Representations of forensic procedures saturate popular culture in both fiction and true crime. One of the most striking forensic tools used in these narratives is the chemical luminol, so named because it glows an eerie greenish-blue when it comes into contact with the tiniest drops of human blood.Luminol is a deeply ambivalent object: it is both a tool of the police, historically abused and misappropriated, and yet it offers hope to families of victims by allowing hidden crimes to surface. Forensic enquiry can exonerate those falsely accused of crimes, and yet the rise of forensic science is synonymous with the development of the deeply racist 'science' of eugenics.Luminol Theory investigates the possibility of using a tool of the state in subversive, or radical, ways. By introducing luminol as an agent of forensic inquiry, Luminol Theory approaches the exploratory stages that a crime scene investigation might take, exploring experimental literature as though these texts were 'crime scenes' in order to discover what this deeply strange object can tell us about crime, death, and history, to make visible violent crimes, and to offer a tangible encounter with death and finitude. At the luminol-drenched crime scene, flashes of illumination throw up words, sentences, and fragments that offer luminous, strange glimpses, bobbing up from below their polished surfaces. When luminol shines its light, it reveals, it is magical, it is prescient, and it has a nasty allure.TABLE OF CONTENTS // Preface: Christmas, Colorado, 1996 - Section I. Queer Light: Forensics, Psychoanalysis, Hermeneutics - Section II. The Abject Parlour: Polyester Gothic, Traces at the Scene, Christmas in Colorado - Section III. Deadly Landscapes: The Shining, Colorado Histories, The Locus Terriblis - Conclusion: Necrolight, Luminol

Fiction. Poetry. Art. Women's Studies. When human blood reacts with luminol, it lights up a ghostly blue. This reaction, most commonly used to detect whether violence has taken place at suspected crime scenes, combines the human and the chemical, it invokes violence and disposability but also transformation. THE LUMINOL REELS takes its imagery from pornography, Catholicism, and crime scene investigation to interrogate the violence done to women. It considers the ongoing brutality of the femicides in Ciudad Juarez and the institutional misogyny of the Catholic Church. Violence is intrinsically linked to location, and the shrines, quinceanera parties, holy communions, and seances of this book are all stained luminescent blue. "A fierce and deadly little fantasia that bites its way deep into your brain." Brian Evenson "'We were plump and pretty, our skin glowed like Chinese lanterns and he wanted our laughter for himself': In THE LUMINOL REELS, Laura Ellen Joyce finds the blue-glowing, b-movie heart of Plath's and Ballard's atrocity exhibitions and the parapornography of reliquaries. Joyce may write: 'This one is for the sickos, ' but this is a book for readers who are into David Lynch, Aase Berg, Bluebeard (any version), hagiography; 'splatter gurlesque' and media theory. In other words: people who want their reading to feel like drinking 'luminol margaritas.'" Johannes Goransson"

While fat sexual bodies are highly visible as vehicles for stigma, there has been a lack of scholarly research addressing this facet of contemporary body politics. Fat Sex: New Directions in Theory and Activism seeks to rectify this, bringing debates about fat sex into the academic arena and providing a much-needed critical space for voices from across the spectrum of theory and activism. It examines the intersection of fat, sex and sexuality within a contemporary cultural landscape that is openly hostile towards fat people and their perceived social and aesthetic transgressions. Acknowledging and engaging with some of the innovative work being done by artists, activists, and academics around the issue of fat sex, this collection both challenges preconceptions regarding fatness and sexuality, but also critiques and debates various aspects of the fat activist approach. It draws on a wide range of disciplinary perspectives, bringing together work from the UK, US, Europe, and Australia to offer a wide-ranging examination of the issues of size, sex, and sexuality. A cutting-edge exploration not only of fat sex, but of identity politics, neoliberalism and contemporary body activism in general, Fat Sex: New Directions in Theory and Activism will be of interest to scholars of sociology, cultural studies, geography, porn studies and literary studies working on questions of gender, sexuality and the body.

This book represents the first serious consideration of the 'domestic noir' phenomenon and, by extension, the psychological thriller. The only such landmark collection since Lee Horsley's The Noir Thriller, it extends the argument for serious, academic study of crime fiction, particularly in relation to gender, domestic violence, social and political awareness, psychological acuity, and structural and narratological inventiveness. As well as this, it shifts the debate around the sub-genre firmly up to date and brings together a range of global voices to dissect and situate the notion of 'domestic noir'. This book is essential reading for students, scholars, and fans of the psychological thriller.

Poetry. RELIQUARY FEVER: NEW AND SELECTED POEMS gathers the work of Beckian Fritz Goldberg, one of her generation's premiere voices and its fiercest proponent of a free imagination. From the beginning of her career and in all of her six acclaimed volumes, Goldberg's poetry has rendered labels--narrative, meditative, lyric, experimental--irrelevant. It is quickened instead by the body as it experiences itself in an open environment: un-codified, stranded by longing and love and grief, defiantly caring in the midst of our violent cultural moment, at once creaturely and divine, precisely sensory, and somehow pluralized by every harrowing turn. With artfully conversational intensity her new poems extend her vision of an earthly cosmos that resurrects itself daily.

Intelligence is now acknowledged as the hidden dimension to international diplomacy and national security. It is the hidden piece of the jigsaw puzzle of global relations that cements relationships, undermines alliances and topples tyrants, and after many decades of being deliberately overlooked or avoided, it is now regarded as a subject of legitimate study by academics and historians. This second edition of Historical Dictionary of International Intelligence covers its history through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on espionage techniques, categories of agents, crucial operations spies, defectors, moles, double and triple agents, and the tradecraft they apply. This book is an excellent access point for students, researchers, and anyone wanting to know more about the international intelligence.