Every Canteen Kate story ever published--22 in all--is collected for the first time in "The Lost Art of Matt Baker (Vol. 1)," judiciously restored and enlarged 20 percent over their original published size. A rich introduction by veteran comics writer Steven Ringgenberg provides insightful historical and biographical context, and a bonus gallery spotlights Baker's skills as a cover artist. Best of all, Baker and his good-time gal bring you weapons-grade guffaws as well as art that will leave you eager to see more from this master draftsman. Regardless of what comics Baker drew, one quality always emerged: his naturalistically gorgeous women. This master of "good girl" art drew every installment of the candid wartime cutie, from her premiere in "Fightin' Marines" (1951) to her final bow in "Anchors Andrews" (1953), all contained in this volume. Unlike the jingoistic comics typically published during the Korean War, Canteen Kate tales were designed to be morale-boosting screwball fun. Volume 2 in "The Lost Art of Matt Baker" series will collect his entire output for the "Wartime Romances" comic, and Volume 3 will provide a sampling of his best war, western, and suspense stories (forthcoming in 2014). This volume on Matt Baker represents the sixth release from the much-lauded Lost Art Books line. Lost Art Books, the flagship series from Picture This Press, collects and preserves the works of illustrators and cartoonists from the first half of the 20th century. Too many of these artists have gone underappreciated for too long, with much of their work uncollected or unexamined for decades, if at all. The Lost Art Books series aims to preserve this cultural heritage by re-introducing these artists to new generations of working illustrators, historians, and admirers of things beautiful.

Every Canteen Kate story ever published--22 in all--is collected for the first time in "The Lost Art of Matt Baker (Vol. 1)," judiciously restored and enlarged 20 percent over their original published size. A rich introduction by veteran comics writer Steven Ringgenberg provides insightful historical and biographical context, and a bonus gallery spotlights Baker's skills as a cover artist. Best of all, Baker and his good-time gal bring you weapons-grade guffaws as well as art that will leave you eager to see more from this master draftsman. Regardless of what comics Baker drew, one quality always emerged: his naturalistically gorgeous women. This master of "good girl" art drew every installment of the candid wartime cutie, from her premiere in "Fightin' Marines" (1951) to her final bow in "Anchors Andrews" (1953), all contained in this volume. Unlike the jingoistic comics typically published during the Korean War, Canteen Kate tales were designed to be morale-boosting screwball fun. Volume 2 in "The Lost Art of Matt Baker" series will collect his entire output for the "Wartime Romances" comic, and Volume 3 will provide a sampling of his best war, western, and suspense stories (forthcoming in 2014). This volume on Matt Baker represents the sixth release from the much-lauded Lost Art Books line. Lost Art Books, the flagship series from Picture This Press, collects and preserves the works of illustrators and cartoonists from the first half of the 20th century. Too many of these artists have gone underappreciated for too long, with much of their work uncollected or unexamined for decades, if at all. The Lost Art Books series aims to preserve this cultural heritage by re-introducing these artists to new generations of working illustrators, historians, and admirers of things beautiful.

Collected for the First Time All 14 Beautifully Restored Stories in an oversized format Ray Willner was a casualty of the culture wars. With a comics career dating to 1939, Willner produced impressive work for publishers small and large throughout the 1940s. By 1949 he landed one of the only steady gigs in his career for an unusual publisher: The Brown Shoe Company. While working initially on their Buster Brown Comic Book a giveaway created to drum up business in stores selling Brown s footwear for kids Willner found a simpatico spirit in fellow artist Reed Crandall. Although their collaboration on the Brown Shoe Co. series The Adventures of Robin Hood lasted less than a year cancelled in the wake of the scaremongering backlash against comics in the 1950s the seven issues produced by Willner with Crandall represent a seldom seen high-water mark in comics art. They were the last comics Willner would ever draw. The Lost Art of Ray Willner collects all of those Robin Hood stories for the first time since their original publication in 1956 and includes an introductory essay on Willner s life and career."

"Presents an impressive career cut tragically short, featuring a wealth of essays, interviews with Baker's friends, family, and co-workers, a complete checklist of his work, and a treasure trove of his finest artwork, including several complete stories"--P. [4] of cover.

The contributions gathered in this volume exhibit a great variety of interdisciplinary perspectives on and theoretical approaches to the notion of ‘spaces between’. They draw our attention to the nexus between the medium of comics and the categories of difference as well as identity such as gender, dis/ability, age, and ethnicity, in order to open and intensify an interdisciplinary conversation between comics studies and intersectional identity studies.

A history of American comic books told almost entirely through reprinted comic book covers.

NATIONAL BESTSELLER • Considering a trip to a quaint English village? You’ll think twice after learning about the countless murderous possibilities lurking behind the bucolic façades, thanks to this illustrated guide from #1 bestselling author Maureen Johnson and illustrator Jay Cooper—perfect for fans of cozy mysteries. A weekend roaming narrow old lanes, touring the faded glories of a country manor, and quaffing pints in the pub. How charming. That is, unless you have the misfortune of finding yourself in an English Murder Village, where danger lurks around each picturesque cobblestone corner and every sip of tea may be your last. If you insist on your travels, do yourself a favor and bring a copy of this little book. It may just keep you alive. Brought to life with dozens of Gorey-esque drawings by illustrator Jay Cooper and peppered with allusions to classic crime series and unmistakably British murder lore, Your Guide to Not Getting Murdered in a Quaint English Village gives you the tools you need to avoid the same fate, should you find yourself in a suspiciously cozy English village (or simply dream of going). Good luck! And whatever you do, avoid the vicar.

Fueled by an itinerant childhood, Kreigh Collins (1908-74) had a wanderlust that led to a lifetime of adventures, whether it was leaving his humble midwestern roots to study the masters in the Louvre and hone his craft painting on the banks of the Seine or getting knifed in Morocco while on a painting trip by boat in North Africa. But equally strong was the draw of his adopted home in Michigan, which is where he launched and set his first syndicated newspaper strip, Mitzi McCoy, in 1948. It didn't take long, though, for wanderlust to strike again, rendering Mitzi as but a precursor to Collins' eventual 20-year run on the picaresque adventure comic, Kevin the Bold. Lost Art Books celebrates these beautiful beginnings with this complete collection of Collins' Mitzi McCoy.

★ Publishers Weekly starred review A Best Book of 2018 in Religion, Publishers Weekly Reading great literature well has the power to cultivate virtue, says acclaimed author Karen Swallow Prior. In this book, she takes readers on a guided tour through works of great literature both ancient and modern, exploring twelve virtues that philosophers and theologians throughout history have identified as most essential for good character and the good life. Covering authors from Henry Fielding to Cormac McCarthy, Jane Austen to George Saunders, and Flannery O'Connor to F. Scott Fitzgerald, Prior explores some of the most compelling universal themes found in the pages of classic books, helping readers learn to love life, literature, and God through their encounters with great writing. The book includes end-of-chapter reflection questions geared toward book club discussions, original artwork throughout, and a foreword by Leland Ryken. The hardcover edition was named a Best Book of 2018 in Religion by Publishers Weekly. "[A] lively treatise on building character through books.'"--Publishers Weekly (starred review)