Table of contents

Jew. The word possesses an uncanny power to provoke and unsettle. For millennia, Jew has signified the consummate Other, a persistent fly in the ointment of Western civilization’s grand narratives and cultural projects. Only very recently, however, has Jew been reclaimed as a term of self-identification and pride. With these insights as a point of departure, this book offers a wide-ranging exploration of the key word Jew—a term that lies not only at the heart of Jewish experience, but indeed at the core of Western civilization. Examining scholarly debates about the origins and early meanings of Jew, Cynthia M. Baker interrogates categories like “ethnicity,” “race,” and “religion” that inevitably feature in attempts to define the word. Tracing the term’s evolution, she also illuminates its many contradictions, revealing how Jew has served as a marker of materialism and intellectualism, socialism and capitalism, worldly cosmopolitanism and clannish parochialism, chosen status, and accursed stigma. Baker proceeds to explore the complex challenges that attend the modern appropriation of Jew as a term of self-identification, with forays into Yiddish language and culture, as well as meditations on Jew-as-identity by contemporary public intellectuals. Finally, by tracing the phrase new Jews through a range of contexts—including the early Zionist movement, current debates about Muslim immigration to Europe, and recent sociological studies in the United States—the book provides a glimpse of what the word Jew is coming to mean in an era of Internet cultures, genetic sequencing, precarious nationalisms, and proliferating identities.

“I was nine years old when my mother forced me to convert to Christianity….” When Theodore Ross moved from New York City to small-town Mississippi, his mother insisted that the family pretend to not be Jewish. He was sent to an Episcopal school, where he studied the Bible, sang in the choir, and even took communion. As an adult, he abandoned the religious charade, but wondered: Am I a Jew? In search of an answer, Ross immersed himself within communities on the fringes of Jewish identity—“Crypto-Jews,” “Lost Tribes,” the ultra-Orthodox, and more. Filled with humor, curiosity, and sincerity, Am I a Jew? explores America’s riotous religious diversity, and one man’s quest to stake a claim within it.

From the acclaimed author of The Jew in the Lotus comes an "engrossing and wonderful book" (The Washington Times) about the unexpected connections between Franz Kafka and Hasidic master Rabbi Nachman of Bratslav—and the significant role played by the imagination in the Jewish spiritual experience. Rodger Kamenetz has long been fascinated by the mystical tales of the Hasidic master Rabbi Nachman of Bratslav. And for many years he has taught a course in Prague on Franz Kafka. The more he thought about their lives and writings, the more aware he became of unexpected connections between them. Kafka was a secular artist fascinated by Jewish mysticism, and Rabbi Nachman was a religious mystic who used storytelling to reach out to secular Jews. Both men died close to age forty of tuberculosis. Both invented new forms of storytelling that explore the search for meaning in an illogical, unjust world. Both gained prominence with the posthumous publication of their writing. And both left strict instructions at the end of their lives that their unpublished books be burnt. Kamenetz takes his ideas on the road, traveling to Kafka’s birthplace in Prague and participating in the pilgrimage to Uman, the burial site of Rabbi Nachman visited by thousands of Jews every Jewish new year. He discusses the hallucinatory intensity of their visions and offers a rich analysis of Nachman’s and Kafka’s major works, revealing uncanny similarities in the inner lives of these two troubled and beloved figures, whose creative and religious struggles have much to teach us about the Jewish spiritual experience.

Based on a medieval extrabiblical Christian legend, the figure of the Wandering Jew has long served as a negative representation of all Jews. Condemned by Christ to endless wandering and everlasting life, the Wandering Jew has lived on ever since in literature and criticism as a legendary and symbolic paradigm, ranging from anti-Jewish stereotype to the generalized cultural Other. While Romanticism took him outside of the Jewish context, nineteenth-century antisemitic racism again adopted the figure in an evolving discourse that culminated in his image in Nazi propaganda as the despicable, racialized cultural Other who needed to be exterminated. The present work takes up this trope in all its complex, intersecting facets and shifts the focus of the inquiry from the perspective of the dominant culture to that of the Jewish Other. Starting with nineteenth-century American popular and mainstream writers, it explores the responses to, and the subversions and reinventions of, the paradigmatic figure in works by a variety of European, Canadian, and American Jewish writers and thinkers. It also opens the discussion to the broader issues of contemporary society and politics, such as pervasive uprootedness, transborder migration, the plight of refugees, and states’ rights versus human rights.

