In Which Mr May Makes A Mistake And Mr Bryant Goes Into The Dark On a rainy winter night outside a run-down nightclub in the wrong part of London, four strangers meet for the first time at 4:00am. A few weeks later the body of an Indian textile worker is found hanging upside down inside a willow tree on Hampstead Heath. The Peculiar Crimes Unit is called in to investigate. The victim was found surrounded by the paraphernalia of black magic, and so Arthur Bryant and John May set off to question experts in the field. But the case is not what it appears. When another victim seemingly commits suicide, it becomes clear that in the London night is a killer who knows what people fear most. And he always strikes at 4:00am. In order to catch him, the PCU must switch to night shifts, but still the team draws a blank. John May takes a technological approach, Arthur Bryant goes in search of academics and misfits for help, for this is becoming a case that reveals impossibilities at every turn, not least that there's no indication of what the victims might have done to attract the attentions of a murderer that doesn’t seem to exist. But impossibilities are what the Peculiar Crimes Unit does best. As they explore a night city where all the normal rules are upended, they’re drawn deeper into a case that involves murder, arson, kidnap, blackmail, bats and the psychological effects of loneliness on Londoners. It's a trail that takes them from the poorest part of the East End to the wealthiest homes in North London - an investigation that can only end in tragedy...

If you loved A Man Called Ove, then prepare to be delighted as Jamaican immigrant Hubert rediscovers the world he'd turned his back on this "warm, funny" novel (Good Housekeeping). In weekly phone calls to his daughter in Australia, widower Hubert Bird paints a picture of the perfect retirement, packed with fun, friendship, and fulfillment. But it's a lie. In reality, Hubert's days are all the same, dragging on without him seeing a single soul. Until he receives some good news—good news that in one way turns out to be the worst news ever, news that will force him out again, into a world he has long since turned his back on. The news that his daughter is coming for a visit. Now Hubert faces a seemingly impossible task: to make his real life resemble his fake life before the truth comes out. Along the way Hubert stumbles across a second chance at love, renews a cherished friendship, and finds himself roped into an audacious community scheme that seeks to end loneliness once and for all . . . Life is certainly beginning to happen to Hubert Bird. But with the origin of his earlier isolation always lurking in the shadows, will he ever get to live the life he's pretended to have for so long?

“Oh, joy, a new Peculiar Crimes Unit case by Christopher Fowler . . . the best fun is running all over the city with these amiable partners.”—The New York Times Book Review The brilliant Arthur Bryant and John May take the late, late shift in a cat-and-mouse hunt with a killer who preys on his victims at the same time every night—the lonely hour of 4 A.M. When a man is found hanging upside down inside a willow tree on Hampstead Heath, surrounded by a baffling assortment of occult objects, the Peculiar Crimes Unit is called in to investigate. Was this a botched satanic ritual pulled off by bored teenagers, a gang initiation, or the work of a mastermind with grander intentions? Bryant and May set off in search of answers and are soon reminded that London is a city steeped in blood and magic. When another body is pulled from the river at dawn, it becomes clear that a killer lurks in the night. To catch him, the PCU switches to graveyard shifts, but the team still comes up short. As they explore a night city where the normal rules do not apply, they’re drawn deeper into a case that involves murder, arson, kidnapping, blackmail, loneliness, and bats. May takes a technological approach, while Bryant goes in search of his usual academics and misfits for help, for this investigation reveals impossibilities at every turn. How do you stop a killer who appears not to exist? Luckily, impossibilities are what the Peculiar Crimes Unit does best.

A serious and stylish look at sophisticated nonalcoholic beverages by a former Bon Appétit editor and James Beard Award nominee. “Julia Bainbridge resets our expectations for what a ‘drink’ can mean from now on.”—Jim Meehan, author of Meehan’s Bartender Manual and The PDT Cocktail Book NAMED ONE OF THE BEST COOKBOOKS OF THE YEAR BY Bon Appétit • Los Angeles Times • Wired • Esquire • Garden & Gun Blackberry-infused cold brew with almond milk and coconut cream. Smoky tea paired with tart cherry juice. A bittersweet, herbal take on the Pimm’s Cup. Writer Julia Bainbridge spent a summer driving across the U.S. going to bars, restaurants, and everything in between in pursuit of the question: Can you make an outstanding nonalcoholic drink? The answer came back emphatically: “Yes.” With an extensive pantry section, tips for sourcing ingredients, and recipes curated from stellar bartenders around the country—including Verjus Spritz, Chicha Morada Agua Fresca, Salted Rosemary Paloma, and Tarragon Cider—Good Drinks shows that decadent brunch cocktails, afternoon refreshers, and evening digestifs can be enjoyed by anyone and everyone.

