook of Research on Contemporary Approaches to Orientalism in Media and Beyond shows how both new media and traditional media deal with orientalism today through the presentation of gender, race, religion, and culture that make up orientalist theory. The chapters focus on how orientalism is presented in the media, cinema, TV, photography, and more. This book is ideal for communications theorists, media analysts, practitioners, researchers, academicians, and students working in fields that include mass media, communications, film studies, ethnic studies, history, sociology, and cultural studies.

Erotic literature comprises fictional and factual stories and accounts of human sexual relationships which have the power to or are intended to arouse the reader sexually. Other common elements are satire and social criticism. The invention of printing, in the 15th century, brought with it both a greater market and increasing restrictions, like censorship and legal restraints on publication on the grounds of obscenity. Because of this, much of the production of this type of material became clandestine. August Nemo has selected seven classic tales of eroticism that are part of the history of human sexual culture: - Daphnis and Chloe by Longus - Idylll by Guy de Maupassant - Beatrice Palmato by Edith Wharton - Venus in Furs by Leopold von Sacher-Masoch - The Lustful Turk by Anonymous - Sub-Umbra by Anonymous - How He Lost His Whiskers: An Episode in the Life of Steve Broad by Anonymous For more books with interesting themes, be sure to check the other books in this collection!

Venture into the eerie and enigmatic with Ambrose Bierce’s collection of supernatural tales, "Can Such Things Be." This gripping anthology explores the boundaries of reality with stories that delve into the realms of the bizarre and the uncanny. What if the most unsettling experiences were not just figments of imagination but genuine encounters with the supernatural? Bierce’s masterful storytelling will leave you questioning the line between reality and the supernatural, challenging your perceptions of what is possible. With its chilling narratives and unsettling twists, this collection is perfect for readers who relish spine-tingling tales and the exploration of the unknown. Ideal for fans of classic horror and supernatural fiction. Are you prepared to confront the unsettling mysteries of "Can Such Things Be" and uncover the dark secrets that lie beyond the ordinary? Embrace the unknown—purchase "Can Such Things Be" today and dive into a world of supernatural intrigue and suspense!

Gender and sexuality have long held an important place in western attitudes towards the people and regions of the world-from the titillating accounts of harem life in the Middle East to terrifying captivity narratives of North America. The Erotic Margin is a first attempt to pull together the large, disparate, and often contradictory literature, and view it as a corpus. Schick argues that such images served to construct spatial difference, and thereby helped Europe represent its own place in the world during an age of rapid geographical expansion. Informed by the recent literature on human geography as well as feminist and postcolonial theory, The Erotic Margin focuses on erotica and sexual anthropology as well as travel literature in which, from the eighteenth century on, both traveler and destination were portrayed in unmistakably gendered and sexualized terms. Reviewing examples ranging from the New World to India, the Near East to black Africa, and the South sea islands to the Barbary Coast, the book reflects on why foreign women were variously portrayed as alluring or threatening, foreign men as effeminate weaklings or dangerous rapists, and foreign lands as sexual idylls or hearts of darkness.

The Sheik—E. M. Hull’s best-selling novel that became a wildly popular film starring Rudolph Valentino—kindled “sheik fever” across the Western world in the 1920s. A craze for all things romantically “Oriental” swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today’s mass-market romance novels. In this groundbreaking cultural history, Hsu-Ming Teo traces the literary lineage of these desert romances and historical bodice rippers from the twelfth to the twenty-first century and explores the gendered cultural and political purposes that they have served at various historical moments. Drawing on “high” literature, erotica, and popular romance fiction and films, Teo examines the changing meanings of Orientalist tropes such as crusades and conversion, abduction by Barbary pirates, sexual slavery, the fear of renegades, the Oriental despot and his harem, the figure of the powerful Western concubine, and fantasies of escape from the harem. She analyzes the impact of imperialism, decolonization, sexual liberation, feminism, and American involvement in the Middle East on women’s Orientalist fiction. Teo suggests that the rise of female-authored romance novels dramatically transformed the nature of Orientalism because it feminized the discourse; made white women central as producers, consumers, and imagined actors; and revised, reversed, or collapsed the binaries inherent in traditional analyses of Orientalism.