The past few decades have seen a remarkable surge in Jewish influences on American culture. Entertainers and artists such as Jerry Seinfeld, Adam Sandler, Allegra Goodman, and Tony Kushner have heralded new waves of television, film, literature, and theater; a major klezmer revival is under way; bagels are now as commonplace as pizza; and kabbalah has become as cool as crystals. Does this broad range of cultural expression accurately reflect what it means to be Jewish in America today? Bringing together fourteen new essays by leading scholars, You Should See Yourself examines the fluctuating representations of Jewishness in a variety of areas of popular culture and high art, including literature, the media, film, theater, music, dance, painting, photography, and comedy. Contributors explore the evolution that has taken place within these cultural forms and how we can best explain these changes. Are variations in our understanding of Jewishness the result of general phenomena such as multiculturalism, politics, and postmodernism, or are they the product of more specifically Jewish concerns such as the intermarriage/continuity crisis, religious renewal, and relations between the United States and Israel? Accessible to students and general readers alike, this volume takes an important step toward advancing the discussion of Jewish cultural influences in this country.

“In The Ruined House a ‘small harmless modicum of vanity’ turns into an apocalyptic bonfire. Shot through with humor and mystery and insight, Ruby Namdar's wonderful first novel examines how the real and the unreal merge. It's a daring study of madness, masculinity, myth-making and the human fragility that emerges in the mix." —Colum McCann, National Book Award-winning author of Let the Great World Spin Winner of the Sapir Prize, Israel’s highest literary award Picking up the mantle of legendary authors such as Saul Bellow and Philip Roth, an exquisite literary talent makes his debut with a nuanced and provocative tale of materialism, tradition, faith, and the search for meaning in contemporary American life. Andrew P. Cohen, a professor of comparative culture at New York University, is at the zenith of his life. Adored by his classes and published in prestigious literary magazines, he is about to receive a coveted promotion—the crowning achievement of an enviable career. He is on excellent terms with Linda, his ex-wife, and his two grown children admire and adore him. His girlfriend, Ann Lee, a former student half his age, offers lively companionship. A man of elevated taste, education, and culture, he is a model of urbanity and success. But the manicured surface of his world begins to crack when he is visited by a series of strange and inexplicable visions involving an ancient religious ritual that will upend his comfortable life. Beautiful, mesmerizing, and unsettling, The Ruined House unfolds over the course of one year, as Andrew’s world unravels and he is forced to question all his beliefs. Ruby Namdar’s brilliant novel embraces the themes of the American Jewish literary canon as it captures the privilege and pedantry of New York intellectual life in the opening years of the twenty-first century.

A how-to for Jewish spirituality that works. "A spiritual seeker is a person whose soul is awake. In this book I make no assumptions about how much you know about Judaism, what holidays you keep, or whether you believe in God. I want us to start from your soul's experience and carry on from there." --from the Introduction "Virtually anyone remotely affiliated with Judaism should read this book," wrote Publishers Weekly, which listed Jewish with Feeling among its Best Religion Books of the Year. "Without question the best, most readable introduction to Reb Zalman's philosophy of Judaism, it is also the best beginner's guide to Jewish spirituality available today," wrote the Forward, "the perfect book for both the spiritual seeker and the curious skeptic." Taking off from basic questions like "Why be Jewish?" and whether the word God still speaks to us today, Reb Zalman lays out a vision for a whole-person Judaism. This is not only Sinai then but Sinai now, a revelation of the Torah inside and all around us. Complete with many practical suggestions to enrich your own Jewish life, Jewish with Feeling is "a mystical masterpiece filled with spiritual practices and an exciting vision of the future" (Spirituality & Health). Spiritual experience, as Reb Zalman shows, repays every effort we make to acquire it.

A DEBUT NOVEL OF DARING ORIGINALITY, THE YID GUARANTEES THAT YOU WILL NEVER THINK OF STALINIST RUSSIA, SHAKESPEARE, THEATER, YIDDISH, OR HISTORY THE SAME WAY AGAIN Moscow, February 1953. A week before Stalin's death, his final pogrom, "one that would forever rid the Motherland of the vermin," is in full swing. Three government goons arrive in the middle of the night to arrest Solomon Shimonovich Levinson, an actor from the defunct State Jewish Theater. But Levinson, though an old man, is a veteran of past wars, and his shocking response to the intruders sets in motion a series of events both zany and deadly as he proceeds to assemble a ragtag group to help him enact a mad-brilliant plot: the assassination of a tyrant. While the setting is Soviet Russia, the backdrop is Shakespeare: A mad king has a diabolical plan to exterminate and deport his country's remaining Jews. Levinson's cast of unlikely heroes includes Aleksandr Kogan, a machine-gunner in Levinson's Red Army band who has since become one of Moscow's premier surgeons; Frederick Lewis, an African American who came to the USSR to build smelters and stayed to work as an engineer, learning Russian, Esperanto, and Yiddish; and Kima Petrova, an enigmatic young woman with a score to settle. And wandering through the narrative, like a crazy Soviet Ragtime, are such historical figures as Paul Robeson, Solomon Mikhoels, and Marc Chagall. As hilarious as it is moving, as intellectual as it is violent, Paul Goldberg's THE YID is a tragicomic masterpiece of historical fiction.