The Lonely Soldier--the inspiration for the documentary The Invisible War--vividly tells the stories of five women who fought in Iraq between 2003 and 2006--and of the challenges they faced while fighting a war painfully alone. More American women have fought and died in Iraq than in any war since World War Two, yet as soldiers they are still painfully alone. In Iraq, only one in ten troops is a woman, and she often serves in a unit with few other women or none at all. This isolation, along with the military's deep-seated hostility toward women, causes problems that many female soldiers find as hard to cope with as war itself: degradation, sexual persecution by their comrades, and loneliness, instead of the camaraderie that every soldier depends on for comfort and survival. As one female soldier said, "I ended up waging my own war against an enemy dressed in the same uniform as mine." In The Lonely Soldier, Benedict tells the stories of five women who fought in Iraq between 2003 and 2006. She follows them from their childhoods to their enlistments, then takes them through their training, to war and home again, all the while setting the war's events in context. We meet Jen, white and from a working-class town in the heartland, who still shakes from her wartime traumas; Abbie, who rebelled against a household of liberal Democrats by enlisting in the National Guard; Mickiela, a Mexican American who grew up with a family entangled in L.A. gangs; Terris, an African American mother from D.C. whose childhood was torn by violence; and Eli PaintedCrow, who joined the military to follow Native American tradition and to escape a life of Faulknerian hardship. Between these stories, Benedict weaves those of the forty other Iraq War veterans she interviewed, illuminating the complex issues of war and misogyny, class, race, homophobia, and post-traumatic stress disorder. Each of these stories is unique, yet collectively they add up to a heartbreaking picture of the sacrifices women soldiers are making for this country. Benedict ends by showing how these women came to face the truth of war and by offering suggestions for how the military can improve conditions for female soldiers-including distributing women more evenly throughout units and rejecting male recruits with records of violence against women. Humanizing, urgent, and powerful, The Lonely Soldier is a clarion call for change.

On the morning of 9 February 2014, when Sam Smith woke up and saw the four statuettes he’d taken home from the previous night’s Grammy Awards Ceremony, it must have felt like a dream come true. At only twenty-two years old and coming just eight months after the US release of his debut album, In the Lonely Hour, calling Sam Smith’s victory an ‘overnight success story’ seemed wholly appropriate.In fact, Sam had been working towards releasing his own music for over a decade and training his voice for even longer. After falling under the spell of Whitney Houston and Chaka Khan as a child, straining his voice to imitate them and match their incredible vocal ranges, tuition from a local jazz singer and time spent in a local theatre group and youth choir encouraged Sam to pursue singing as a career.But Sam’s first attempts to become a professional singer floundered and left him disillusioned and jaded. By the time he turned eighteen, Sam had seen six different managers come and go, he’d recorded a whole album’s worth of songs which were never released and he was beginning to think he’d never get his big break.Then in 2010, giving himself one more year to make it, Sam moved to London. After spending a year working full-time in a bar, a chance encounter with Elvin Smith, a fellow musician turned artist manager, changed Sam’s life forever. In just over eighteen months, Sam’s voice had featured on a number-one song and he was about to sign his own major label deal.The songs Sam wrote for his debut album would go on to capture the hearts of a massive international audience. Along the way there were celebrity friendships, number-one records, world tours and the inevitable press speculation about his personal life. In this revealing biography, Joe Allen charts the meteoric rise of Britain’s singing sensation. With his multi-platinum debut barely scratching the surface of what we can expect from Sam in the future, the next decade is sure to be as eventful as the last.

The stress of her father's job loss causes Fain to feel invisible at home and in her new school, but she escapes with the monsters of her imagination until a family crisis and a human friend cause her to reconsider.

Winner of CrimeFest 2013's 'eDunnit Award' for 'the best crime fiction ebook published in 2012 in both hardcopy and in electronic format'. Two small children are playing a game called 'Witch-Hunter'. They place a curse on a young woman taking lunch in a church courtyard and wait for her to die. An hour later the woman is indeed found dead inside St Bride's Church - a building that no-one else has entered. Unfortunately Bryant & May are refused the case. Instead, there are hired by their greatest enemy to find out why his wife has suddenly started behaving strangely. She's become an embarrassment to him at government dinners, and he is convinced that someone is trying to drive her insane. She has even taken to covering the mirrors in her apartment, and believes herself to be the victim of witchcraft. Then a society photographer is stabbed to death in a nearby park and suddenly a link emerges between the two cases. And so begins an investigation that will test the members of the Peculiar Crimes Unit to their limits, setting Arthur Bryant off on a trail that leads to Bedlam and Bletchley Park, and into the world of madness, codes and the secret of London's strangest relic. As the members of the Peculiar Crimes Unit dig behind the city's facades to expose a world of private clubs, hidden passages and covert loyalties, they realise that the case might not just end in disaster - it might also get everyone killed.